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Coalition of the Willing: film-making, collaboration, activism

This is a brilliant initiative: a growing online activist movie created by an army of collaborators, who are animating a script by philosopher/activist Tim Rayner:


Still from Coalition of the Willing: Back to the 60s by World Leaders

The film is appearing online at coalitionofthewilling.org.uk. Rayner’s collaborator is the film maker Simon Robson aka Knife Party, who has pulled in a glorious range of film makers and animators to bring Rayner’s script – on how activists can come together to combat climate change.

The first clips went up at the start of this week. More will be appearing in waves in the coming weeks.

it’s a really exciting way of bringing creative people together on a project like this. The medium is wonderful. I’m not entirely sure I’m convinced of the message – though I would like to be. The Coalition of the Willing’s theme is that that the net allows “swarm politics” to flourish, giving activists a unique chance to mobilise against global warming.

While the net does have that effect, there are two other effects which seem to be just as strong:

1) It gives exactly the same power to those who think the very opposite of what you do – witness the swarm  of warming scepticism online.

2) Though it creates lots of networks there is no real incentive for those networks to link up. They are often reproducing exactly the same message, deploying the same tactics, in isolation from each other. At the same time as it pulls people together it also keeps them in separate silos.

Knife Party, Tim Rayner

FILMMAKERS: Adam Gault & Stefanie Augustine, Bran Dougherty-Johnson, Cassiano Prado, Mario Sader & Ralph Pinel, Clapham Road Studios, Dave Baum, Decoy, Dom Del Torto, Dylan White & Andy Hague, Echolab, Foreign Office, Andreas Gebhardt, James Wignall,BBWD (Loyalkaspar), Sehsucht – Directed by Mate Steinforth, Mighty Nice, Parasol Island, Thiago Maia, World Leaders, Yum Yum London

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Creating Cities: Culture, Space, and Sustainability – The City, Culture, and Society (CCS) Conference

Jointly organized by Japan Center, Institute for Cultural and Social Anthropology and Institute for European Ethnology, and Seminar of Economic History of Ludwig Maximilians University Munich, and Urban Research Plaza of Osaka City University

supported by

The Japan Foundation, Osaka City University, State Ministry for Social Affairs of Bavaria, Münchener Universitätsgesellschaft

The conference Creating Cities: Culture, Space and Sustainability, which will take place from 25 to 27 February 2010, investigates the forces that shape the conditions of urban development and the creation of cities in comparative and interdisciplinary perspective. In recent years, the notion of the „creative city“ has become a guiding framework for thinking about the present and future state of cities and their capability of coping with the impact and challenges of globalization. Cities are regarded as engines of regional, national, and global economic growth because they are the key centers for cultural production and consumption and target areas for mobility and migration. They are also contested sites because of increasing cultural and social diversity. Simultaneously, cities use cultural diversity and even counter-cultures to display appealing images and representations of creativity and innovation. Many citizens aspire to live and work in the cosmopolitan global environments that only metropolitan centers seem to be able to provide, but cities also provide vital space for the challenged, homeless, and other socially disadvantaged groups. The resolution of social disparities is consequently becoming an urgent policy task. Environmental and social sustainability, urban revitalization and amenity are major keywords of our time.

In this context, this conference focuses on the interactions among culture, sustainability, and space. We would like to emphasize inquiry into the dynamics of cultural creativity, industries and production, the risks and benefits of both cultural diversity and social inclusion or exclusion, the sustainability of efforts to plan and redesign the urban built environment to promote creativity, and the identity politics of representations of the city and creativity in the popular imagination as well as spaces of heritage and tourism. We recognize that there are many different groups and focal points related to creating cities, so one major purpose of this conference is to create a framework in which both practitioners and researchers of different disciplines can interact and share ideas about how urban environments are being transformed.

Introductory Session: Creating Cities & Creative Cities

As global market forces penetrate hitherto closed rural areas wherever market liberalization occurs, urbanization, too, is progressing rapidly. Even though regional differences obviously do exist the global ratio of urban population has now crossed the 50-percent line. While mega cities may be one of the most conspicuous phenomena of the present urbanization the term urban must be understood in a much broader sense. The fact that the majority of urban dwellers still lives in smaller and medium-sized settlements is frequently overlooked. Only through a combined effort of local supplier development, national institutional support, and foreign investment can there be any real benefits from for example creative cluster development and economies of scale and scope. Two prominent regions of Southeast Asia, namely the Greater Mekong Region and Singapore, will serve as examples as this session will investigate the relationship between the process of creating cities and the making of creative cities.

Session 1: Creative Diversity, Socioscapes, and Cultural Politics

This session critically reviews current notions and implications of cultural diversity in cities by bringing together broadly three strands: representation, socioscapes, and cultural politics. The interplay between creating particular urban images and the urban condition of particular socioscapes, ranging from less empowered groups such as those that are affected by transnational precarization to elite diasporas, will be examined.

Session 2: City Marketing

Cities are increasingly undertaking marketing activities to support their local economy. By way of example, this section will look at how city marketing may cope with challenges in terms of communication content, tools or media, and with regard to underlying organizational structures and processes.

Session 3: Mobility and Built Environment

Mobility is a crucial aspect of globalization and the development of more efficient mobility systems on a grand scale is a significant locus for planning activity in global cities. This session will compare and contrast corporate and planning approaches to mobility issues in several global cities.

Session 4: Networks

Global cities rely upon networks with other cities, and the institutions, infrastructure, character, extent and effects of such inter-city networking are the subject for this session. It will identify the possibilities and constraints on such network development.

See also the detailed conference program (as of 2010-01-14, pdf format, 600 KB).

Please note:

  • The conference will take place at the IBZ Munich, Amalienstraße 38, D-80799 Munich / Germany (how to get there).
  • Admission fee (regular/student) will be EUR 40/20 for the whole conference, or EUR 20/10 for participation on Thursday and EUR 10/5 for participation on Friday or Saturday, respectively.
  • If you would like to attend the conference, please register until February 15th, 2010 via E-Mail schicken an osakamuc2010@lrz.uni-muenchen.de E-Mail(Subject: Registration Creating Cities)
  • Please also consult our list of accomodations near the conference site.
  • For the duration of the symposium (25-27 February) our invited guests will be staying at the Savoy Hotel Munich at Amalienstrasse 25 (Tel. +49 (0) 89 / 287870 - how to get there). At the hotel, they will receive the conference folder, containing also a map with the symposium venue indicated. The symposium venue is literally just down the street, at Amalienstrasse 38, i.e. in easy walking distance (cf. the Google Maps location of the hotel).

Prof. Dr. Evelyn Schulz

LMU Japan Center

phone: +49 89 / 2180-9800
fax: +49 89 / 2180-9801

For further inquiries, please E-Mail schicken an osakamuc2010@lrz.uni-muenchen.de E-Mail us.

via Veranstaltungen – Ludwig-Maximilians-Universität München.

APInews: Call: Arts/Justice Symposium, Toronto, May

Open Call

The Laurier Centre for Music in the Community calls for presentation proposals for “Arts for Social and Environmental Justice,” a symposium at Toronto’s Royal Conservatory, May 15, 2010. The one-day symposium features as keynote speakers arts-integration educator Rena Upitis; Stephen K. Levine, dean of the doctoral program in Expressive Arts: Therapy, Education, Consulting and Social Change at the European Graduate School; and cultural critic Max Wyman. The conference invites submissions dealing with the symposium themes in the form of research papers, interactive workshops and narrative papers describing practices in the educational or arts community. Deadline is February 15. The symposium is co-hosted by ISIS-Canada and the European Graduate School.

via APInews: Call: Arts/Justice Symposium, Toronto, May.

Streetlight Storm by Katie Paterson


“At any one time there are around 6,000 lightening storms happening across the world amounting to some 16 million storms each year.”

… a delicious fact is culled from Pippa Irvine’s review of Paterson’s Street Light Storm installation on Deal Pier on FAD Fast Art News:

Inspired by such dizzying statistics Paterson set about translating this natural phenomena into a poetic and beautiful artwork on Deal Pier in Kent. Harnessing everyday technology, lightening signals from as far away as the North Pole or North Africa are received by an antenna on the pier and projected as short bursts of light. As the pattern of lightening strikes changes, so the pier lights oscillate correspondingly, with a subtlety that contrasts with the power and drama of the storms they reflect.

To watch the pier by night is a genuinely magical experience with each flash anticipated with mounting tension. Every sporadic burst is accompanied by an appreciative emotional thrill and a sense of awe at the fact that somewhere out there the ominous rumbles of thunder and lightening are mounting. The work connects spectators to the vastness of the world beyond, collapsing the distance between the individual and remote meteorological events.

It’s an interesting way of making art that represents scientific data in an open-ended way. Paterson turns Deal Pier a kind of lightning rod for the world; the romantic-era majesty of a lightening storm is reduced to data, but then remade as flickers of light.

The artwork was originally intended to run throughout January but has apparently gone down so well that it’ll remain there until February 28, weekdays 5-10pm, weekends 5pm-8am.

www.katiepaterson.org/streetlightstorm/

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The new bucolics: Caught by the River


Illustration by Jonathan Newdick from Caught by The River

In our industrial societies,  nature comes to represent the escape from the business of our lives. Caught by the River (“the antidote to indifference”) has been around a while; it’s an interesting collective of people who have come together to reflect on the luxury of taking time out in by a riverbank.

It’s a website less inspired by environmentalism than a kind of gentle refusenik-ism – something more to do with Tom Hogkinson’s and Gavin Praetor-Pinney’s The Idler than anything more strident – but it’s growing into a great online repository for new ways of looking at the British countryside.

Co-founded music entrepreneur Jeff Barrett and including a contributor list of artists, writers, photographers and songsmiths it claims the late Roger Deakin as its patron saint. Deakin’s brilliant Waterlog: A Swimmer’s Journey Through Britain is becoming a handbook for a kind of half-mystical, half-historic neo-Romantic approach to the world.

The site is full of gems. Last week they featured a timely reappraisal of the work of Richard Brautigan; today they start to feature a series of pieces of music influenced by birds. They begin with a song from British Sea Power called “The Great Skua (Plover demo”) which you can listen to here.

Last year they published an anthology:  Caught by the River: A Collection of Words on Water.
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The impossible hamster & RSAnimate: thoughts on “nubs”

httpvh://www.youtube.com/watch?v=Sqwd_u6HkMo

Yesterday, the New Economics Foundation released this video to support their report about the irreconcilability of the idea of sustained economic growth with the idea of sustainability itself,  Growth Isn’t Possible. It’s made by Leo Murray, one of the makers of The Age of Stupid and the short film  Wake Up Freak Out.

The Impossible Hamster is a clever way of drawing attention to an idea, using a short viral video. In some circles this would be called an agit-nub, nubs being “short videos that explain or bring an idea to life“.

In the last couple of years, nubs have increasingly become the means by which new ideas are spread around the web. They encapsulate how the web works; by making them embeddable, they become a freebie for other content producers. Spreading ideas and messages on the web is about reciprocity; you have to give in order to receive attention.

Nubs raise a few questions. Firstly, at the moment wit is still prized as much as quality, but will the increasing standards of advertising viral videos begin to crowd out the more low-fi productions like Leo Murray’s? Take a look at this ad about the persuasive technology of a musical staircase which turns out to be an advertisement by Volksvagen. Made to look low-fi by the adevertising agency DDB Stockholm, it became one of the most successful virals of last year. Advertisers are spending increasingly large sums producing these virals.

Secondly, if nubs are the repository for political messages, will we soon have “nub wars”? As somebody in the office pointed out the moment they saw The Impossible Hamster, a climate sceptic might have made a video of a hamster growing not only fat but clever enough to start building new worlds.

Thirdly, do they respresent a kind of Darwinism of ideas; if an idea is not reducible to a three minute nub will it become worthles?

Myself, I don’t think so. I think their mix of expression and intellect makes them an incredibly powerful new genre.

On the last point, the RSA’s own RSAnimate series shows that nubs don’t need to be reductionist. Take a look at Matthew Taylor’s Left Brain Right Brain which is just out this week:

Look out for new videos coming up on the new RSA Comment pages:http://comment.rsablogs.org.uk/

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Bandit Lites Strives for 80% Green by December 2011 | iSquint.net

From Justin Lang over at iSquint.net

Here is an interesting story from Bandit Lites in Nashville. With the huge kick to “Go Green”, Bandit Lites has taken it one step further. While most companies are working on ways to develop and manufacturer low energy usage lighting fixtures, Bandit Lites is re-thinking their entire operation, starting with the logo.  To help show that they are serious about the push to go green, Bandit Lites has changed the color of their logo and website to green.  But it doesn’t stop their.  They are also looking at their facilities as well and how to cut down on energy loss and waste as well as cutting back on printed materials and sorting for recycling.

But it doesn’t stop there, what about out on tour.  Bandit Lites has been working with GRNlite to develop energy efficient and affordable LED fixtures. Below is a photo of the LEDs that Bandit and GRNlite have developed.

You can learn more about Bandit Lites GRNlites LED fixtures by visiting their web site at www.banditlites.com.  So why is Bandit Lights pushing so hard to become much more energy efficient by December 2011?  The same reason all of us need to look at our energy usage, to help keep our world here for many years to come.

via Bandit Lites Strives for 80% Green by December 2011 | iSquint.net.

RSA Arts & Ecology – MA in Art & Environment: 2010

University College Falmouth
MA Art & Environment: 2010

For centuries artists have interpreted and represented the natural environment. It has provided materials and subject matter, as well as inspiration and knowledge. In recent times – particularly since the growth of the environmental movement – there has been a dramatic change in our understanding of the many ways our society impacts upon the Earth. This awareness has galvanised around the fact that the relationship between humanity and our life-giving planet is in a critical state.

This change in knowledge has been reflected in contemporary art practice. MA Art & Environment, at University College Falmouth, encourages a focused engagement with ecological and environmental issues. Designed to give students the skills, expertise and confidence to operate as a professional artist in this critical area of practice, the course will also enable them to develop strategies and practices that use art as a cultural agent – as a tool for knowledge, understanding and change.

Students on the course have opportunities to benefit from the Universtity’s relationship with Cape Farewell, The Eden Project and University of Exeter’s Environment and Sustainability Institute.

For further information please
contact Dr Daro Montag
daro.montag[@]falmouth.ac.uk
+44 (0)1326 211077

RSA Arts & Ecology – Residencies | Bengal Eco Art Rally

BEAR Residency Program
Bengal Eco Art Rally

Application Deadline: February 20, 2010

14 x 2-weeks and 4-weeks residencies for the following disciplines:

• environmental art • landscape/garden design • architecture – Selected artists will be offered travel and subsistence cost

The program is exclusive to UK based artists

From BEAR:

We offer a multi-disciplinary residency program for UK and Indian artists to conceive and execute new ideas and to work on BEAR projected activities with site-specific responses to the rich natural environment of Sunderbans .

The working environment in Sunderbans is intended to be conducive to the creative process and the program is designed to foster a collegial atmosphere and sense of community among the participating artists.

BEAR programme aims to host UK 14 artists for 4-week residencies from May through November 2009. and from Jan to July 2010 – We provide each artist with comfortable living quarters in Sunderbans

BEAR is primarily designed to support artists in the following disciplines: eco-arts, landscape and garden design and architecture. While we are open to consideration of other more specialized disciplines, as a general rule we focus on the creative phase of the artistic process.

Participation in the residency program is primarily determined by a competitive selection process that follows an open call to artists. Applications are evaluated by separate, balanced, rotating juries in the following fields:

• environmental art
• landscape/garden design
• architecture 

The residency program has a modest invitation element as well. Artists whose work is held in particularly high regard by selection committee members and staff as well as those artists proposing projects of special/strategic significance for BEAR vision are invited to participate alongside and on the same terms as those offered residencies by virtue of the jury system.

BEAR selections are based on the strength of the artist’s existing body of work, the perceived importance of the creative project(s) being proposed by the artist for his/her residency and an evaluation of the likelihood of the artist achieving success and satisfaction in Sunderbans environment. We enthusiastically welcome candidates from varying backgrounds, with varying belief systems and of differing age groups.

If you are interested in taking part, please send your project proposal to lotfi@pax08.com

THE FIRST INTERNATIONAL SUMMER SCHOOL Of Arts and Sciences for Sustainability in Social Transformation

Call for participants

in the framework of:

THE FIRST INTERNATIONAL SUMMER SCHOOL

Of Arts and Sciences for Sustainability in Social Transformation

1. Overview

The International Council for Cultural Centers (I3C: www.international3c.org), the International Network Cultura21 (Cultural Fieldworks for Sustainability: www.cultura21.net) and the Latin American Network of Art for Social Transformation (Red-LATS: www.artetransformador.net/) are organizing, in collaboration with the Center for the Study of Culture and Society (CSCS: www.cscsarchive.org) the first international summer school of arts and sciences for sustainability in social transformation. The event is planned for early August 2010 in Bulgaria, in the beautiful Balkan mountains (Gabrovo).

We are seeking participants in the summer school! As the number of participants will be limited to a total of maximum 30 persons, you are encouraged to apply as soon as possible!

Are you an artist, a practitioner or an academic working for or interested in the advancement of sustainability and social transformation (i.e. goals of social justice, ecological awareness and environmental action, human rights and self- determination, cultural and biodiversity, among others)? Are you looking for inter-or trans-disciplinary methodologies, and for inter-cultural dialogues? Are you interested in the relationships of bodily movements and/or of other sensuous/sensorial relationships to local places? Do you want to explore how movement also relates to place and community development?

If you replied yes to one of the previous questions, the international summer school may be the right place for you! Read further:

The detailed program of the Summer School’s workshops, will be announced in early 2010 (at the latest on March 15) on the project’s wikipage: http://www.cultura21.net/dokuwiki/doku.php/orange:sumschool

Information about inexpensive accommodation near the location of the summer school will be provided to the selected participants.

The application procedure and conditions are described on the following page.

2. Application

To participate in the summer school, you must apply, providing us with the following documents:

  • Personal data: please indicate your name, gender, age, full address and contact details, country of origin, country of current residence, and educational/professional background (in a few words).
  • A Résumé or CV
  • A letter of motivation where you explain why the summer school appeals to you, what you are expecting to benefit from it (for your research, your art, your activities, etc.). Please mention what you hope to learn at the summer school, and what you may be able to bring/teach yourself, based on your prior experience.

Applications shall be sent by email to: sacha.kagan@cultura21.org

Deadline for application: March 20, 2010 (please apply as early as possible; preferably, do not wait until the date of the deadline!)

Selection procedure: The selection of participants will be made by the organizers (Cultura21, I3C, Red-LATS) according to the following criteria:

  • Date of application (the earlier, the better)
  • Country of origin (to ensure an international mix of participants)
  • Professional/educational background (to ensure an interdisciplinary mix of participants)
  • Personal motivation and relevance of the applicant’s domains of interests to the general field of the summer school, i.e. sustainability in social transformation through action-research
  • Notification of final decision: April 5th, 2010

3. Conditions

All participants at the summer school are required to participate to the entirety of the summer school.

No scholarships are available from the school’s organizers, but we can provide cover letters upon request (in case you are applying for financial support from a third party).

Accommodation and travel costs will be covered by the Summer School only for a very limited number of participants from non-European countries. If you are requesting support for your accommodation and travel costs, please include a request letter, with a costs evaluation. Please note that we recommend that you also look for funding near third parties, as we will be able to support only a very limited number of participants.

Call for participants assist2010

Call for Workshop Proposals Sumschool2010