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APInews: Public Conversation: Public Art & Sustainability

Artists will lead a conversation about public art and sustainability during “Waterpod: Autonomy and Ecology,” an exhibition at New York’s Exit Art this winter. The show is a survey of a five-month voyage around the boroughs of New York by Waterpod, a floating, sculptural structure and community-building space designed as a futuristic habitat and an experimental platform for assessing the design and efficacy of living systems. It visited the five boroughs and Governors Island from June to October 2009. The discussion, February 4, 2010, includes Jennifer McGregor of Wave Hill, a public garden and cultural center in the Bronx; public artist Mary Miss; Mierle Laderman Ukeles, a “maintenance artist” known for her service-oriented artworks; Mary T. Mattingly, Waterpod founder; and members of her team. The exhibition, January 9–February 6, 2010, is part of Exit Art’s SEA (Social Environmental Aesthetics) program. Posted by Linda Frye Burnham

via APInews: Public Conversation: Public Art & Sustainability.

Joe McElderry not No 1: how to stop a juggernaut


In a fitting end to Simon Cowell’s four year dominance of the Xmas number ones, this year’s festive pop pick is an expletive-filled polemic against the American military-industrial complex “Killing in the Name”. A man who has always stood with admirable consistency on the law of pop – that sales mean what the public want, and the public knows better than the critics -  was last night skewered on his own petard, significantly outsold by a campaign which in a few weeks gathered almost a million followers.

And what do we learn from this?

Two things.

One: Social media can do extraordinary things. To get a number one hit after appearing on national television every Saturday for three months is really not hard. Yet that old media juggernaut careering down on us was stopped a Facebook campaign started by a couple from Essex and a single live performance on Radio 5.

Two: Ultimately we British are best motivated against things, rather than forthings. The best way to increase democratic participation in the UK would be to ask people to vote against candidates, rather than for them. Can you imagine it? There would be queues around the block, come polling day. (Of course there’s the small problem that the political landscape would be poisoned forever, but you would have participation.)

This, of course, provides tricky lesson for those of us interested in the enviroment – and those of us here at the RSA who prefer an optimistic, positive  approach.

But it does go some way explain why it is so hard to motivate people to action when it comes to issues like climate. Which particular machine are we supposed to be raging against? Try as we might to divide society into the environmentally good and bad, there is no covenient Cowell figure to blame everything on. As Paul Kingsnorth suggests in a comment on a blog post earlier, there is no clear enemy other than ourselves. Though we can rage against our leaders for failing at Copenhagen – and the scale of the failure was immense – few leaders wanted to stick their neck out without a clear mandate from their people – and let’s face it – that clear mandate just isn’t there yet.

Point one though provides at least one clue to how to change that. Social media is not the answer to everything. Maybe the gains it can make in terms of the environmental agenda are only small ones, but if social media campaigns are witty, smart and well-directed they can still do remarkable things.

Thanks to Anne Helmond for the RATM photo.

Go to RSA Arts & Ecology

Mo`olelo’s Green Theater Choices Toolkit

In Fall 2008, Mo`olelo received a “MetLife/TCG A-ha! Think it , Do it” grant to research and develop a tool to measure the environmental impact of theater and help the industry make choices that do not cause long-term damage to our communities. We partnered with Brown & Wilmanns Environmental Consulting and adopted their “Green Choices” methodology. The Green Theater Choices Toolkit was finally completed on December 18, 2009. Click here to download the 24-page pdf.

via GREEN MO`OLELO.

HQ Copenhagen » HEADQUARTERS, PART 2 – FROM JANUARY 8TH AT 17:00

Headquarters reopens in Gallery Poulsen on January 8th at 17:00.

Headquarters, part 2, will be a total installation including works made by *HQ members and documentation of their activities during COP15.

The exhibition will run until January 22nd.

We look forward to seeing you at Gallery Poulsen.

HQ Copenhagen » HEADQUARTERS, PART 2 – FROM JANUARY 8TH AT 17:00.

ashdenizen: not bothered by parallels

The big new Christmas movie, James Cameron’s Avatar, which opened yesterday, has some striking green themes.

There’s deforestation: a truly massive tree gets destroyed. There's a threatened indigenous people: the home of the Na’vi tribe gets obliterated. And there’s a new-agey idea that that there’s a mutual thing going on between the people living in forest and the forest itself and there may even be scientific evidence (Sigourney Weaver tells us) of electro-magnetic impulses that allows the forest to act like a brain, communicating between its many constituent elements.

The baddies of the piece, of course, don't have such a sophisticated brain. What the US military has is muscle – a massive arsenal of weaponry which it aims to use ( ‘shock and awe’) to get the ‘savages’ moving out of an area where there they have discovered a very precious mineral called – yes! – ‘unobtanium’;.

This raises an interesting question. I assume you can't have a successful blockbuster movie that’s anti-American. So there must be plenty of people watching this movie who aren’t remotely bothered by the parallels suggested by the storyline.

Update: in this interview Cameron refers to the themes of imperialism and biodiversity and attacks the way America has ‘had eight years of the oil lobbyists running the country’. But he points out that anti-imperialism is American too. ‘You can take it back to the origins of America in a fight of rebels against an imperial dominating force.’ Except the rebels in question were hardly fighting on behalf of indigenous people.

via ashdenizen: not bothered by parallels.

RSA Arts & Ecology – Jan 14 | State of the Arts Conference

State of the Arts Conference
Thursday, 14 January 2010
Park Plaza Riverbank, SE1 7TL
Tickets: £115 (includes VAT)


The State of the Arts Conference, organised by the RSA and Arts Council England, brings together a wide range of creative voices to debate the value and purpose of the arts at a time of significant change.

We recognise that arts and cultural experiences are more diverse, disruptive and fast moving than ever before. The conference will explore with artists, entrepreneurs, cultural leaders and policy makers what kind of arts landscape we need and how we might get there.

Join us in examining the key role of the arts and arts policy in building a strong future for the nation.

Keynote presentations by:

Riz Ahmed, actor and performer
Ben Bradshaw MP, UK Arts Minister
Alan Davey, Arts Council 
Andy Field, Forest Fringe
Dame Liz Forgan, Arts Council
Jeremy Hunt MP, UK Shadow Arts Minister
Nicholas Hytner, National Theatre
Jude Kelly, Southbank Centre
John McGrath, National Theatre Wales
Lord David Puttnam
Matthew Taylor, RSA

For more information see the main State of the Arts Conference page at RSA Events.

Please visit our FAQ page if you have any queries on the conference.

via RSA Arts & Ecology – Jan 14 | State of the Arts Conference.

Happy Birthday, Broadway Green Alliance!

Reprinted from The New York Times: “The Great Green Way” by Steven McElroy, December 16, 2009

It’s a tad chilly for an outdoor show, but a bunch of Broadway performers will provide one on Wednesday, when the Broadway Green Alliance recognizes its one-year anniversary with a combination celebration and e-waste recycling dropoff in Duffy Square, the center island that runs from 45th to 47th Streets in Times Square. The dropoff begins at 11 a.m., and at noon, cast members will sing a couple of songs and alliance leaders will note the progress after a year of greening efforts.

The alliance was announced with some fanfare last November by Mayor Michael R. Bloomberg. Its mission is to steer Broadway toward environmentally friendly ways of doing business. Has it worked? “It’s the first thing since the AIDS crisis that has brought the entire theater community together,” Susan Sampliner, company manager of “Wicked” and an alliance chairwoman (along with Charlie Duell), said in an interview. “We didn’t know as we started this how many people would get involved and whether diverse groups of people would come together,” she said.

The alliance is also releasing a report to the mayor’s Office of Long Term Planning and Sustainability, summing up the developments so far. In the past year, the alliance and its team of “Green Captains” — there is one in the cast or crew of almost every Broadway show — have:

* Nearly reached the goal of having each of the three major theater owners on Broadway — Jujamcyn, the Shubert Organization and the Nederlander Organization — change all of their marquee and other outdoor lights from incandescent bulbs to compact fluorescents or LEDs. So far, 97 percent have been changed.
* Found in a survey that most participating shows are using rechargeable batteries, digital instead of paper communications and cold water for costume laundry, part of an effort to encourage backstage conservation.
* Worked with the Broadway League and the American Theater Wing to make the 2009 Tony Awards greener by using hybrid limousines, recycling office waste and printing the Playbill on paper made with 30 percent recycled content.
* Worked with theaters outside New York to offset 4,000 tons of carbon emissions resulting from transporting touring productions by investing in wind power, methane digesters and other renewable energy projects.
* Begun meeting with technical directors before shows close to discuss what they can do with scenery and other objects after the final curtain (other than tossing everything into a landfill). As a result, the report says, about 84 percent of scenery from shows that have closed this year has been recycled, reused or stored for future use.

“The biggest challenge right now is making sure the producers and general managers who make the financial decisions start to see an economical reason to do this,” Ms. Sampliner said. While owners can see immediate savings in energy costs, the benefits of designing and building a set with greener products and procedures are less obvious.

Still, Ms. Sampliner is optimistic, she said, and though it is cold outside and turnout for the performance at noon may be low, she pointed out that the event will be a success because it will be collecting computers, cellphones and other electronics for proper disposal or recycling. “We are anticipating somewhere between 6,000 and 8,000 pounds of e-waste,” Ms. Sampliner said.

Go to the Green Theater Initiative

APInews: Launch: Green Youth Art & Media Center, Oakland

Oakland’s Art in Action will launch its Green Youth Art & Media Center in Oakland, Calif., on January 14, 2010. The solar-powered center, at 2781 Telegraph and 28th St., offers entrepreneurial, vocational and green-job readiness training for Oakland youth between the ages of 18 to 25. Center activities include leadership development, new media, arts training, music production, community organizing skills and green-job education, plus a business that sells and contracts merchandise produced by program participants. The Center’s Youth Green Team remodeled the 3,000-square-foot site, putting in recycled fiber carpeting, a mini-garden, a Kijiji Grows aquaponics system, four state-of-the-art recording studios, a computer lab and an eco-dance floor made of bamboo. The Grand Opening, starting at 3 p.m., features a Youth Arts Festival with freestyle rap and dancing and live painting, followed by arts performances and a a ribbon-cutting.

via APInews: Launch: Green Youth Art & Media Center, Oakland.

Arcola Theatre: setting a standard for resourcefulness?

Kudos to London’s Arcola Theatre for the announcement of their new plan to further green the theatre, putting sustainability at the centre of its work. The impressive thing about Ben Todd and his team at Arcola’s plan is it’s not just about bricks and mortar – though they do have the support of Arup’s sustainability experts on that; it’s about successfully integrating the theatre into the wider enviroment as a kind of signpost for more fundamental change. As Todd said in the launch document: “Wrapped around the main stage will be dynamic spaces to accommodate our ever-growing environmental sustainability and community engagement programmes.”

And the other, even more impressive thing, is that they’re putting much better funded arts institutions to shame with their implementation of this plan.

I’ve just been sent the book Theatre Materials, edited by Eleanor Margolies. There’s a good quote in there from Todd from the original Theatre Materials conference back in the spring about why theatre can be so successful at these initiatives – something that really fits with ourDesign team’s ideas of resourcefulnes:

“There is a big fear that theatre can’t go green because it costs too much money, but theatre has always operated with minimal resources. Theatre people are incredibly resourceful and theatre has always proven that it can operate with very little money. Theatre knows how to get things done.”

Let’s do the show right here, folks!

Go to RSA Arts & Ecology

In Case You’re Wondering what it means #COP15

Here is a good summary of points from Grist.com

The Copenhagen Accord contains these provisions that President Obama called a start to global action to solve climate change:

1) A commitment by developed nations to invest $30 billion over the next three years to help developing nations adapt to climate change and pursue clean energy development.

2) A provisional commitment by developed nations to develop a long-term $100 billion global fund by 2020 to assist developing nations in responding to climate change and become part of the clean energy economic transition.

3) A goal to pursue emissions reductions that are sufficient to keep the rise in global temperatures below 2 degrees Celsius.

4) Pledges by nations to commit to concrete emissions reductions, though the specific levels of reduction were not set.

5) A general goal to subject participating countries to international review of their progress under the accord.

6) Diplomatic space for the United States and China to work together to solve climate change. A commitment to complete an assessment of the effectiveness of the accord in reducing emissions by the end of 2015.

Full Article HERE