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BLDGBLOG: California City

Here is a article about the beauty of what wasn’t build in the California Desert over on BLDGBLOG. It reminds me of the tracts you can see from the unbuilt neighborhood west of LAX. On my way to COP15, I drove around the back of the airport in Los Angeles and it’s bee on my mind.

In the desert 100 miles northeast of Los Angeles is a suburb abandoned in advance of itself—the unfinished extension of a place called California City. Visible from above now are a series of badly paved streets carved into the dust and gravel, like some peculiarly American response to the Nazca Lines (or even the labyrinth at Chartres cathedral). The uninhabited street plan has become an abstract geoglyph—unintentional land art visible from airplanes—not a thriving community at all.

via BLDGBLOG: California City.

High Tide, Art and Aviva at Poulsen #COP15

Acting as the official High Tide COP15 envoy, distinguished ecological artist Aviva Rahmani has been writing on her daily blog about her experiences in Copenhagen during COP15. Friday was her last day here, and she finally got the change to go about town and see some art. Check out the entries from December 18th to see what she was up to.

Below are some excerpts from her entires about her time about town. Not only do some fantastic artists connect, but The Yes Men were able to give back though Good COP 15, what the tensions of COP15 took away!

DSCN3100
Modeling the Survival Ball at the Poulsen Gallery in Copenhagen on my last day

We walked thru the beautiful, old part of the city and I got a lesson in Copenhagen’s demographics while snapping pictures of the city, which now looks like the home of Hans Christian Andersen rather than the shocking site of police violence it was Wednesday.

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Aviva’s COP15 Press Conference became a GOOD COP15 Press Conference.

Larkon took me into their performance space and started a press conference for me in “the Good COP,” set up to look like the Bella Center. They’ve done about 100 press conferences so far, including with Darryl Hannah, of what people would want to say (not just your fifteen minutes of fame but a whole press conference) at Bella. Larkon just had a little hand held, but then a REAL news crew came in: Wendy Jewell, producer and Sister Jewell-Kemker, filmmmaker, reporter and activist for, “An Inconvenient Youth; kids fighting for their future,” with serious camera. We did it all over, inc a Q&A, and all happily exchanged cards after wards.

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So finally, I had my press conference in the “Good COP) with the Yes Men. And maybe, in the end, that was where it was supposed to happen.

I had the chance to sit down and talk with Aviva at the Klima Forum on thursday night. It was a great conversation, so look for a transcript to appear here soon!


Towards an alternative statement of the way forward on climate change. A series of 1000 interviews during the UN COP15 as part of New Life Copenhagen. #COP15

This evening I went to meet up with Martin Rosengaard of Wooloo.org, the organization behind the New Life Copenhagen Festival. He had joined Open Dialogues, who are working here in Copenhagen as part of the festival. I got the chance to talk to them briefly about their work after being interviewed for their project myself. Here is a sample of their work. It is the first interview in their archive:

Full Audio Archive

Linked HERE is an audio archive of interviews that are being added to each day whilst Open Dialogues are in Copenhagen.

The archive is ordered chronologically – just click on the ‘+’ button to hear the interviews.

Question Time   » Interviews.

*HQ Copenhagen – THE YES MEN DOCUMENTARY #COP15

Danish Television’s “Pirat TV” followed The Yes Men around while they were planning and carrying out their bold stunt on Canada at COP15.

Watch the documentary in 2 parts (the sites are in Danish, but the clips are in English):
Part 1

Se klippet “YES MEN driller Canada (del 1)” pÃ¥ Pirat TV

Part 2

Se klippet “YES MEN driller Canada (del 2)” pÃ¥ Pirat TV

via:

*HQ Copenhagen » Blog Archive » THE YES MEN DOCUMENTARY.

Help us choose the best art of 2009

Still from Flooded MacDonalds, Superflex, 2009

It has been an extraordinary year for art that responds to issues surrounding the environment. In the (almost) five years since we have been operating, there has never been so much great work being produced. Art never speaks with a single voice, but there has been an increasing cluster of activity around climate change, politics and the enviroment.

It’s time to compile our annual list of the best of the year. We have an embarrassment of riches to chose from. Radical Nature at the Barbican; 100 Days at the Arnolfini; Denmark’sRETHINK; Steve Water’s The Contingency Plan at the Bush Theatre; Artsadmin’s 2 Degrees; Heather and Ivan Morison’s The Black Cloud; Franny Armstrong’s The Age of Stupid, Manchester’s Environment 2.0 at Futuresonic 2009, Superflex’s Flooded McDonalds Petko Dourmana’s Post Global Warming Survival Kit or one of the Yes Men’s interventions – like their one yesterday at COP15 which proved so embarrassing to the Canadians … that’s just dipping our toes in the water.

What were your highlights of the year – and why? What have I criminally overlooked in that above list? What were the best books and stories – the best films? We want to include your comments in the piece which we’ll put up on the main RSA Arts & Ecology Centre website.

Tell us in the comment field below – or email me at william.shaw@rsa.org.uk.

Go to RSA Arts & Ecology

Ice Bear by Mark Coreth, for WWF, Copenhagen Dec 10

There’s a lot of discussion about the role of dystopian art in creating new stories about climate and the environment. I have to say, if I was a kid, Mark Coreth’s sculpture of a melting polar bear would scare the bejayzus out of me.

Ice Bear is in London’s Trafalgar Square from today.

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Technology, Arts, and Fringe

This is reposted from the Hollywood Fringe Blog. It originally posted on December 8th by Ben Hill, Director of the Hollywood Fringe.

http://www.hollywoodfringe.org/learn/article/157

Modern business has gone very far leveraging technology to market, promote, and produce their firms and products. It stands to reason that the arts could easily do the same, even with comparatively fractional technology budgets .

Several organizers of your first Hollywood Fringe Festival happen to hail from technical backgrounds. It’s been fun applying these skills to our first love (the arts). Key to our strategy is this thing called “cloud computing”. Without getting too technical, all applications supporting the festival – accounting, project management, email, etc – are provided through a number of small, web-based services.

Making our strategy a reality took a lot of time, thought, and trials – so to save those of you seeking technical solutions some time, we have provided this little post with the hope it will help you streamline and modernize your arts organizations.

Enjoy!

Ben

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THE WEBSITE
the website at www.HollywoodFringe.org that we use to book shows, match venues and projects, collect volunteers, and promote the festival is a custom-built system using Ruby on Rails, a popular website development framework. We have big plans to export this technology to other festivals as well as provide a year-round service for venues seeking interesting projects to book. The website took two full years to develop and a lot of love, thought, and time. We have a many plans for it so keep your eyes on coming developments. In the next few months alone, you can expect

  • A Fringe bulletin board
  • A significantly enhanced volunteer section
  • The ability to sell tickets directly form your project
  • Enhanced features to market your project on other social networking platforms

…ideas are always welcome, so feel free to email us with your thoughts.

TICKETING
We made the decision early that we would not reinvent the wheel in the area of ticketing – instead we partnered with the good people at OvationTix. Plans are afoot to develop a few customized integration features between the OvationTix and Fringe systems. Ideally, you will be able to run pre-sale reports without any hassle whatsoever.

PROJECT MANAGEMENT
We would be nowhere today without collaboration tools. As this is the first year, ideas come at a lightning speed. Plans require buy-in and assistance from our staff, advisers, board, and core company members. There are millions of to-do’s, deadlines, musings, and digital assets. Where to keep track of them?

This is the job of a project management tool, and ours is one of the best available. Meet Basecamp. This little program has been the key to the organizational success of many a project. Working collaboratively with others online, you can post messages, mark and organize tasks, collaborate on documents/lists, track milestones/dates, and keep track of files.

And most importantly: It reduces your meeting/conference call overhead. I personally hate big, regular meetings and basecamp renders them mostly unneeded; if you keep on top of basecamp and the emails it generates, everyone is in-the-know. Easy.

CUSTOMER RELATIONSHIP MANAGEMENT (CRM)
CRM is a big, ugly term. In a nutshell, it is a way of keeping track of everyone you know and meet that could help you. To do anything of worth, generally you need more than just you and your ideas, you need to leverage the many stake holders in your community interested in your cause. You want to keep track of conversations, email addresses, phone numbers, job titles – and ideally you want to share that information with your whole organization. So if the director of the NEA needs to talk to someone in your organization and you are on a beach in Nice, France – someone local can come up-to-speed quickly by researching the history of that relationship in your CRM system.

There are tons of solutions to fulfill this problem – many of them are expensive and clunky.

We went with Batchbook.com – about which I can’t say enough nice things. This is a very flexible and open system, and they have been known to give discounts to nonprofits. Using batchbook, you can keep track of contact information for humans and organizations, log communications, and create lists of contacts that have something in common. For example, we maintain our press list in batchbook. Thanks to its handy integration with other popular applications, when we want to send a press release, it is as simple as exporting our list of press to our email newsletter application. It take 3 minutes and the moving target of press contacts becomes much easier to manage.

EMAIL
If you are starting company ABC Theatre, and you are still sending emails from Myname@hotmail.com – you may want to consider using your own domain name instead. Not using a custom domain name in your email address is an instant signifier of a non-professional organization. Good news is that it is free and relatively simple to create custom domain emails…so you can send emails from MyName@ABCTheatre.org, for example.

The solution is Gmail – in our humble opinion, still the greatest online email client on the market. Our friends at Google have provided a service (no charge) to use their popular Gmail interface for any non-gmail domain to which you have the rights. Check out this link for more information, I think you will like it.

CALENDAR
Along with email, users of Google’s service also have access to branded, dedicated, organizational calendars using the popular Gcal application. When you sign up for your email account (above) you will also be able to pass around a calendar you all can share. For those of you who work in the business world, you might be used to creating an event and sending invitations to members of your organization. Google’s calendar solution provides this service (free!).

DOCUMENTS
And yes, we also use Google’s document service. For those users signing up for the above service – good news is that you, too, can have a custom space for your organization’s documents. For example, if I needed that press release we sent a few weeks back, it is sitting in docs.ABCTheatre.org waiting for me. Our budget worksheet is handles thought Google’s online spreadsheet application. As a personal hater of MS Office and its significant limitations when it comes to collaboration, this is a godsend.

WIKI
We don’t host a “public wiki” – like wikipedia, but you’d be surprised how useful a private, organizational wiki can be. For example, say you are working on a big proposal to close down Wilshire Blvd. for your huge arts event. You want a lot of people involved in that proposal – your Exec Director, your Dev Director, your outreach guy, your Producing and Artistic Directors. How awful is passing around a word document for everyone to edit? I shudder at the thought. Changes are lost so very easily.

Your private wiki can help. Have your principal owner for the project create a new wiki page and take a stab at a first draft. They can then post on your project site (basecamp, for example) that they need all-hands to help bring the proposal home. Everyone can make their changes and additions on your wiki page. If your wiki tool is any good, all changes will be tracked…so you can see who changed what, and easily revert any unwanted amendments.

There are millions of wiki solutions out there, here’s our favorite: WikiSpaces.

NEWSLETTER
Still sending your organizational emails to a bunch of contacts in your email program? You may want to check out some of the many email newsletter solutions out there waiting for you. Our favorite is Mailchimp. Using this program, you can manage lists, expose sign-up forms for your website, create beautiful, graphical emails, handle unsubscribes, and keep ahead of spam laws. You can even get a list of who has opened your newsletter and how many times they read it. There are about 10,000 features in this program, 9,986 you will never need. Still, it is very affordable, easy to use, and designed to give you a professional edge.

SUPPORT DESK
We take support very, very seriously at the Fringe. Key to grassroots community building is making sure people know where to go when they have a problem and ensuring they receive prompt guidance when they need it. There are scads of solutions out there, here’s our hands-down favorite:ZenDesk.

Using ZenDesk, you have a beautiful solution to email support. Support seekers can go to a url and fill our a form with their query, or simply send an email to an email address you specify (Zendesk will suck up that email and create a support ticket for them). You can run a myriad of reports and develop zillions of business rules if you want to get complex. At its simplest, it shows you what tickets are open, and gives you a chance to respond and close them.

As a fun aside, both Mailchimp and Zendesk talk to Batchbook. That’s something we call “convergence” in the tech world, and it’s a very good thing.

ACCOUNTING
Quickbooks (a non-cloud application running on your computer) is the default tool for small business accounting. It’s good, don’t get me wrong – but sharing data with others in your organization and your accountant can be a pain.

Enter Xero. It’s all online (“in the cloud”) and very simple…even fun to use. Who thought accounting could be fun? It is simple enough for a layperson to use, but provides the business-class accounting framework your CPA needs to do your taxes. The folks behind Xero are just getting their act together for US service – we have been using it for a bit and loving it!

So there it is. There’s much more, for sure; this is a great start. Almost all of the services listed here are free or have free trials so give them a spin!

RETHINK Contemporary Art & Climate Change

Finally got to see some of RETHINK; it’s a wonderful exhibition. The Saraceno is gigantic, but the human biosphere, suspended high in the air, was closed for repair today so I wan’t able to go in it, which saved my vertigo.

Allora & Calzadilla’s A Man Screaming Is Not A Dancing Bear (2008) is stunning. Filmed in New Orleans, post-Katrina, it’s strange and elegaic. Repeating through the film are moments in which a barely-glimpsed man drums on some abandonded Venetian blinds. It lends an angry, jumpy soundtrack to the slow pans across water-stained walls.

Kerstin Eregenzinger’s Study for Longing/Seeing (2008) was unsettling in a very different way. Sheets of dark, lifeless rubber suddenly twitch unexpectedly, driven by strange spider-arms beneath them. It feels like a landscape that’s coming alive, animated by some strange pulse. “The work,” says the catalogue, “Is a reactive installation using data from seismographs and sensor-based structures to simulate a landscape and its changes. The installation responds partly to movements in the earth outside the exhibition building, and partly to audience movements in the exhibition room itself…”

Go to RSA Arts & Ecology