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Who’s in the house? Well, on the house, really. Bat House update

Bat on bat house 09.09.SN150293

Just had an excited email from the WWT London Wetlands Centre. A bat came and checked out the Bat House. [Background: the Berkeley Bat House is a project envisaged by artist Jeremy Deller and put into action by a partnership of organisations that included the RSA Arts & Ecology Centre].

Yes, that’s it… that dark splodge at the top left. Didn’t actually go inside, but think of it as that first drive-by before it calls the estate agents. It appears to have wee-ed down the wall, which has to be a good sign, don’t you think?

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#Trafigura, toxic waste scandals, gagging orders and social media

Anyone who is sceptical about the power of social media should compare this from The Guardian this morning “Guardian gagged from reporting parliament” with the twitter stream for #Trafigura. Trafigura, you will remember, are the company responsible for dumping lethal toxic waste in Ivory Coast. The overwhelming sharing of information about the attempt to gag a newspaper from parliamentary reporting is now online here thanks to The Spectator who no doubt feel empowered by the fact that the genie is already out of the bottle on Twitter.

EDIT: At 1.00pm came this tweet from Alan Rusbridger, editor of the Guardian:

Thanks to all tweeters for fantastic support over past 16 hours! Great victory for free speech.#trafigura

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#Trafigura art prize to be announced November 3

It is a struggle for artists to get paid, but surely  no artist in their right mind would want to accept a prize from a company with a reputation like Trafigura’s. That would be, ah,  toxic to any emerging artist’s career, don’t you think?:

Young Masters will also officially launch an Art Prize which will be continued by the Trafigura Foundation each year.  The Art Prize, totaling £4,000, will be awarded to the most talented artist as judged by a panel of highly respected arts professionals.  Young Masters is curated by Constance Slaughter and Beth Colocci and is supported by corporate sponsors Trafigura, AXA and Brakes Group.

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Waste and opportunity: Tristram Stuart on how we could save the world with what we throw away

What we could do with what we waste from RSA Arts & Ecology on Vimeo.

Last week at the Birmingham Book Festival  I chaired Tristram Stuart talking about his excellent book Waste, an event programmed by the RSA. It is a brilliantly researched piece of work that leaves you horrified at the scale of the developed world’s pointless overconsumption.

Half way through the talk he brought the scale of our wasteage dramatically to life when pulled out a sliced granary loaf that he’d picked out of a bin outside a bakery a few hours earlier and started counting out the slices.

At that point I pretty much gave up chairing and pulled out my little video camera…

Read the book; it’s good.

Tristram’s Waste website

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The Big Draw under The Black Cloud

bigdrawbristol
Two projects we’ve been involved with came together in a good way this weekend. The idea forThe Black Cloud, the public shelter artwork created by Heather and Ivan Morison emerged out of a Bristol residency the RSA Arts & Ecology Centre organised back in 2007, with the support of the Calouste Gulbenkian Foundation. Curated by Situations, the shelter has been hosting a series of community events based loosely on how we imagine our uncertain future – all held literally under The Black Cloud.  After the discussion it was also host to The Big Draw, the Campaign For Drawing’s great project to get as many people drawing as possible. This year is their tenth year and they asked The RSA Arts & Ecology Centre to pick one of the themes; we chose Look to the future: work together to combat climate change.

Michaela Crimmin, Head of Arts at the RSA was down there this weekend and took this on her phone.

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Bay Area is Fertile Ground for Sprouting Green Theaters

Reprinted from SF Performing Arts Examiner: “East Bay Theatre Goes Green” by Dyane Hendricks, October 3, 2009 Aurora Theatre Company in Berkeley was certified on September 29 by the Alameda County Green Business and the Bay Area Green Business programs as the first certified “green” professional residential theater company in the San Francisco Bay Area. Aurora Theatre Company Technical Director and Production Coordinator Chris Killion, spearheaded the company’s efforts to go green, Aurora made the decision to go green because “the staff and administration felt it was the right thing to do. There were also systems in place, like the Bay Area Green Business Association, that enabled us and helped us meet that goal.” Other certified green performing art centers in the Bay Area include the Lesher Center in Walnut Creek and Lincoln Theater in Yountville. Both venues play host to a variety of performances and companies throughout the year. In San Francisco, Eth-No-Tec is a green-certified business, but does not have a regular theater performance venue. Aurora Theatre Company is a green-certified business that also has a resident theater. In order to meet qualifications to be green-certified, Aurora Theatre Company set up in-house recycling and composting. The company also began utilizing paper that contained as much post-consumer content as possible, changed all cleaning products used in the facility to biodegradable, less harmful green cleaners and soaps, installed restrictions of water flow on all faucets, and reduced gallons per flush in restrooms. All facility lighting meets Title 24 standards and all exit signs are now LED lights; there is a time-of-use meter on Aurora’s electrical service. Certified green materials were also used in the construction of the company’s recently-opened Nell and Jules Dashow wing. As a result of Aurora’s greening efforts, the company has significantly reduced its carbon footprint and is generating significantly less trash. Additionally, Aurora’s decision to go green provides an opportunity for audiences visiting the theater to participate in being environmentally friendly. Aurora Theatre Company continues its 18th season in October with Neil LaBute’s Fat Pig, and will stage The Coverlettes Christmas in December, The First Grade in conjunction with the GAP new works festival in January, and John Gabriel Borkman in April. Closing the season in June is the Bay Area premiere of the comedy Speech & Debate. For more information about Aurora Theatre Company or for tickets call 510. 843.4822 or visit www.auroratheatre.org.

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Prague’s National Theatre Expands Solar Project

Reprinted from Prague Daily Monitor: “National Theatre to have second solar plant” by Pavel Baroch, October 8, 2009

Prague – The National Theatre will have its second solar power station. After dark panels covered the roof of its operational building last year, technicians are now installing photovoltaic modules on top of the Nová scéna building.

“The power station could start operating already in the middle of November,” Miroslav Ružicka, deputy technical director at the theatre, told Aktuálne.cz.

The National Theatre is therefore conforming its dominant position in electricity production from solar radiation in Prague – it has the biggest solar power station in the capital city.

“The objective is to reduce energy costs in all National Theatre buildings in the long run,” said Ružicka. The solar power stations come as part of an extensive environmental project that the theatre management launched a few years ago.

Dozens of millions of crowns invested in making the theatre and auxiliary facilities “green” bear fruit already. According to the plan, the theatre was to save more than CZK 4 million just last year, but the actual saving was CZK 2 million higher.

Besides the photovoltaic power station, another contributor to the cost cuts was modern equipment hidden on the bottom floors of the historical building. The theatre uses for example waste heat, which brings savings in the order of thousands of crowns every day. The project counts on total savings of nearly CZK 50 million in ten years.

The solar power station on the roof of Nová scéna is bigger and more efficient than the “old” photovoltaic panels on the operational building. What they have in common is that both roofs needed new hydro insulation, so besides installing solar panels, workers will also seal the roof.

“We killed two birds with one stone,” said Ružicka. “The option involving photovoltaic modules is more expensive, but a mere insulation foil does not make any money.”

The theatre uses the savings achieved to repay the investment, and will even make money on it after some time. Moreover, the method chosen makes it possible to improve energy efficiency, and therefore to reduce emissions.

Last year, the more economical operation of the theatre reduced carbon dioxide emissions by more than a thousand tonnes. To give a comparison: every Czech releases about 12 tonnes of CO2 a year.

The second photovoltaic power station at the National Theatre will save a further 25 tonnes, and generate electricity that would suffice for 7-8 households that do not use electricity for heating.

The guaranteed lifespan of the power station, which cost roughly CZK 8 million including the hydro insulation, is thirty years.

“The return on investment is fifteen years,” said Ružicka. The theatre management plan to build another solar power station on the roof of its warehouse and other environmental projects, he added.

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CSPA Quarterly Available!

We are pleased to announce the first edition of the CSPA Quarterly! This edition of The Quarterly explores sustainable arts practices in performance, visual art & installation, green touring, and eco-policy. Articles include ‘Code Green: A Comparative Look at Worldwide Cultural Policies for Green Events,’ by Sam Goldblatt. This edition’s featured artist is Dianna Cohen, a Los Angeles based multi-media artist who is best known for her works using recycled plastic bags. Other contributors include Moe Beitiks, Linda Weintraub, Patricia Watts, Thomas Rhodes, and Olivia Campbell.

CSPA Fall 09 Cover

 

The issue is available through CSPA Subscriptions, or through our website at:

https://www.sustainablepractice.org/join-the-cspa

Countdown to Copenhagen at Bristol’s Arnolfini gallery

Countdown to Copenhagen at the Arnolfini galleryThe 100 Days exhibition at the Arnolfini gallery in Bristol marks the countdown to the Copenhagen climate conference in December by hosting a series of exhibitions, performances and talks highlighting climate change, social justice and art and activism

See the Video at:

Video: Countdown to Copenhagen at Bristol’s Arnolfini gallery | Environment | guardian.co.uk .

Inhabitat » GREEN RANT: Lame Eco-Art

1. Rock Stackers. Your skills are amazing. You can stack rocks higher and prettier than I ever could. You’re even kinda like Andy Goldsworthy, yes, of course. And I’m sure the process is amazing for you, and that the stones talk to you, and you get that beautiful in-tune-with-nature hum.  But I’ve see so many rock stacks at this point they blur together. My eyes glaze over.

2. Tr-art. This is a combination of terms: “trite trash art.” Thank you for rescuing all of those bottle caps, six pack rings, and other crap from the landfill. Thanks for making them into portraits, blankets, sculptures and people. Trash is now a viable medium. But you are not always making eco-art:  sometimes you just happen to make art with trash. Conversely: just because you made it with trash doesn’t mean it is powerful art.

3. Statistic-a-thon. Recycling one can saves enough power to watch 6 episodes of Law and Order. At this rate all of our children will be dead in 20 years. We need 16 more planets if we want to keep watching Comedy Central. Etcetera, etcetera.  I am so inundated with guilt-soaked statistics. Stop finding new ways to slap me in the face with them. If it’s powerful to you then help me understand why. See: Chris Jordan, who does an excellent job of making numbers real.

4. Eco-Snobbery. As a recovering eco-snob myself, I understand how hard it is to stop calling everyone out on their perpetual green sins. It sucks. There are to-go containers everywhere, and everyone drives, and not everyone composts, and what the hell?!?! The icebergs, people! The icebergs! But just because you make eco-art does not mean you have license to aggrandize. We’re a population of pots and kettles. Don’t mistake your good work for a kind of personal superiority. This is true of green culture in general, but it’s especially apparent in accusatory or guilt-trippy art.

via Inhabitat » GREEN RANT: Lame Eco-Art .