Spartan Trailer

Modular Designs We Love

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Boxetti wall unit incorpates desk, lounge chair and storage

We are always on the lookout for cool ways to conserve space; we’re especially interested in modular design ideas for furniture and fixtures that can fold into the wall or transform into something else.  These ideas were shared with us by Dovid Feld, the SCI-Arc student who is design for our trailer was featured in a another post.

In the YouTube video below, Michael Harboun’s  “Living Kitchen” features kichten fixtures made from nanobots, devices made from materials that transform along a programmed path then fold back into the wall when no longer needed: 

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

Volunteers Take Center Stage In Trailer Restoration

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Sam and his cousin Sasuke make templates for plywood that will be used to cover the walls and ceiling.

With graduation over, work on the Trailer Trash restoration has heated up.  The 1951 Spartan Royal Mansion left it’s CalArts home on June 15 and was towed 10 miles to a canyon on the the outskirts of Santa Clarita, where lizards and coyote are almost as plentiful as motorcycles rushing to the Angeles National Forest.

In June, Sam’s cousin, Sasuke, came from Japan to help out.  A recent graduate in geology from Kyoto University,  he spent a month working with Sam inside the trailer.  (Sasuke has an interest in nuclear energy and hekept us posted on recent happenings at the Fukushima nuclear reactor.)

The task at hand was to the walls and ceiling.  First, Sasuke attached wooden strips to along the ribs where the cabinets and closets will eventually be installed. Then he fashioned carboard templates which will be used as a pattern for the plywood that will cover the walls. The job isn’t  as easy as it looks; it requires lots of measuring, precision and patience.  Although he had little building experience, it is hard to imagine how Sam would have gotten the job done without Sasuke’s help!

If you are considering volunteering your time with The Trailer Trash Project, this slideshow might show you the kind of work we’re involved with now: 

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

Hot Times at the Silver Bullet

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With graduation over, work on the Trailer Trash restoration has heated up.  The 1951 Spartan Royal Mansion left it’s CalArts home on June 15 and was towed 10 miles to a canyon on the the outskirts of Santa Clarita, where lizards and coyote are almost as plentiful as motorcyclists roaring up the road to the Angeles National Forest.

Sam’s cousin, Sasuke Breen, came from Japan to help out.  A recent graduate in geology from Kyoto University,  he spent a month helping Sam get ready to install the walls and ceiling.  He crafted and installed wooden strips to reinforce the studs on the walls and ceiling.   Then he made cardboard templates for the walls and ceiling – not as easy as it looks. The job requires lots of measuring and patience.  It’s hard to imagine how the job would have gotten done would have gotten done without Sasuke’s help. 

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

Sam’s Post #9 -Trailer: New Mascot for Cal Arts?

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Photo credit: 24700, CalArts blog

 

by Sam Breen

This week I will graduate with my MFA in acting, so we are turning the page on the last chapter of the trailer’s involvement at CalArts.

Every year, the Theatre School sets aside the last two weeks of the academic calendar for New Works Festival, an event by and for the students.  The trailer was chosen to be a venue for the event. Three shows were performed in and around the Spartan: “The Nomad Project”; a dance piece about the transformation of the dancer’s body;  “True Love,” a reading of Chuck Mee’s play that also involved a BBQ and water-gun fight; and “Outbound to Wonderland” a play written with the trailer in mind about a 9-yearl-old girl’s subway journey to a stop called Wonderland.

As with Arts in the One World in January, I was amazed at how people came together to make this event happen. When one of the artists was worried that her computer speakers wouldn’t be powerful enough to be heard, she made a phone call and an hour later she had a sound designer – a PA system and a couple of professional speakers on booms – in time for the performance of her show.

Another example: the cast and crew of “Outbound to Wonderland” decided it would be best to set up their outdoor stage in the middle of the night, when they could properly test their lights and visual effects, and still everyone involved in the production (actors, designers, crew etc.) showed up to help out.

New Works took care of much of the logistics and the scheduling at the trailer, so I was able to relax a little and be a spectator. I watched the shows and witnessed how, over the course of the semester, the trailer had become much more than an elaborate backdrop—it was now a central character. The Spartan had evolved into something of a mobile landmark at CalArts and a symbol for the creativity and unique collaborative nature of this school.

I think CalArts just found its new mascot. 

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

Trash Hosts Outbound To Wonderland

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The stars–and the moon- were in alignment last week when Cody Braudt, a BFA-1 student at Cal Art presented his play “Outbound to Wonderland” at Trailer Trash during the New Works Festival 2011.

The play focuses on the relationship between a precocious seven-year old girl and her writer father, a dreamer who fights for his daughter’s right to develop her imaginative powers.  Cody describes Lizzie as “spunky, sarcastic and ironic with a strong sense of fantasy- and sometimes a lack of focus.”

Nora King as Lizzie and Casey Jackson as her father

When a school psychologist prescribes medication to improve Lizzie’s math scores and classroom behavior,  her father recoils, worrying that medication will squelch Lizzie’s creative side.  Together, father and daughter plan an evening together under the stars in Wonderland, their imaginary world that is a tip of the  hat both to Lewis Carroll and to the real-world name of the last stop on Boston’s Blue Line.

Several of the play’s scenes are set underground,  on a subway platform and inside a subway car.  Filmed images from a speeding subway window are imaginatively projected against the Spartan’s aluminum siding, in a superb use of space, sound and light.

The inspiration for the play came more than a year ago when Cody and his dad were visiting schools in Boston. To get Cody a real-world feel of student life in the city, his father insisted that they take public transportation. Descending the subway steps, they saw the sign, “Outbound to Wonderland.”  At that moment something clicked:  they both thought it would make a great title for a play.

photo credit: Thrillho

In the end, Cody chose Cal Arts over Boston.  But the idea for the play surfaced again when he first arrived at his new school and saw Sam’s trailer parked in the lower lot.  “I thought it would be a perfect place to stage a play,” said Cody.  Later when Sam gave a talk to one of Cody’s classes, the two agreed Cody’s new work could take place at the trailer.

Two days before the first performance, the crew descended on the trailer at midnight to set up.  Then, during the tech rehearsal it rained, underscoring the challenges of outdoor performances.  The challenges of working with a small venue was another element.

“It’s a creative challenge,” Cory explained. “It’s not easy to work with the constraints on space.   But that’s what makes it stimulating.  It’s difficult to imagine the play being staged anywhere else.”

Cody (right) and his fellow technical directors for Outbound to Wonderland.

Cody practically grew up in the theatre world, acting professionally as a child at the Guthrie Theatre and other Minnesota venues. At Cal Arts he wanted to turn his hand to the technical side of productions.  “It’s a whole new world of creativity.  As a director, I want to be able to bring all these aesthetics together, to understand sound and lighting design.”

The move to Cal Arts was difficult at first, having left a tight-knit group of friends behind.  “After high school, some of them stayed in Minnesota; others moved to Chicago.  I was the only one who went all the way out to California.”

As the school year comes to an end Cody has fallen in love with Cal Arts.  “I’ve made new friends and have still been able to keep my old ones – they’ve been very supportive.”

When discussing the importance of home and community to artists – a theme central to the Trailer Trash Project – Cody says, “Home is not about a place, it’s about the people you enjoy being with, people who will support you. People who won’t stifle your imagination.”

detail from poster designed by Cody Braudt for "Outbound to Wonderland"

As the crew stuck the set late last Thursday night, Cody’s thoughts had already turned to future, considering how to expand and improve on the play, and of new productions he would soon undertake.  But he stopped long enough to discuss ways that Trailer Trash could join him on his journey,  Outbound to Wonderland.

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

Off-Pipe With A Little Night Soil Music

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by Lydia Breen
Composting Toilet

OK, folks., it’s time to tackle this subject head on.  Trailer Trash needs a toilet.   This may be a hard sell, but try to stick with us, because we are asking for your help.

The Trailer Trash Project is committed to creating a green space to live and perform art.  We want to conserve water and fuel and recycle whenever we can.  Or goal is to keep as much stuff as possible out of our landfills, oceans, rivers and lakes.A composting toilet was added to our wish list when we started thinking about the trailer’s design. When it came to holding tanks for water, we had to figure out our daily water needs.  That led us to wonder: What’s the use of a big expensive holding tank when most of that water would just get flushed down a toilet and sent into the sewer?  We thought why not use a toilet that requires no water at all?”

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Help Trailer Trash Get A Super Green Toilet CLICK HERE to donate $10

Nature’s Head will sell us a composting toilet at a reduced price ($500 vs. $875).  We can get there if  50 people donate $10 through our Indie GoGo campaign.  Donate $20 and we’ll send you a copy of philosopher-farmer Gene Logsdon’s smart and irreverant Holy Shit.  Here is an interview with Logsdon on WBUR’s Here and Now: “Farmer Calls For Managing Manure to Save Mankind”.

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The C.K. Choi building is widely recognized as a model of sustainable design

In case you think we are a bunch of extreme tree huggers, take a look at some of the organizations that have composting toilets:

 

  • Bronx Zoon (NYC)
  • Queens Botanical Garden (NYC)
  • C.K. Choi Building  (Vancouver)
  • Southface Eco Office (Atlanta, GA.)
  • Dufferin Grove Park ( Toronto)
  • Eco Dorm, Warren Wilson College (NC)
  • Neptune Elementary School (NJ)

…and lots of nature centers, trails, etc.

To see the system in action, check out this video made by the Bronx Zoo. Their system is designed for 500,000 uses a year.  They are also using the toilets to inform users with conservational messages.

Now, we’re getting down to brass tacks.  From what I read the toilets don’t smell (a vent fan should be kept running at all times).  Some people have told me that the toilets have a faintly earthy smell, like mushrooms.  O.K., I’m prepared to adjust to that.  But what about emptying the liquid and solid waste?  And where will I put it?

I admit, it will probably take me a little while to get used to this part.   Liquid waste will have to be emptied once or twice a week and dumped into a proper compost bin. The solid waste will require emptying less often and can also be dumped on a proper compost head.

I’m getting inspired and informed by two great, but very different books.  Gene Logsdon’s Holy Shit and  Joseph Jenkins’ Humanure Handbook, which Trailer Trash will review in an upcoming post.

Trailer Trash is a member of Fractured Atlas; donations are tax-deductible to the extent permissible by law. Your comments and donations are welcome.

Links: The Guardian  UK:  Humanure:  the end of sewage as we know it? Time Magazine:  Goodbye Toilets, Hello Extreme Composting Tree Hugger:  Vancouver Office Building Goes Off-Pipe National Geographic: Urine Battery Turns Pee Into Power ——–

Lydia Breen has written and made films about refugees, immigrants and displaced people for more than 30 years.  She has filmed on-location in refugee camps and war zones in more that 30 countries in all world regions.  In 2005 she left her New Orleans home in the wake of Hurricane Katrina and was never able to return.  When the Trailer Trash Troupe is not using the Spartan,  Lydia will live stay in it and write about living small and green in difficult economic times. Her permanent home is a 1972 Aristocrat trailer that occupies less 100 square feet.

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

NOMAD Invasion!

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Children with Evelyn Serrano’s NOMAD Lab Art Project toured Sam’s trailer to inspect the progress since his last visit to their neighborhood in December.

Sam and friends gave neighborhood children a tour of the trailer during the Valle del Oro Neighborhood Festival, held May 6th at an apartment complex near Cal Arts. The festival was a chance to highlight the art work of  at-risk children, age 6-14, who participate in the NOMAD Lab Art Project.  Trailer Trash partners with the NOMAD Lab, exploring the importance of home and community through art.

In a public art “lab”,  the children made signs stating their views on the ingredients necessary for a safe and happy neighborhood.  In another lab they designed furniture for the inside of Sam’s trailer and gave pointers how to make it a welcoming place for young people.

Artist and teacher Evelyn Serrano directs the volunteer-run NOMAD Lab with help from Cal Arts students and others. The City of Santa Clarita is one of the project’s boosters and helps with the cost of materials.  In an email thanking the project’s teachers and helpers, Evelyn described  how happy the children were  to put their art (music, drawing, story-telling and photography) on display at festival:

Children at the Valle del Oro Neighborhood Festival watch as NOMADS receive certificates for participating in art projects held throughout the school year on the grounds of their apartment complex.

Test run on an experimental design for modular furniture inside the trailer.

Nomad signage filled in the blanks: "A good home is....", "A safe neighborhood is..."

I was at the verge of tears more than once during the festival. I was just so very proud of the young people and of the work we have accomplished this year. I can’t tell you how many of them came to me pleading that we have class THIS Saturday, that they can’t wait till September…

They have made friends in the program, they have become advocates of the program and understand the importance of it.

A NOMAD reads one of his stories while Evelyn Serrano holds the mike.

The girls shocked me with their impromptu speeches [saying why they like the NOMAD Project].  How proud I was! To see them exercise their collective and individual voices with power and fearlessness. How energized I felt after witnessing them. And seeing the boys so proud of their work (and rightly so).

My best wishes for an extraordinary summer.

Lots of love, Evelyn

Stay Tuned: On June 4th the NOMAD kids will exhibit their signs in a show called “ Slanguage” at a gallery in Willmington, CA.  For more information, check out the blog for the NOMAD Lab Art Project.

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

The Colors of Spring

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Textile artist Cybele Moon: "I wanted to share my love of color with others."

Artist Cybele Moon partnered with The Trailer Trash Project to offer her Earth Day art installation to the community of Santa Clarita, CA.

Cybele models clothes fashioned from pre-owned T-shirts

Some artists choose paint as their medium. Others choose stone or metal. Cybele Moon chose fabric–or perhaps it chose her.

“My mother used to weave and make her own clothes. One of my grandmothers worked in a bobbin factory, and she sewed at home. My other grandmother would crochet and do cross-stitch,” explained the Cal Arts grad student who was a professional costume designer before deciding to go back to school to get an MFA.

Textiles are intertwined with her family tree. “Even my grandfather had a connection to fabric. He came to this country at the turn of the century from Slovakia. He made looms and wove rag rugs in the 1930’s and ‘40’s.”

Cybele spends most of her time at Cal Arts working behind the scenes, designing costumes for dance and theatrical productions. Before graduating she wanted to create some of her own textile art and share it with the Santa Clarita community on Earth Day.

Sam Breen's 1951 Spartan trailer provided a backdrop for Cybele's installation.

The result: a textile installation resembling dripping vines, dyed in the soft blue and green colors of spring. The work was fashioned from recycled T-shirts donated by CalArts students, faculty and staff.

“Fabric is my medium. I can dye it, paint it and manipulate it,” she said. She is particularly fond of the challenges presented by recycled fabrics. “I can take a piece of clothing, cut open the seams and make something else.”

Cybele’s Earth Day offering demonstrates her dual passion for ecology and art. “We waste and throw away so many things. I wanted to show that you can take a common T-shirt and transform it into something completely different – like a piece of art.”

Drawing on her skills as a costume designer Cybele, along with Jessica Ramsey and Emily Moran,  two Cal Arts BFA students in costume design, conducted a workshop for kids demonstrating how to transform used T-shirts into trendy scarves, vests, tank tops and other items of clothing.

With graduation coming up, Cybele’s thoughts have turned to the future. Her dream? To live some place where she can have a huge garden and chickens. Her career goal is to be costume design professor and to continue working professionally as a costume designer.  She will also continue to explore her own textile art.

Cal Arts students Cybele Moon (r) and Jessica Ramsey (l) conducted a workshop for kids to show how to turn a used T-shirt into something unexpected.

The experience on Earth Day in Santa Clarita has inspired her to try to take on more collaborative community projects in the future, especially those geared for children.

 

Her off-campus art project comes at a time when she and other Cal Arts students are working at a hectic pace, trying to finish up the school year.

Emily Moran (l) helps a youngster work magic with recycled clothing.

“I didn’t know what I was getting into or how it would turn out,” she explained on evening before the event,  her hands covered with thick rubber gloves while she prepped another batch of T-shirts for dying. “It was a challenge to see if I could do it, to get all those people to donate T-shirts. But I just kept on trying.”

Sam’s vintage trailer provided a framework for Cybele’s piece, giving the trailer’s metal exterior a soft, whimsical look. It could be the beginning of a colorful, art-inspired and Earth-friendly spring.

For more on Cybele Moon, click here for her web site. 

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

Trash Piles On the Acts

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Graffiti artist Jose Estrada

Click Here The events at Sam’s trailer kept on coming throughout the Arts In the One World Conference, January 27-29. The 1951 Spartan trailer  moved to the CalArts’ front lawn for the event.  The trailer is still a work-in-progress; the scheduled completion date is June, 2011. Some of the artists were so happy with the trailer they returned to the stage for repeat performances – film, dance, music and multi-media productions – throughout the weekend.

Many remarked that the space was inviting – even the inside in its unfinished state seemed to welcome artists and audiences alike.  Night time performances inside the trailer were especially intimate and light-hearted.  Daytime events staged outside under an awning in the warm provided a welcome space to relax on three sunny California days. Several dancers mentioned that they liked the way the floor (still only a subfloor) swayed with their movements during indoor performances.  Multimedia Interdisciplinary Artist  Kenyatta Hinkle said as she worked inside the trailer, she felt it had a life of its own.

Arts In the One World is a gathering of artist-activists interested in using their art to help bring about social change. First convened in January 2006 by Erik Ehn, AOW at CalArts is linked to it’s sister Arts in the One World conference at Brown University.

The CalArts blog Seen and Heard recently posted two articles about The Trailer Trash Project. Tatiana Williams wrote that many students at CalArts have gotten involed with the project.  And Lindsey Lollie wrote this post about an encounter she had at the trailer during the Arts In the One World Conference:

This past weekend Sam Breen and his amazing trailer was a great hit.  He renovated an old trailer which kind of looks like a space ship and transformed it into an art space.  Musicians, dancers, artists, singers, animators, filmmakers and photographers came to gaze and participate in what was a series of performances and installations.  It started on Thursday and ended Saturday.  I along with some other dancers choreographed small pieces to be performed inside and around the trailer.  meanwhile, in between performances, a bunch of us were waiting for more people to arrive and we started our own little dance party/show on the stage.  We took turns going up and making a fool of ourselves.  We were having fun in the moment.  There was a stage, and nobody around to judge us, just close friends and the opportunity was taken.  I filmed various people dancing and I hope you will enjoy.

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

Sam’s Post #5: Keep Moving, It’s the American Way

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NEWS FLASH! Sam Accepted at Edinburgh Fringe Festival  (details to follow)

Sam and other Cal Arts Actors to Showcase in NYC

Sam's 1951 Spartan Royal Mansion, viewed from a hill at Cal Arts. Photo credit: Scott Groller

My trailer, our trailer, which I inappropriately refer to as “The Mansion”, was acquired in August 2010, in Torrance CA. Shortly before, my mother– a one time filmmaker for the United Nations, once a Katrina refugee, currently a freelance journalist with a fervent passion for social justice and a newly developed interest in sustainable living – and I, a one-time private banker employed by philanthropist and all around jolly good guy, Mr. John Pierpont Morgan.

Well, my mom and I we’re on the phone..Truth is we’ve grown apart quite a bit over the last 10 years. More often than not we’ve been on opposite sides of the country, opposite sides of the Atlantic, sometimes unintentionally (and admittedly) sometimes with quite a bit of intention.

We’ve been through a lot, and it’s just the two of us. So, you know, tension ensues, occasionally, sometimes, often, whatever. So we’re on the phone, and the topic of this particular conversation is one that comes up every couple years.

It goes something like this:  “So, whaaaaaat’s next ?” You see, my mom’s been a nomad for a little while now. That tends to happen when a storm like Katrina hits an already fragile community like New Orleans.

But me? I’ve been in denial about my nomadic nature. I had a proper desk job for a couple years before coming here, a serious girlfriend. I had a PLAN, a checklist, which I adhered to methodically: a sequence of suit-and-tie jobs, then auditions, which eventually, allowed me to be here, right here, at this very moment.

At the Edinburgh Fringe Festival, 2010, Sam played Godzilla in Eric Ehn's adaption of the play. Here he hawks the production in the streets of Edinburgh.

The thing is, I’m about to graduate, as an Actor. (Did I mention that?) And my future is quite uncertain again. And so…

My mom and I are on the phone, my grandmother has passed away and left her a little bit of money, and she wants to buy a trailer and live in it.  And I have been wanting to restore a trailer – I want to MAKE something, something living, and useful to someone, something longer lasting than a two-hour play.   And that’s as far as my thought process went ..

So a month later we buy the trailer. And I park it on campus, THIS campus, tucked away behind the basketball courts and I start BUILDING and my mom starts BLOGGIN’ and we call it “Trailer Trash” because it’s a GREEN restoration, and we’re using recycled materials.

So after having grown apart over the years, here we are collaborating, truly collaborating, in a way that’s completely new to me. We’re collaborating on a project that’s very personal to both of us. We are building, in fact we are RE-building from old fragments, a new home that is both unconventional and yet, in the most American way, as conventional as can be.

I don’t know about building houses, or little. I don’t know about trailer living. I don’t know about doing all this while going to school full-time and sometimes feeling like I’m losing my mind!

This project has been a true experiment, from the beginning. The most amazing thing about embracing the experimental nature of this project has been to watch it grow and evolve. What began as a guerrilla building project has become–because of this place [Cal Arts] this faculty, this student body– a PERFORMANCE PIECE.  (Why the hell not?)  And it’s about building a HOME for a family that’s been without one for a while. About learning to work the system of a higher education establishment [to get permission to put the trailer on campus.] It’s about learning to become an artist- and not just a performer. Learning to put my thoughts into words (believe it or not this is not something that comes naturally.) It’s about figuring out what this project is, what it means to me, to us, and so this thing is THERAPEUTIC, baby.

I’m starting to ask myself, with no real expectation of reaching any answers: Why is it that I still haven’t unpacked my stuff after Katrina? And why do I still refuse to settle down and put pictures up on the wall?

…maybe it’s not just me…[he stops to address conference participants] If I were to stop and ask: How many of you in this room consider yourself in TRANSIT? How many of you have ever lost a home?

I realize that most artists are nomadic by nature. We have to be, to survive, to pursue our dreams, to make, to MAKE .. We gotta’ keep on moving. And if possible, we ‘gotta do it in STYLE.

It’s the American Way.

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.