31 August

Nordic art competition: Sustainable Consumption

This post comes to you from Culture|Futures

Nordic Ecolabelling launches a sustainability art competition — entitled ‘Nordic Art Insight’ — because they believe that artists are a key group in the process of changing attitudes. The main prize is 100,000 Swedish kroner.

nordic-art-insight_scrndmp1

‘Nordic Art Insight’ invites artists from the Nordic region to submit their artworks with the theme‘Sustainable Consumption’ before 31 May.

An expert jury will then select six finalist entries, which will be publicized on www.artnordic.org. From 1 July to 31 August 2013, a public voting opens and the artwork that receives the most votes will be the winner.

Why is Nordic Ecolabelling organizing Nordic Art Insight?
“Artists have throughout hundreds of years made society look with new perspectives on how we live our lives, and challenged us to open our eyes to new ideas. The environmental challenges that face us today are many. One of these is sustainable consumption, and how we can reach climate and environmental goals. Often it is a question of buying the right products, and doing it the right amount of times, or perhaps, not buying at all. The Nordic Ecolabelling Art prize, Nordic Art Insight, will inspire artists to submit entries that help us consumers raise our consciousness about how we can live a more sustainable life with a sustainable consumption,” explains Nordic Ecolabelling on the competition’s home page.

Who is behind this competition?
‘Nordic Art Insight’ is organised by Nordic Ecolabelling. Nordic Ecolabelling was initiated by the Nordic Council of Ministers in 1989. Each Nordic country has a secretariat that develops Nordic Ecolabelling criteria, licenses and markets the Nordic Ecolabel. In Sweden the secretariat is Ecolabelling Sweden.

Ecolabelling Sweden works on consignment of the Swedish government to administer and market the Nordic Ecolabel and the EU Ecolabel. The purpose is to work for a sustainable consumption and production. Both these Ecolabels have a life-cycle perspective, and today there are 8,500 Nordic Ecolabelled products and services in the Swedish market.

Read more about Nordic Ecolabelling on svanen.se

Challenging the artist

17 March 2013
Why is the Nordic Ecolabel challenging the art world? Interview with CEO Ragnar Unge at Ecolabelling Sweden, chairman of the jury.

For the first time ever in its over 20 year history, the Nordic Ecolabel initiates an art prize. Why?
– We believe that artwork can make a change in people’s mind and behaviour. Artists have always been engaged in debates. Look at Picasso’s famous painting ‘Guernica’ about the Spanish civil war. It made a great impact.

What is the theme of this competition?
– Sustainable consumption. We are looking for artwork that can make people react and give insights on how we can use our planet´s resources in a more sustainable way.

How do you explain sustainable consumption, is it just buying Ecolabelled products?
Yes of course you have to buy the right thing, such as Ecolabelled products and services. But it is also a matter of how many times you buy a product. If you throw out your Ecolabelled couch after two years, this is not a sustainable way of consuming

What is the most important thing in this competition, the artistic expression of sustainable consumption or how the artwork is made? Can the artist use whatever material even if it is not good for the environment?
– The artistic impression is the most important but of course it has to have a connection to sustainable consumption. We also consider what materials the artist is using. Where do the materials come from? What type of paints are used? How will it be possible to recycle? Re-use? Nordic Ecolabel has a lifecycle perspective, and we would like to see this applied in the art process.

So if an artist uses a piece of lead, will it be disqualifying?
It depends how the artwork is presented. If the artist can give a good reason for using this material, for example, as a statement to show how this material threatens our ecological system and is a hinder for sustainable consumption, we might consider it as an important part of what the artwork is trying to convey.
Submission deadline: 31 May 2013

• Competition guidelines

• Facebook page

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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Call for Papers – Crisis, Critique and Change

This post comes to you from Cultura21

esa-150x150The European Sociological Association (ESA) is calling for papers for their 11th conference, taking place in Turin, Italy from the 28-31 August 2013. The topic of the conference is “Crisis, Critique and Change“.

There are multiple calls by all the different Research Network and Research Streams, ranging from Environment and Society or Quantitative Research to Social Theory, as well as a Call for Paper for a pre-conference PhD Workshop at the end of August.

One particular Research Network is the Sociology of the Arts RN chaired by Tasos Zembylas:

Art’s position within society and politics has always been complex and ambivalent. Artists may raise a critical voice or offer ideological legitimation for a dominant, hegemonic image of society. They may display a strong commitment or keep a distance from others’ fate. The attitude of the arts towards contemporary issues such as the ecological crisis, the debt crisis, violence against minorities and opponents, economic exploitation, and deprivation of people’s rights has never lost any relevance. Therefore, we would like to create special sessions and invite papers on this topic with the expectation that they may include a broad nexus of sub-issues around the relation and commitment of arts in society.

More information on this specific call, is available here.

The deadline for submissions is the 1st February 2013. For further information on the Conference, all the Calls for Papers and the submission procedure please visit:http://www.esa11thconference.eu/home/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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CARBON 13

This post comes to you from Cultura21

The exhibition will run from 31st August 2012 – 17th February 2013. Opening: 31 August, 6–8pm

“With Carbon 13 and the Marfa Dialogues, Ballroom Marfa continues its mission of presenting art as a transforming media capable of addressing the most pressing issues of our time: The exhibition consists of newly commissioned work by eight international artists who have focused the lens of their creativity to interrogate the reality of climate change. These new and daring works demonstrate that one salient image can speak louder than volumes of scientific data and capture the public’s imagination with an immediate and resonate voice. In conjunction with the opening of Carbon 13, Ballroom Marfa and the Washington Spectator are proud to present the second bi-annual Marfa Dialogues, a three-day symposium that includes conversations around climate change and sustainability with artists, performers, writers, scientists and entrepreneurs. Participants include: Hamilton Fish, Cynthia Hopkins, Diana Liverman, John Nielsen-Gammon, Michael Pollan, Robert Potts, Tom Rand and Rebecca Solnit.” (e-flux)

Weekend schedule:

Friday, August 31, 2012

  • 6–8pm: Carbon 13 opening at Ballroom Marfa
  • 8–10pm: Community dinner at The Capri

Saturday, September 1, 2012

  • 9:30am: FarmStand Marfa
  • 10am: Marfa Lights Festival Parade
  • 1pm: Discussion: Art and Environmental Activism, moderated by Rebecca Solnit at the Crowley Theater
  • 3pm: Discussion: Climate Change and Adaptation, with Diana Liverman and John Nielsen-Gammon at the Crowley Theater
  • 6pm: Michael Pollan in conversation with Hamilton Fish at the Crowley Theater, co-presented with Dixon Water Foundation

Sunday, September 2, 2012

  • 9–11am: Brunch and guided nature walk on Mimms Ranch with Robert Potts
  • 1pm: Reading by Rebecca Solnit at Marfa Book Company
  • 3:30pm: Presentation by Tom Rand at Marfa Book Company
  • 8pm: Performance of This Clement World by Cynthia Hopkins at the Crowley Theater

For more information please visit www.ballroommarfa.org and www.capefarewell.com

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Video Vortex #9 – Re:assemblies of Video

This post comes to you from Cultura21

Video Vortex #9, Re:assemblies of Video, is conceived and hosted by the Moving Image Lab and Post-Media Lab of the Innovation Incubator at Leuphana University Lüneburg, Germany. The conference will be held from February 28 until March 2, 2013. The call for contribution is open until 31 August 2012.

Online video vortices such as Youtube, are assemblages of assemblages: its infrastructure and spheres of use and production again consist of assemblages. The video sphere today is a mesh of different types of elements; we have databases, screens, interfaces, protocols and server farms. Comments, tags, lists and channels, cameras, producers, frames, users and audiences. Last, but not least, money flows, broadcasters, advertisers, property rights, eyeballs and statistics, all add to, and operate in multiple assemblages.

Currently there are new configurations of components in video culture, interacting in new ways and with loose forms of influence. VideoVortex #9 proposes that now is a time to re-engage with a structural and contextual analysis of online video culture.

The Video Vortex encourage critics, theorists, artists, programmers and video makers to look at:

  • 1.)… assemblages of different videos, graphics and texts, be it in material or with a view to new environments of authoring or curation. Such an approach re-poses the question of interactive multi- and hypermedia in the age of html-5, Popcorn, Apps and the likes.
  • 2.)… assemblages of content, interfaces and infrastructures, as found in platforms, with their changing forms and logics of circulation, and to scrutinize media-‘flows’, ‘liveness’, ‘channels’, ‘archives’, ‘lists’, and producing ‘dissolving originals’ and new forms of mash-ups.
  • 3.)… socio-cultural assemblages of producers, owners, curators and perceptive ‘audiences’. The conditions and social realities of video- and TV-production, issues of copyright and re-organization of ‘imaginary’ capital evoke questions as to what extent technology, standards and protocols – and their symbolisms – are taking over the role of what before has been ascribed to ‘culture’.
  • 4.)… assemblages contributing to ruptures and revolts: Indeed „the whole world is watching“ different real or so-called ‘revolutions’: social upheavals are transmitted via video. What does it mean to be an ‘observer’ (individually, socially or scientifically), a ‘participant’ or a ‘witness’? Questions of relevance, media positioning and ‘real virtuality’ are are gaining new urgency.

If you want to know more about it, you can read the Video Vortex_Call_flyer here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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