Acts

WOOLOO.ORG in ARTFORUM

An Excerpt from Daniel Boese’s article in ARTFORUM on Wooloo’s “New Life Coppenhagen”.

“We work in the medium of hospitality,” Rosengaard says. The “New Life” project created the possibility for strangers to share their homes and experiences, to thus collaborate under the broad goal of addressing climate change in a global conference and treaty. All participants created the work together, unlike public art projects in which artists serve as teachers for a lay public. Individual acts of hospitality create hope in the face of planetary ecological crisis; strangers can agree and cooperate. But our heads of state did not follow suit; they failed to usher in an age of global cooperation at the summit. “New Life” walked the line between art and activism in a new way, updating tactics pioneered by Beuys, Gran Fury, and the Russian Constructivists: Times have changed, and the problems have only become more urgent.

WOOLOO.ORG.

Richard Long’s childish acts

What I’m reading right now….

This is from a great essay on Richard Long by Richard MacFarlane in the Summer 2009 issue of Tate, Etc.:

To my mind, his work is best understood as a set of persistently childish acts: the outcomes of a brilliantly unadulterated being-in-the-world. The word kindergarten was coined in 1840 by the German educationalist Friedrich Froebel (1782–1852). Kindergarten, literally “a children’s garden”: a school or space for early learning. Froebel (less remembered now than Maria Montessori or Rudolf Steiner, for he didn’t lend his name to his method) wanted to create an environment in which children could be childish in the best sense of that word. Banished from his kindergartens was the Gradgrindian sense of the infant as a vessel to be filled with facts. Instead, he fostered an ideal of the child as micronaut – an explorer of the world’s textures, laws and frontiers, who should be left to make his or her own discoveries through unstructured play. Froebel wanted children to “reach out and take the world by the hand, and palpate its natural materials and laws”, as Marina Warner observes in a fine essay on play, “to discover gravity and grace, pliancy and rigidity, to sense harmonies and experience limits”. 

Read the entire piece at tate.org.

Go to Eco Art Blog