Andy Goldsworthy

Art is a Dynamic Relationship with the Environment

This post comes to you from EcoArtScotland

This review of the Environmental Art Festival Scotland which took place last year in Dumfries and Galloway has been published in the International eJournal of Creativity and Human Development: Art is a Dynamic Relationship with the Environment – Creativity & Human Development International eJournal.Striding_Arches

Striding Arches by Andy Goldsworthy (from http://www.creativityjournal.net/index.php/contents/articles/item/204-art_environment_relationship#.UyOwa1FdXQF)

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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New Red Stables Art & Ecology Summer School publication

This post comes to you from An Arts and Ecology Notebook

Image: A meeting of the Belfast Naturalists’ Field Club at the Giant’s Causeway, 11 June, 1868. Photograph © National Museums Northern Ireland Collection Ulster Museum

Image: A meeting of the Belfast Naturalists’ Field Club at the Giant’s Causeway, 11 June, 1868. Photograph © National Museums Northern Ireland Collection Ulster Museum

I gave a presentation of my theory and practice research, and my video experiments to date (see video at top of my homepage), the Hollywood Diaries: screen reel 2008-12. There were contributions from many other diverse fields that were part of significant projects undertaken by Seoidín O’Sullivan and Geraldine O’Reilly. My video was shown along with films and videos by Seoidín O’Sullivan, Grace Weir, David Nash, Andy Goldsworthy, Christine Mackey, Toon.ie animations.A great legacy of the Dublin Red Stables Art & Ecology summer school, in which I took part in August, has now been produced. The series of events and projects have been reviewed and collated into a new publication created by the Dublin City Arts Office, edited by  Seán O Sullivan with an essay by invited curator and cultural geographer, Dr Karen E. Till.

All are welcome to attend the book launch, details below. I will putting a copy of the book into the National College of Art & Design for those that are interested. My thanks to Denise and the staff at Red Stables for creating such a important project and to Karen Till for reviewing what is becoming an important new area in fine art/visual culture and cultural geography.

The book  launch was this Saturday 15 December 2012.

The Red Stables Summer School: Jul – Aug 2012
St. Anne’s Park, Dublin 3

Edited by Seán O Sullivan

This Saturday, Dublin City Council Arts Office will launch a book entitled The Red Stables Summer School: Jul – Aug 2012, which details two major projects, Seoidín O’Sullivan’s Field Work and Geraldine O’Reilly’s Weeds Are Plants Too!. This year’s summer school included a rolling series of talks and field trips with invited artists, geographers, botanists and architects and an art & ecology summer school.

Alongside more than sixty full-colour illustrations, the book includes essays by Seán O Sullivan, Dr. Karen E. Till [Cultural Geographer, NUI Maynooth], and Dr. Declan Doogue, [Botanist, Dublin Naturalists’ Field Club]. It is printed lithographically on high quality book paper in an edition of 250 copies, and it is available free of charge.

This book which highlights art and ecology projects that took place in St. Anne’s Park will be launched by the Lord Mayor of Dublin, Naoise Ó Muirí, who will also switch on the Christmas tree lights.

Following on from The Red Stables Summer School and the theme of art and nature, there will be a ‘Winter Walk’ in the park with Botanist, Dr. Declan Doogue.

This project is supported by Dublin City Council Arts Office and the Arts Council of Ireland.

  Screen Shot 2012-12-12 at 21.33.02

Related links:

My talk online and video works at Red Stables Art & Ecology summer school,  17 July 2012

Art and Ecology at the Red Stables Summer School Dublin

Stories from the Field and Forest seminar at Red Stables Dublin

Please note:

Due to time demands, I am now posting a lot more regularly on my new phd website www.ecoartfilm.com which you are also welcome to follow. Just add your email to bottom of homepage. Here you will find info on experimental ecocinema practice and theory, my work and others in this small field.

An Arts & Ecology Notebook, by Cathy Fitzgerald, whose work exists as ongoing research and is continually inspired to create short films, photographic documentation, and writings. While she interacts with foresters, scientists, and communities, she aims to create a sense of a personal possibility, responsibility and engagement in her local environment that also connects to global environmental concerns.
Go to An Arts and Ecology Notebook

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Inhabitat » GREEN RANT: Lame Eco-Art

1. Rock Stackers. Your skills are amazing. You can stack rocks higher and prettier than I ever could. You’re even kinda like Andy Goldsworthy, yes, of course. And I’m sure the process is amazing for you, and that the stones talk to you, and you get that beautiful in-tune-with-nature hum.  But I’ve see so many rock stacks at this point they blur together. My eyes glaze over.

2. Tr-art. This is a combination of terms: “trite trash art.” Thank you for rescuing all of those bottle caps, six pack rings, and other crap from the landfill. Thanks for making them into portraits, blankets, sculptures and people. Trash is now a viable medium. But you are not always making eco-art:  sometimes you just happen to make art with trash. Conversely: just because you made it with trash doesn’t mean it is powerful art.

3. Statistic-a-thon. Recycling one can saves enough power to watch 6 episodes of Law and Order. At this rate all of our children will be dead in 20 years. We need 16 more planets if we want to keep watching Comedy Central. Etcetera, etcetera.  I am so inundated with guilt-soaked statistics. Stop finding new ways to slap me in the face with them. If it’s powerful to you then help me understand why. See: Chris Jordan, who does an excellent job of making numbers real.

4. Eco-Snobbery. As a recovering eco-snob myself, I understand how hard it is to stop calling everyone out on their perpetual green sins. It sucks. There are to-go containers everywhere, and everyone drives, and not everyone composts, and what the hell?!?! The icebergs, people! The icebergs! But just because you make eco-art does not mean you have license to aggrandize. We’re a population of pots and kettles. Don’t mistake your good work for a kind of personal superiority. This is true of green culture in general, but it’s especially apparent in accusatory or guilt-trippy art.

via Inhabitat » GREEN RANT: Lame Eco-Art .