Architecture Art

Egg Anyone?

This post comes to you from Chantal Bilodeau’s Artists and Climate Change Blog

The Exbury Egg

The Exbury Egg

UK artist Stephen Turner, whose work “often involves spending long periods in odd abandoned places, noting the changes in the relationship between people and the natural environment,” will soon take up residence in a solar-powered floating egg in the estuary of the River Beaulieu in Hampshire, UK. An energy efficient, self-sustaining work space and a laboratory for studying the life of a tidal creek, the Exbury Egg in “an intervention in the landscape at a key moment when climate change is already creating new shorelines and habitats.” Three years in the making, the egg emerged from a collaboration between partners from architecture, art, engineering and design backgrounds. The project includes education and engagement programs that will start during the construction phase and continue throughout Turner’s period of occupation until April 2014.

Like the slow food movement, which is promoted as an alternative to fast food, I feel we should start a “slow art movement” as an antidote to artistic endeavors driven by commercial pressures. The fact that Turner will immerse himself in a specific environment, and give himself ample time to respond to what he sees and hears and experiences there, will no doubt lead to a deep understanding of the place and its occupants, and to a sophisticated response to it. In my world of making theatre, taking time is a luxury most of us can’t afford. Plays are rehearsed over the course of three or four weeks then put up for another few weeks and then it’s over. The exploration time is short, the product consumed quickly, and although great works emerge from that model, something definitely gets lost. Now don’t get me wrong. I am not advocating for everything to be done at a snail’s pace. But it would be useful to have the opportunity to slow down sometimes. I have a feeling that what gets lost in “fast art,” and fast life in general, is exactly what we need to reinvest in if we hope to meet the challenges of climate change with a modest amount of dignity.

Filed under: Visual Arts

Artists and Climate Change is a blog by playwright Chantal Bilodeau that tracks artistic responses from all disciplines to the problem of climate change. It is both a study about what is being done, and a resource for anyone interested in the subject. Art has the power to reframe the conversation about our environmental crisis so it is inclusive, constructive, and conducive to action. Art can, and should, shape our values and behavior so we are better equipped to face the formidable challenge in front of us.

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DESIGN-AND-BUILD EARTH ARchiTecture RESIDENCY in Ghana

Download Call as PDF

http://www.focusonthearts.org
http://afropoets.tripod.com/eta
E-mail: africoae@gmail.com

CALL FOR PARTICIPANTS

ARchiTecture Residency: DESIGN-BUILD-AND-LIVE IN PROJECT

Target Group: International

Discipline: All the arts (visual, performing, literary and new genres), Architecture

Duration: 3 to 24 months according to project scope and nature of funding.

Organizing Institution: FOTA Foundation, a registered NGO in Ghana (FOTA is an acronym for “focus on the arts”)

This is a project-based residency opportunity for creative persons in earth architecture, earth art/ land art/ earthworks, engineering, and others who can design-and-build dwellings or non-dwellings out of earth and other materials from the environment.

Working individually or in teams, the participant in the ARchiTecture (art+architecture) Residency Project will live in the village next to our 800-acre Artist Village in development at Maabang in the Ashanti Region of Ghana until the participant completes the project on the 800 acreage and can move in. Project is open to traditional and  modern construction methods, and experimental approaches that are known to work. Submissions in methods such as adobe, cob, compressed earth, rammed earth,  ceramic house, poured/cast earth, papercrete, earthbag, straw-bale, stackwall, earth-shelter, earthship, and other best practices may therefore be in order. Integration of rainwater harvesting, solar and wind energy generation system are indispensable but not obligatory. The lot size and shape are open; you could build it on 120×120 ft plot, an acre, or more. The only criteria that should be met are:

  1. Using earth/ other materials from the environment in part or in whole
  2. Creating a durable non-dwelling or a dwelling of at least three-bed rooms ready to move in
  3. production budget of between €1,000 to €5,000 Euros.

Priority may be given to those who have funding or can secure part-funding to complete their conceived project

For Architecture, in the framework of Fathy (2000), the contemporary participant specialist will be assigned a local master builder and two assistants, or as relative to the
proposed process and structure. In sum, we will collaborate with the international participant to procure her/him the per diem and accommodation, and assistance from
local specialists and interns in constructing the structures in anticipation that cross- cultural interchange and growth in knowledge and skills will be commonplace.
International participants will be responsible for sourcing own return air ticket, insurance,  and other personal costs. One of our supporting area institutions is the School of Fine  Art, College of Arts and Social Sciences, Kwame Nkrumah University of Science and Technology (KNUST) at Kumasi; so, academic presentations and relevant others are possible.

Individuals or teams wishing to participate in the project should submit formal application to the Artistic Committee; the application should include your work plan, CV/resume, and a sample of completed works or web site to: africoae@gmail.com. The work plan should include at least 3 sketches of the floor plan/ sections/ elevations, budget, and a description of the method/materials, participants, time estimates, etc required to complete the proposed project.

Conceptual basis

The art+architecture project takes in the theoretical frame of the book, Architecture for the Poor: An Experiment in Rural Egypt by a known Egyptian architect, Hassan Fathy. In it, he puts forward that an informed person can, in fact, self-build durable, aesthetic and highly functional buildings without using expensive materials. Along these lines, we are developing a model artist village on some 800 acres in Maabang in the Ahafo Ano North District of the Ashanti Region of Ghana for replication in other parts of Africa. For the locals, it will mean a resolution to the age-old problem for people of artistry- painters, sculptors, actors, dancers, musicians, designers, and others who require low-cost and expanse of space in which to live and work; and for persons in the arts from around the world, it will be a contact point for artist-in-residence for community-based arts projects, cross-cultural conferences and environmental retreats.  Thus, we will next add studios, and a multipurpose complex for conferences and community-based arts mission to these residential cottages, as would be road construction to link parts of the village.

We are equally open to some alternative Housing Development Models that work. One example is the condominium program by which International NGOs with similar goals as ours, can design-and-build their structure at own costs and pay development due of €100 per room/per year, as the grounds are owned by FOTA Foundation. If the local artist/ architect group footed all cost, the group would need to pay development due of 50 GH¢ per room/per year, as the grounds belong to our Foundation. However, we are strict that the completed structure be used solely for the purpose proposed.

Location

Maabang is a rural community in the Ahafo-Ano North District in the north-western part  of Ashanti Region. The area is located between latitude 6˚ 47’N and 7 02’N and longitude 2˚ 26’W and 2˚ 04’W. The District Hospital at Tepa is the major health facility  around the Maabang Traditional Area; there are four smaller health service stations. Like  much of Ghana, few of the roads are tarred. The project acreage is along the main road, Tepa-Goaso Road. About 85% of the working population entails farmers in cassava, yam, maize, and plantain but chiefly in cocoa. There, in the town, is a cocoa research center. Timber is one of the many traditional commodities, as the region is mostly of tropical rainforest. Maabang is in the deciduous savannah transition zone. The mean monthly temperature ranges from 26° (in August) to 30° (in March). Relative humidity is generally high, ranging between 75-80 percent in the Rainy season and 70-72 percent in the dry season. The mean annual rainfall is between 125 cm and 180cm. Nationwide, there are two main seasons, the raining season and dry season. The raining season is from approximately April to October followed by the dry season, which starts in December with the Hamattan wind blowing from the Saharan Desert and ends in March.

Arrival

Board flight from a major international airport to Kokota International Airport (ACC), and then to Sunyani Airport; Maabang is 45 minutes drive from Sunyani.

DEADLINE: Ongoing but apply at least two months in advance

TO APPLY: Candidates should send the following materials to africoae@gmail.com

  1. Formal Proposal (includes budget and work plan)
  2. Bio/resume
  3. Other relevant materials (includes work sample or web site)

For additional information go to: http://afropoets.tripod.com/eta and www.focusonthearts.org