Art Artists

Nevada Museum of Art|Artists | Writers | Environments: A Grant Program

Teams of visual artists and writers who are U.S. citizens working on art + environment projects anywhere in the world from July 2010 through August 2011 will be eligible to apply for the first A | W | E Grant. Letters of interest must be received via e-mail on or before Friday, April 16, 2010 with invited applications due on or before June 22, 2010. The grant recipients will be announced on or before July 6, 2010.

A | W | E Grants

In 2010 the CA+E is piloting a grant program for visual artists and writers working together in the field. The purpose of the program is to encourage the creation of new art + environment projects that seek to address environmental challenges rather than simply comment on them, to foster deeper and more immediate public awareness of art + environment projects, and to encourage unique field reports of lasting value to scholars and other artists. The intent is for the writer(s) to document, report upon, and/or analyze the work of the artist(s) and its environmental context, not to provide creative responses such as fiction or poetry.

During this first year, one grant of $10,000 will be awarded to a team of artist(s) and writer(s) engaged in art + environment projects. Of particular interest will be those proposals addressing communities stressed by global change. Publication venues by writers can include articles in magazines, journals, or online, and chapters or essays in books, but significant public outreach will be favored.

Eligibility

Eligible teams will include at least one visual artist working in the field and one writer to accompany the artist into the field during the project. Artists can work in any medium, and the writers range from journalists to art historians. The total amount of the award may be divided between the artists and writers in any way they see fit. Funds may be used for travel, per diem, materials, equipment, and other costs, including time to work.

Applications during this first year are open only to artists and writers who are U.S. citizens, although they may work anywhere in the world. In future years we hope to broaden eligibility to artists and writers from other countries.

Application Process, Deadlines, Timeline

Interested artists and/or writers should submit a two-page letter of interest by e-mail on or before Friday, April 16, 2010. Letters should include a brief project description, budget and biographies of the artist(s) and writer(s). Please identify your letter of the artist(s) and writer(s). Please identify your letter of interest in the subject line of the e-mail when submitting as “AWE letter.”

Finalists will be selected by July 6, 2010 and invited to mail in a physical application that will include a longer narrative, budget, documentation of citizenship and previous works, and resumes.

Applications will be due on or before June 22, 2010 with the award announced on or before April 16, 2010. Finalist proposals will be posted on the Museum’s website, as well as that of the award recipient, upon awarding of the grant.

Archives, Exhibitions, Presentations

Finalists’ application materials will not be returned, but become part of the CA+E Archives. Although the artworks and writings of the grant recipients will remain property of their creators, the CA+E will collect related project materials of the funded project for its archives.

Results of the funded project will be exhibited at the Museum, and the recipients of the grant be invited to present their work.

FAQ’s

We strongly suggest that applicants visit the Nevada Museum of Art website and navigate to the Center for Art + Environment pages, and in particular the A | W | E FAQ page for more information. The FAQs may be updated periodically as we receive questions.

Contact

Letters of interest sent via e-mail with the subject line “AWE letter,” as well as any questions, should be directed to Rosalind Bedell, CA+E Manager at Rosalind Bedell or 775.329.3333 ex. 252

Funding

The A | W | E Grant is supported by the The Andy Warhol Foundation for the Visual Arts.

Developing a sustainable approach to public art

JRdetail1 – artist Jane Revitt

The first ever set of FREE guidelines to help artists and commissioners embrace the sustainable as well as the artistic impact of their work has been launched by Chrysalis Arts http://www.chrysalisarts.org.uk, a public art, training and development agency based in rural North Yorkshire.

Public Art Sustainability Assessment (PASA for short) is a free interactive assessment tool available from http://www.pasaguidelines.org/ which aims to promote sustainable practice in public art to artists and commissioners and has been developed to assist Chrysalis Arts in the process of analysing and evaluating projects that they are involved in.

Kate Maddison, Director at Chrysalis Arts comments:”
“ When we set out to discover how to address sustainability within our public art practice, we were dismayed to find so little information to guide us. This prompted us to take the first step and start the process of establishing our own method of working sustainably. What we found interested us greatly because it threw the spot-light on issues that are relevant to others involved in commissioning and creating public art and beyond that to the way society values sustainability.”

“ Art has an ability to reflect and potentially influence our behaviour and public art is by its nature in the public eye. Chrysalis Arts believes it has a role to play in promoting responsible behaviour in this context. It soon became clear that we needed to disseminate this information widely, as the issues need to be dealt with by everyone involved in the process of planning, commissioning and implementing public art.”

The online interactive checklist is easy to use and covers the key issues which surround sustainable practice in public art. This checklist is supported by full guidelines and useful case studies.

To use the free PASA checklist and download the guidelines please visit and register at www.pasaguidelines.org. Registered users can answer questions about their art activity or project online and when the checklist is completed, they can download their answers as a pdf document.

PASA has been created for artists and creative practitioners as well as public art organisations, local authorities, developers, commissioners, funders, architects, landscape architects, engineers, contractors, communities, schools and anyone else who may be involved in the commissioning, development, creation, maintenance and decommissioning of public art at different scales and in different contexts.

Chrysalis Arts have developed  PASA in consultation with a wide range of partners – including artists and arts organisations, local authority officers, specialists from higher education establishments and environmental consultants Gaia Research, as well as looking to government sources and other creative practitioners such as architects for guidance on sustainable principles and practice.

“While artistic considerations should be foremost in creating public art, there is no reason why artists cannot embrace sustainable principles in the way in which they conceive and implement their ideas, as long as this is supported through the funding and commissioning process… “ Kate Maddison

Initial feedback gained from the launch of the Guidelines at “Art Ecology and Sustainable Practice” an event held Chrysalis Art’s base, The Art Depot, was very positive and include:

“Helpful to have these points presented in a useable form” Barbara Greene, artist

“(PASA) asks and answers a range of public art questions” Harry Hodgson, Hull School of Art and Design

“Very useful tool… would like to try putting it into practice” Adele Jackson, artist and project manager, Loca, Kirklees Council

Chrysalis Arts view PASA as very much the starting point in the debate around public art practice and sustainability, and hope that by throwing the debate open to others, the result in the long term will be a more sustainable way of working.

Community Mosaic, Lord Street, Southport - Chrysalis Arts Photo by Chrysalis Arts

Press contact

For more press information and images contact Jane Redfern PR tel 01845 526720 / 07724 131179 email pr@janeredfern.co.uk

to speak to Kate Maddison, Chrysalis Arts tel 01756 749222 / Mob 07976 731151   email  kate@artdepot.org.uk

Curzon Square Public Art - Chrysalis Arts - Ceramic Mosaic and Forged Stainless Steel Panels, artist and photo Kate Maddison

Editors notes

Chrysalis Arts is an artist-led public art company, training and arts development agency based in the North Yorkshire village of Gargrave. The company was founded in 1985 by Rick Faulkner and Kate Maddison.

Chrysalis Arts are keen to embrace the principles of sustainability in creating public artwork, promoting both responsible professional practice and conscientious use of materials and resources, in line with a fully developed environmental policy.

On October 2nd, Chrysalis Arts launched the PASA guidelines at the seminar event “Art Ecology and Sustainable Practice” which was held at the company’s base, The Art Depot, the subject of one of the PASA Case Studies, in Gargrave, North Yorkshire. The event was well attended by public art practitioners including artists, commissioners, local government officers, university lecturers and researchers.

“Thought provoking” Suzanne Dimmock, Lancaster City Council

“ (PASA) gives a systematic form to much of what we already do instinctively…(it) sums up a transferable approach which artists can pass on to whoever works with them” Sue Harrison, artist

Transitionboatessm - Transition Helix-Spiral-Boat, Manchester, Building Schools for the Future - St Philips and Piper Hill Schools - Chrysalis Arts

More about PASA online

Anyone wishing to use the guidelines will be asked to register before gaining free access to the PASA Checklist Online which is an immediate sustainability tool. Registered users can answer questions about their art activity or project online and when the checklist is completed, they can download their answers as a pdf document.

To accompany the guidelines, Chrysalis Arts have carried out four PASA Case Studies of how to apply the guidelines as an assessment method and to show benchmark examples of the company’s projects and current practice.

Registered users can also download the PASA Guidelines free as a series of pdf documents:
Guidelines – a detailed assessment method which incorporates the checklist and also; The (Full) Guidelines, The Assessment Process, Appendix 1: Chrysalis Arts – Steps to Sustainability, Appendix 2: Sustainable Principles, Appendix 3: Bibliography (including Websites), Appendix 4: Case Studies – Slow Art Trail, The Art Depot, Lord Street, St Paul’s & Piper Hill BSF, Appendix 5 - Template


Additional Resources

PASA Q & A – available

PASA Case Studies: Projects analysed using the PASA Guidelines (available from http://www.pasaguidelines.org/ )

  1. SLOW ART TRAIL: a pilot, public art project – a series of environmental installations (Bolton Abbey/North Yorkshire) exploring sustainability and creative practice – developed by Chrysalis Arts to raise awareness of environmental issues and explore how artists could develop a more sustainable approach to their creative practice. The installations ranged from pieces that tempted visitors to sit down and contemplate their surroundings to those which challenged perceptions about contemporary art-making in a traditional rural landscape.
  2. THE ART DEPOT is the result of a collaboration between Chrysalis Arts and architects Wales Wales and Rawson and comprises an office, design studio and workshop for the public art company in North Yorkshire. The brief was to create a building that reflects the true integration of art and architecture and provide a base for future public artwork, arts development and training activity.
  3. LORD STREET GARDENS ARTWORKS commissioned by Sefton Council to create new artworks to complement the refurbishment of Lord Street Gardens, which were originally designed by Thomas Mawson in 1906, a renowned landscape architect of the arts and crafts movement, and retain many of their original features. The artworks included a new illuminated water feature, seats and a community mosaic.
  4. TRANSITION, Artwork commissioned by Manchester City Council’s Building schools for the future programme: St Paul’s RC High School and Piper Hill High School (for students with special needs) occupied two separate sites in Wythenshawe and were being brought together as two schools that would share some facilities in new premises on the St Paul’s RC School site. Chrysalis Arts worked with the students and staff of St Paul’s RC High School and Piper Hill High School to create a new artwork to celebrate the two schools coming together and to symbolise their ‘transition’ to a new beginning. The artwork is itself an eight-metre suspended helix-boat structure of rope, wood and stainless steel, occupying the space above the reception area.

LIVE ART DEVELOPMENT AGENCY | Call for Proposals


platform00000009
is the seventh annual live art platform event organised by Platform North East to encourage the making, presentation and exchange of innovative live art and interdisciplinary practice within the north east region of England. The event aims to support emerging live art practice as well as to provide an opportunity for work that challenges contemporary categories of art and we are seeking to select 10–12 proposals that best represent these aims. Selected artists will receive support to develop and make their work and a small fee.


eligibility
Artists who live or work in the Arts Council England, North East region (County Durham, Northumberland, Tees Valley, Tyne and Wear) are invited to submit proposals of work for inclusion. These can be performance, time-based, sound, dance, intervention, durational, and interdisciplinary. Each work submitted must include a live element in its presentation. If you have any uncertainty about what type of work is eligible, please feel free to contact us.

this year’s event
This year the event will be taking place on Friday 11 December 2009 at the Star and Shadow Cinema, Stepney Bank, Newcastle upon Tyne (map location) and all publicly accessible spaces within the cinema’s premises are potentially available. If you would like to see the available spaces within the building, please contact us.

application procedure
The application form and further information are available at platformnortheast.org or you can email us with your details and we’ll send you a copy. Please contact us if you would like to discuss any particular requirements.

selection process
All proposals will be considered by members of the platform north east steering group which includes Lee Callaghan (amino), Paul Grimmer (artist), Michelle Hirschhorn (independent curator), Ilana Mitchell (artist) and Ben Ponton (amino).

for more information contact mail@platformnortheast.org

DEADLINE FOR PROPOSALS: 18:00 FRIDAY 6 NOVEMBER 2009
NOTIFICATION TO ARTISTS OF SUCCESSFUL PROPOSALS: FRIDAY 13 NOVEMBER 2009
EVENT: FRIDAY 11 DECEMBER 2009

Go to RSA Arts & Ecology

blog.GreenMuseum.org: We Look Different.

There have been some blips and blurps over the past few weeks on the greenmuseum blog as we settle into this new, fancy-pants version of WordPress. It didn’t like our old theme. So we changed to this one. It’s Green. To mark the occasion, here’s a link to an excellent interview of Maja and Reuben Fowkes of translocal.org,  with discussion of everything from Sustainable Art with capital letters to curator Nicolas  Bourriaud, pictured above. A quote:

In general we prefer to talk about the sustainability of art,
rather than Sustainable Art with capital letters, as our
primary interest is in the implications of a broad notion
of sustainability for the whole of contemporary art,
rather than just a niche area, such as is associated with
the term Environmental Art. Artists that consider the
ethical aspects of their formal decisions, such as what are
the implications of the use of animals in art or of people
in community art projects, are in that sense giving
precedence to ethics, rather than aesthetics.

Fascinating. Discuss.

Go to the Green Museum