Artworks

EcoArt: It’s Only Natural Film Project

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This film project shows how art can fuse with environmental science and community engagement to protect and preserve fragile and endangered ecologies.

Since EASF’s founding in 2007, the number of Florida artists engaged in the demanding trans-disciplinary practice of EcoArt has doubled! And they are creating stunning, ecologically productive artworks at the rate of 1-2 a year.

The project documents the phenomenon of EcoArt’s growth in South Florida, addressing the ups and downs of the journey. The film’s perspective will be through the eyes and experiences of the artists and their collaborators who will candidly respond to the key question: “Why EcoArt?” EcoArt South Florida believes their story of how EcoArt has become a powerful force, in a state with multiple, serious ecological problems, can spark the emergence of similar trans-disciplinary efforts elsewhere.

EcoArt South Florida is teaming up with Miami filmmakers Southern Land Films to mark EcoArt practice’s arrival at “critical mass” stage in the region. Our documentary, which is already underway, will profile 11 of the seventeen EcoArt works that have been completed or are in progress. It is thrilling that their efforts to catalyze the emergence of South Florida as a new, vibrant center for EcoArt practice are working!

Visit our website to learn more about our work at: ecoartsofla.org

Contribute to the project here: http://www.razoo.com/story/Ecoart-Film

Call to Artists – GREEN ART PARADE

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This post comes to you from Green Public Art

Green Public Art Consultancy invites artists, performers and designers to create floats, placards, portable sculptures, kites, performances, art bikes, balloons and street spectacles for a Green Art Parade! Parade entries can make political statements, environmental messages. For inspiration, visit this pinterest board to get those wheels turning! www.pinterest.com/greenpublicart/green-art-parade/

The route will begin at a location TBD in North Park and will conclude at Art Produce (3139 University Ave, San Diego, CA 92104). Participants must be able to walk, run, and/or roll the entire route. The route will not exceed 1 mile in length.

The Green Art Parade will occur on two dates, Saturday, July 13, 2013 and Saturday, August 10, 2013 from 7:00 – 8:00pm. An artist’s reception at the Art Produce gallery and garden will immediately follow each event. The parade will coincide with North Park’s Ray@Night (www.northparkarts.org/).

To extend the ephemeral nature of the parade, Green Public Art Consultancy intends to exhibit a number of Green Art Parade entries in the Art Produce gallery and garden space from July 8, 2013 – August 18, 2013. Art Produce is a unique, artist-run, storefront exhibition space and public art experience in North Park, San Diego. The gallery, entirely visible from the sidewalk, is designed to accommodate sculptural installations, cross-disciplinary works, digital media, and performance events. www.artproduce.org/

ELIGIBILITY: This call is open to all artists residing in Southern California. Artists living in San Diego are especially encouraged to apply.

CRITERIA: Selected artists / teams will have experience creating artworks that express green design theories, utilize green materials and techniques, or express a significant environmental concern; have previously demonstrated a successful collaboration on a project; and are available to participate in a minimum of two public art parades.

DEADLINE: Submission materials are due May 15, 2013 by 5:00pm via email to:
info@greenpublicart.com. Selected artists notified on May 20, 2013 with an official
invitation to participate.

ABOUT THE CURATOR: Rebecca Ansert, founder of Green Public Art Consultancy, is an art consultant who specializes in public art project development and management, artist solicitation and selection, and creative community involvement for private and public agencies. She earned a master’s in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings. She founded her Los Angeles-based firm in 2009 in an effort to advance the conversation of public art’s role in green building. For more info: www.greenpublicart.com

TO APPLY: The following materials must be received by 5:00pm, Wednesday, May 15, 2013:

  1. Submit all materials to info@greenpublicart.com in one pdf document labeled: ArtistName.ProjectName.2013
  2. Cover page: Name, Organization (if applicable), Address, Phone, Email, Website, and Narrative bio/artist statement (100 words or less)
  3. A one-page letter of interest describing your proposed project / performance / spectacle
  4. Five digital work samples of similar past projects. Identify each project with a title, dimensions, location, and year. Video clips should be no more than 5 minutes long each and included as links to YouTube, Vimeo, or your website.
  5. Resume and website (limit to one-page please)

SCHEDULE

May 15, 2013 Artists submit application materials listed above
May 20 Artists notified of selection; Artists begin working with Green Public Art Consultancy immediately upon selection
Saturday, July 13 Artist participates in Green Art Parade #1
6:00pm Artist arrives at parade start route
9:30pm Artist removes artwork from Art Produce
Saturday, August 10 Artist participates in Green Art Parade #2
6:00pm Artist arrives at parade start route
9:30pm Artist removes artwork from Art Produce
August 18 Exhibition closes

BUDGET: While Green Public Art Consultancy believes in paying all artists for their time, this project is strictly voluntary and does not have funding available for artist fees or materials. Green Public Art fully supports artists who wish to find outside funding to realize their project.

QUESTIONS: Please contact Rebecca Ansert, rebecca@greenpublicart.com or 424-229-2257

 

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
Go to Green Public Art

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The Oil Road reviewed

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This post comes to you from EcoArtScotland

PLATFORM have been at the heart of a critique of corporations and carbon for more than twenty years.  They have entered into long term partnerships with environmental ngos, appeared at Glastonbury, commissioned and created artworks, as well as produced books and films.

They have also founded a business that delivers micro renewable solutions for businesses and homes in London.

Their latest book, following on from the hugely important The Next Gulf, is The Oil Road, reviewed recently in the Guardian.  The Next Gulf focused on Shell’s involvement in Nigeria.  The Oil Road is focused on travels that Mika Minio Paluello in particular made along BP’s Baku-Tbilisi-Ceyhan pipeline from the Caspian to the Mediterranean.  Exploring oil from experience on the ground is always more revealing.  These books are always well researched, historically informed, thoroughly post-colonial and fascinating.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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PRESS RELEASE: Tate decline offer of 16.5m wind turbine blade artwork

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This post comes to you from EcoArtScotland

Reblogged from Liberate Tate Blog:

Art collective raises questions over John Browne’s conflict of interest as ex BP CEO

Tate Trustees have decided not to accept ‘The Gift’, a 16.5m wind turbine blade, as part of its permanent art collection.

‘The Gift’ was installed in Tate Turbine Hall in an unofficial performance on 7 July, involving over 100 members of Liberate Tate, the group that has made headlines for dramatic artworks relating to the relationship of public cultural institutions with oil companies.

The artists submitted official documentation (see below) for the artwork to be a gift to the nation ‘given for the benefit of the public’ under the provisions of the Museums and Galleries Act 1992, the Act from which Tate’s mission is drawn.

The refusal of the offer comes despite the fact that more than a thousand people signed a petition started by a Tate member calling on Nicholas Serota and the Tate board to accept the artwork and return the blade to the Turbine Hall for public viewing.

Informing Liberate Tate of its decision, Tate stated the reason being that: “in line with the current strategy, commitments and priorities for the Collection and the size of the object in relation to existing pressures on collection care – the offer of The Gift is declined.”

Giving Liberate Tate 7 working days’ notice, Tate also said that if the art collective did not respond by 16 October, it would “recycle” the artwork.

Today, 15 October, Liberate Tate has responded asking Nicholas Serota questions including:

(The full version of Liberate Tate’s response can be found in the Notes).The decision comes at a time when controversial art sponsors have again been in the news. Last week the National Gallery announced that its sponsorship agreement with arms dealer Finmeccanica was ending a year early following on from protests and public pressure.

Sharon Palmer from Liberate Tate said:
“We are not disappointed for us as artists – our future work will continue to be seen at Tate as long as BP is supported by Tate, although we would welcome an early end to our practice – but we are disappointed for what this decision says about the present nature of the institution that is Tate.”

“Recent studies have shown that BP sponsorship of the Olympics managed to improve the public perception of the company, despite the fact that they are continuing to devastate the climate and are pushing ahead with devastating tar sands extraction and arctic drilling. Tate’s relationship with BP is fulfilling the same function in actively helping the oil giant to avoid accountability for countless destructive activities. The Gift is an artwork that celebrates the possibility of real change – for Tate as much for everyone else facing the challenges of the climate crisis.”

The Gift is Liberate Tate’s fourth artwork in the Tate Modern Turbine Hall.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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Dorsky Museum announces programs for Dear Mother Nature, Hudson Valley Artists 2012

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This post comes to you from Cultura21

The Samuel Dorsky Museum of Art announces the programs they have organized in conjunction with the exhibition Dear Mother Nature, Hudson Valley Artists 2012, on display in the Alice and Horace Chandler Gallery through November 4.

The program, developed by curator Linda Weintraub and the exhibiting artists, seeks to increase audience understanding of individual artworks as well as exhibition themes and consists mainly of interactive performances, gallery talks, workshops and participatory ceremonies, planned from July to November, accompanying the exhibition.

Saturday, August 25

  • 2 pm – Free Gallery talk with Linda Weintraub, curator of Dear Mother Nature: Hudson Valley Artists 2012
  • 3 pm – Ceremonial meal with artist Mary Anne Davis, “Mala Meal”

Saturday, September 15

  • 2 pm – Free Gallery talk with Dear Mother Nature: Hudson Valley Artists 2012 curator, Linda Weintraub, and artists Christy Rupp and Elisa Pritzker
  • 2:30 pm – Performance: Jan Harrison will perform in “Animal Tongues.”
  • 3:30 pm – Demonstration: Hudson Valley artist Barbara Bash will show examples of her journaling work and demonstrate the heaven, earth and human principles at the heart of this process in a spontaneous drawing and writing performance.

Saturday, September 22

  • 2 pm – Free Gallery talk with Dear Mother Nature: Hudson Valley Artists 2012 curator, Linda Weintraub, and artists Angela Basile, Claudia McNulty, Meadow, Kathleen Anderson, Laura Moriarty, Ilse Schreiber-Noll, and Leslie Pelino
  • 3 pm – Demonstration/workshop: “The Language of Natural Materials”

Saturday, September 29

  • 2 pm – Free Gallery talk with Linda Weintraub, curator of Dear Mother Nature: Hudson Valley Artists 2012, and artists Raquel Rabinovich and Gina Palmer
  • 2:30 pm – Poetry Slam: Leila Goldthwaite – “Cheese Torte and Fish Tales: Poetry Theme Slam and Open Mic”
  • 3:30 pm – Workshop with artist Riva Weinstein – “Lifeline” creates a link between Mother Nature and humanity. Bring found objects. You will use them to create spontaneous and ephemeral assemblages. All ages are welcome.

Saturday, October 20

  • 2 pm – Drawing Performance: Jaanika Peerna, artist, and David Rothenberg, musician, respond to each moment’s breezes, moisture, sounds and many other offerings from Mother Nature through movement, drawing, and sound.
  • 3 pm – Dance Performance: “Tree – a Dance: trees we see, trees we dream, trees of our lineage”
  • Susan Osberg – choreography and direction, work with Dancers Company: Marika Blossfeldt, Elizabeth Castagna, Shannon Murphy and Susan Osberg, Tom Moore – photography, Steve Blamires – readings from his book, “Celtic Tree Mysteries”

You can also check our previous post about the exhibition Dear Mother Nature here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Manifesta 9

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This post comes to you from Cultura21

Opening on June 2nd 2012 and running until September 30th 2012, Manifesta 9 takes place in the former coalmining complex of Waterschei in Genk, Limburg, Belgium.

Manifesta 9 is an assembly of artworks, testimonies, and participants inviting the viewer to rethink the role of culture in industrial and post-industrial societies. For its ninth edition, which take place in Limburg, Belgium, the curatorial team, composed of Cuauhtémoc Medina (México), Katherina Gregos (Greece) and Dawn Ades (U.K.) has developed a concept creating a dialogue between different layers of art, heritage and history.

The point of departure of Manifesta 9 is the significance of the former coalmining region of the Belgian Campine, as a locus for different imaginary and ecological issues associated with industrial capitalism as a global phenomenon.

For more information about Manifesta 9, you can visit their website : http://manifesta9.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Michael Pinsky LIFT unveiling 7 February

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This post comes to you from Ashden Directory

To celebrate thirty years of groundbreaking international theatre across London, LIFT  partnered with Arts Admin., as part of the IMAGINE 2020 network, to commission a new piece of public art work in central London.  Michael Pinsky, a renowned British artist, who has created artworks in public spaces and galleries across Europe, won the commission.  His work will respond to the issue of climate change.  This secret project will be launched 7 February 2012.  Stay tuned for more details.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

SurVivArt – Art for the Right to a Good Life

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This post comes to you from Cultura21

Berlin

7th to 24th of February 2012

From the 7th to the 24th of February the exhibition SurVivArt – Art For the Right to a «Good Life» takes place at the galleries Mikael Andersen and Meinblau in Berlin.

International artists from Ethiopia, Cambodia, Myanmar, Nigeria, Thailand and the Czech Republic were invited to do a reflection on the meaning of the right to a «Good Life».  From these reflections arose various works of art and related communications on what the “good life“ means to them and people around them. Often the project started off the communication between artists and local communities about sustainable practices in their home country. The artworks touch upon many aspects of our everyday life: Habitation, food, clothes as well as consumption. The works will be shown at the exhibition, which opens at the 5th of February.

The Heinrich Böll Foundation developed SurVivArt with the help of its offices around the world. The project was inspired by the initiative ÜBER LEBENSKUNST from the Kulturstiftung des Bundes and aims at connecting sustainability, climate change and gender equity with the arts and culture.

Among others the works by artists Kebreab Demeke, Robel Temesgen, Alafuro Sikoki, Segun Adefila, Adebimpe Adebambo, Oeur Sokuntevy, Neak Sophal, Tith Kanitha, Nino Sarabutra, and Phyoe Kyi will be shown at both galleries.

“The art works narrate widely differing stories – about the quest for a “good life”; the quest for balance, happiness, and contentment; about the responsible as well as creative and playful handling of resources and new modes of consumption. They also tell us about the power of communities, their potential to survive, and their strength that inspires artists to contribute to a good life through their art.”

The conference Radius of Art takes place in parallel (February 8/9, 2012) and fosters international dialogue and exchange of ideas between culture, science, and politics.

Opening hours of the exhibition are Tuesday to Friday 12 noon – 6 p.m. and Saturdays 11a.m. – 4 p.m.
Opening: 5th February 2012, 6 p.m.

For further information: www.survivart.org and www.radius-of-art.de/conference

This post is also available in: German

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

A PEOPLE’S PRELIMINARY HEARING ON MONSANTO

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This post comes to you from EcoArtScotland

‘listening to zea maize’ from mid west radical culture corridor website

ANDANDAND made the following announcement through the dOCUMENTA (13) newsletter (who, it should be noted, added “dOCUMENTA (13) is not responsible for the views or factual claims expressed by the artists and artworks it presents.”.

“Our focus is on Monsanto’s role in transforming and damaging the ecologies, economies, and social relations of this region. Proceedings will unfold in several stages, and as the deliberation process builds, it will add to the accumulating record of harms perpetrated by this corporation against human and non-human bodies, food, biological processes, weeds, neighborhoods, farmers, alternative forms of knowledge, and finally the environment from which all these entities emerge.

Through this project, we challenge rigid categories of legal protection, and seek an ethics that protects life itself from coercion. We invoke the form of a trial to produce a comprehensive public understanding of harms, and to determine responsibility for those harms. Existing judiciary frameworks are inadequate to the scale and nature of the ongoing damages perpetrated by Monsanto, which, under current law, is granted the rights of a legitimate “person,” while human non-citizens and non-human agents in our biosphere are not recognized. Existing law produces exclusive notions of legitimacy and harm that ignore and damage entities that do not favor a reductive calculus of profit.

Our proposition is to consider all living things as potential plaintiffs in an accounting of Monsanto’s crimes. We submit to public review impacts that are experienced materially and culturally, in the past, the present and extending into our shared future. By expanding notions of legal standing and of legitimate harm, we assert our interdependence. The urgent question is: what will it take to safeguard the interlocked nature of the world against criminally reckless corporate priority?”

The first hearing will take place at:

Time: Saturday, January 28, 2012, 11 am
City: Carbondale IL; Chicago IL; Iowa City IA; others TBA
Country: USA
Location: 37° 43′ 35.11″ N, 89° 13′ 12.97″ W
Address: Lesar Law Building Courtroom, Carbondale

Midwest Radical Culture Corridor has undertaken a number of drifts with the likes of Temporary Services and Brian Holmes.  Their Call to Farms project and publication is inspirational.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Social license to operate

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This post comes to you from EcoArtScotland

BP is definitely splashing around the cultural sponsorship – there has been press coverage of the £10 million to cultural majors

in London, and now they are also sponsoring the Cultural Olympiad.

Art Not Oil want artworks for an online exhibition.  Send them before the end of February.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland