This post comes to you from Cultura21
51 films from 20 different countries will be screened between May 16th and May 26th 2013 in the cinema of Rio de Janeiro´s famous Modern Art Museum (MAM). The International Uranium Film Festival is an annual festival dedicated to all films, short and feature documentaries, movies and animated films about nuclear energy, atomic bombs, nuclear accidents, uranium mining, depleted uranium weapons and radioactive risks. The best short, feature and animated films of the festival are awarded with the “Yellow Oscarâ€.
Two important new films of the Festival are for example: The feature documentary film “Uranium – To Die For – (HaZman Hatzahov)†by Shany Haziza from Israel about the most dangerous black market of radioactive uranium from the Congo. And “Nuclear Savage: The Islands of Secret Project†by Adam Jonas Horowitz: A documentary about nuclear bomb tests in the Marshall Islands.
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
Powered by WPeMatico
After taking place twice in Brazil, the International Uranium Film Festival came to Berlin in October 2012. The highlight of the festival was the screening of four movies about the nuclear disaster of Goiânia, 1987, one of them Cesium 137: The Nightmare of Goiânia (1990), a movie by already deceased Roberto Pires which had already won several awards at the 1990 Brasilia Film Festival. The present Brazilian directors Jorge Luiz Eduardo and Angelo Lima as well as producer Laura Pires took this opportunity to speak up against the Brazilian government and lacking response to the disaster.