This post comes to you from An Arts and Ecology Notebook
Was just reading the following quote from a book The Care of Creation (2000) and thinking about this ecopoem entry into last weeks British Talent show that has gone viral on youtube
http://www.youtube.com/watch?v=UyYizYZKFtU
â€When the greatest beasts before whom our ancestors shrank in terror is in danger of extinction, when the very biodiversity of the planet seems to depend on the implementation of a political treaty, the only thing to be in awe of is the dizzying power of human culture…. our problem today… is that our awe has given way to an exploitative and managerial approach to nature.â€
I loved Olivia’s courage to present her ‘passion, which she knows is out of fashion’ but I couldn’t help but feel though that many in audience while applauding this audacious poetic gesture fail to see the bigger crisis that extinction is pointing to, ie that extinction doesn’t only apply to snakes! (I saw the polar bear image above earlier this week and thought, yep, the polar bears have got it – a friend of mine has it as his avatar on Facebook)
Other contributors to Care of Creation printed back in 2000, from scientists to theologians state that ‘the ecocrisis is so serious that scientists and political solutions alone are unlikely to address it satisfactorily’… which some of us are beginning to realise. One of the contributors quotes an earlier writer, Hamilton in 1993, who argued, ‘it is not the ecologists, engineers, economists or earth scientists who will save spaceship earth, but the poets (even small ones), priests, artists and philosophers’.
Here’s another creative work which dovetails Olivia’s piece above, don’t you think.
[iframe http://player.vimeo.com/video/19569018?title=0&byline=0&portrait=0 500 281]Olivia gets where science often fails and where artistic performance excels…. ‘if I say their Latin names will you listen more?’
An Arts & Ecology Notebook, by Cathy Fitzgerald, whose work exists as ongoing research and is continually inspired to create short films, photographic documentation, and writings. While she interacts with foresters, scientists, and communities, she aims to create a sense of a personal possibility, responsibility and engagement in her local environment that also connects to global environmental concerns.
