Berlin

Brandon Ballengée – Events in Germany

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This post comes to you from Cultura21

Brandon Ballengée will be exhibiting and talking in Germany from late May 2014 onwards.  He will be in Berlin and in Lüneburg:

In Berlin

Exhibition at  Art Laboratory Berlin: [macro]biologies II: organisms  (Suzanne Anker, Brandon Ballengée, Maja Smrekar) // 31 May- 20 July, 2014
Vernissage: 30 May, 2014, 20:00
Artist and curators talk: 1 June 2014, 15:00
More information here

In Lüneburg

Praeter Naturam: Beyond Nature  (Lecture)
Tuesday 3 June 2014, 12:15-13:45
Leuphana University (Scharnhorststr. 1, building 3) Room C 3.121
The lecture will be followed by an open discussion with Brandon Ballengée, moderated by Dr. Sacha Kagan (Leuphana University, ISKO / Cultura21).

DFA 186: Hades. 2012. Unique digital-C print on watercolor paper. Cleared and stained Pacific tree frog collected in Aptos, California in scientific collaboration with Stanley K. Sessions. 46 x 34 in. Courtesy the artist and Ronald Feldman Fine Arts, New York, NY.

DFA 186: Hades. 2012. Unique digital-C print on watercolor paper. Cleared and stained Pacific tree frog collected in Aptos, California in scientific collaboration with Stanley K. Sessions. 46 x 34 in. Courtesy the artist and Ronald Feldman Fine Arts, New York, NY.

Biologist and artist, Brandon Ballengée creates transdisciplinary artworks inspired by his ecological field and laboratory research into amphibians, birds, fish and insect species found in today’s ‘preternatural’ environments. Ballengée uses art in order to realize scientific research, and science in order to realize art. He is a systemic practitioner and an “ecosystem activist” who stresses public involvement through participatory biology, field investigations and laboratory programs. Since 1996, Ballengée’s primary scientific research and much of his art has focused on the occurrence of developmental deformities and population declines among amphibians.

Brandon Ballengée’s work has been exhibited internationally, incl. solo exhibitions at Museum Het Domein (Sittard, Netherlands: 2014), the Schuylkill Center for Environmental Education (Philadelphia, USA: 2013), Longue Vue House and Gardens (New Orleans, USA; 2011); Peabody Museum of Natural History (Yale University, New Haven, USA: 2007); and a.o. Documenta 13 (Germany: 2012); 3rd Moscow Biennale (Russia: 2009); Venice Biennale (Italy: 2005); Geumgang Nature Art Biennale (South Korea: 2004). In 2011 he was awarded a conservation leadership fellowship from the National Audubon Society’s TogetherGreen Program (USA).

The lecture in Lüneburg is organised by the Innovation Incubator and the Centre for Digital Cultures at Leuphana University of Lüneburg, in collaboration with the Leuphana Arts Program and Cultura21. The Innovation Incubator Lüneburg is an EU major project supported by the European Regional Development Fund and the federal state of Lower Saxony.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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AGENTS OF CHANGE AND ECOLOGICAL CITIZENSHIP – new summer school programme from 10 to 22 July 2011

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This two week workshop:

  • provides an opportunity to explore the many different ways and levels on which we can be or become better `agents of change´ and how we can deepen our understanding of ecological citizenship
  • provides a form for exploring the importance of imagination in transformative work
  • enables participants to  develop forms of creative cultural action that relate directly to each of our own life-work situations

The workshop is embedded in the exploratory practices and research of the Social Sculpture Research Unit and informed by its network of active members and associates. In this sense it also provides an introduction to social sculpture and its role in bringing about a viable word.

The program me is led by artist Shelley Sacks, head of the Social Sculpture Research Unit at Oxford Brookes University, and Dr. Hildegard Kurt from and. Institute for Art, Culture and Sustainability in Berlin.

Please enrol as soon as possible. Places are limited.

Creative Review – What does a ton of CO2 look like?

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BIG VORTEX is the idea of Berlin-based artists realities:united. Waste gases will leave the chimney of the plant (which will turn waste into energy) as revolving gas clouds in the shape of smoke rings. The rings become visible due to the condensation of water in the flue gases as they slowly rise and cool, before resolving into the air. The rings produced in this way will, the artists estimate, be 30 metres in diameter and three metres thick and “constitute exactly one ton of fossil carbon dioxide, which is added to the atmosphere”. “[In] this way the rather abstract pollution aspect gets somewhat more graspable and understandable, something you can see and relate to,” the artists say.

via Creative Review – What does a ton of CO2 look like?.