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Etienne de France – Tales of a Sea Cow

This post comes to you from Cultura21
2012, March 30 to June 24 – Parco Arte Vivente, Torino (Italy)

Curated by Annick Bureaud – Opening: March 29 at 6.30 pm

In a finis terrae like scenery – rarefied, cold and blurring – takes place the story of a scientific team engaged in a field research across the seas of Iceland and Greenland, in order to prove (at least in the form of sound recordings) the survival of some specimens of the “Steller’s Rhytine” – a marine mammal declared extinct. Science or science fiction?

Chronicle of an adventure as well as methodological exercise, the multimedia project by Etienne De France (living in Paris and Reykjavik) blurs reality and fiction, retracing and reshaping the traces of a world both virtual and potential, a plausible Otherwhere, which is mirror and metaphor of the Real.

Opening hours: from Wednesday to Friday, 1 pm – 6 pm ; Saturday and Sunday, 12 am – 19 pm
PAV – Parco Arte Vivente, Via Giordano Bruno 31.

Events:

  • Inner focus: March 28th, 5 pm, Accademia Albertina delle Belle Arti, via Accademia Albertina 6.  Speakers: Etienne de France, Massimo Melotti (ethics of communication) and Maria Teresa Roberto (phenomenology of contemporary arts).
  • Press conference: March 29th, 11 am, PAV – Parco Arte Vivente

Background

Collaborating with paleo-zoologists and biologists, the artist retraces every tiny detail concerning the existence of Steller’s rhytine and reconstructs its world – its habitat, the routes it used to follow, its behavioural patterns – trying to fill the void created by the animal’s extinction. Exploiting the latest scientific methods and techniques, De France imagines and follows a team of experts engaged in checking reports of some unexpected sightings, looking for confirmation, at least in the form of sound recordings, to prove the survival of some specimens of the long-lost Sirenian.

The result is a blend of science and fiction, a return to the atmosphere beloved of Jules Verne, in which elements of the real are interwoven with the dimension of the possible, perhaps with that of dreams.

Within the framework of PAV Educational and Teaching Activities, curated by Orietta Brombin, Tales of a Sea Cow becomes the starting point for the workshop Gulliver’s Travel, dedicated to exploring in depth the theme of otherness through the curious eyes of the traveler of the eighteenth-century literary genre.

In the area of education for young artists and adults in general, on Saturday June 2nd the theme will be taken up again by Piero Gilardi in a public workshop entitled Noi come animali (Us as animals).

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

2012 iLAND Symposium

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New-York, USA, March 23-24, 2012

Wollman Hall at The New School | 65 West 11th Street, 5th Floor

Tickets: $5 – $25 (Sliding Scale)

The 2012 iLAND Symposium will be entitled: Moving Into the Out There: Indeterminacy and Improvisation in Performance and Environmental Practice. This event is an open forum for exploring new methods of understanding urban ecosystems through innovative collaborations between practitioners of movement, dance, science, and environmental management. iLAND cultivates a deeper engagement with urban environmental issues through its cross-disciplinary approach, and the annual symposium invites the general public to experience and explore recent works emerging from the iLAND community.

Schedule

Friday, March 23

12:00 pm to 3:00 pm:  

Pre-Symposium Workshop: John Cage & The Art of Indeterminacy ;  Presented by:
Ivan Raykoff, Professor, Eugene Lang College ; Philip Silva, Program Director, iLAND

3:15 pm to 4:30 pm:  

Open Space Discussion: Moving Forward with Science + Performance
Moderator: Danielle Goldman, Professor, Eugene Lang College
(By Invitation Only)

6:00 pm to 8:00 pm: 

Plenary: PARK Presentation & the iLANDing Method
Presented by: PARK (2011 iLAB Residents) ; Jennifer Monson, Artistic Director, iLAND ; Members of the iLAND Board of Directors ; Danielle Goldman, Professor, Eugene Lang College

Saturday, March 24

10:00 am to 10:30 am: 

Open Time [Breakfast & Networking]

10:30 am to 12:00 pm:

Panel Discussion: Indeterminacy, Ecology, and Urban Design: The Performance of City Ecosystems
Presented by: Erika Svendsen, US Forest Service ; Victoria Marshall, Professor, Parsons School of Design ; Susan Sgorbati, Choreographer, Professor, Bennington College ; Philip Silva, Program Director, iLAND

1:00 pm to 3:00 pm:    

Thrown Outside – Outdoor Workshops in Research & Movement
Presented by: Liz Barry, Public Laboratory for Open Technology & Science ; Jessica Einhorn, Dancer, Choreographer ; Clarinda Mac Low, Choreographer, new media artist (iLAB 2010) ; E.J. McAdams, iLAND Board

3:00 pm to 4:30 pm:  

Panel Discussion: Performing Queer Ecology
Presented by:  Jennifer Monson, Artistic Director, iLAND ;  Ivan Raykoff, Professor, Eugene Lang College ;  Robert Sember, Professor, Eugene Lang College ;  Philip Silva, Program Director, iLAND

4:30 pm to 6:00 pm: 

Closing Plenary & Open Discussion
Moderator: Kyle De Camp, Director and Performer

6:15 pm to 6:45 pm: 

Dance Performance: Lectures on Weather
Based on a John Cage score from 1975
Created & Presented by: Athena Kokoronis, Choreographer (iLAB 2009)

For more information on the symposium, please visit www.ilandart.org, call (347) 573-5547 or email info [at] ilandart [dot] org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Between art and environment: Case studies from Thailand, Malaysia and India

This post comes to you from Cultura21

The case studies are part of an Asia-Europe Foundation commissioned research project entitled “Linking the Arts to Environment and Sustainable Development Issues”.

  • Thailand: In Doi Saket, an artists’ residency programme brings together local communities and artists to reflect on diverse facets of everyday life to gain a more open perspective about their positions in the contemporary landscape. Read more on Culture360.org: Click here
  • Mumbai, India: Artist designers Anuradha Mathur and Dilip da Cunha break paradigms by denouncing rigidity and embracing fluidity to inspire harmonious postcolonial contemplation on the relationship between land and sea to better plan urban settlements. Read more on Culture360.org: Click here
  • Malaysia: In Tasik Chini, an NGO is building capacity to empower local communities to document their traditional knowledge and actively participate in the management and restoration planning process of their immediate environment. Read more on Culture360.org: Click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Urban Furrows

This post comes to you from Cultura21

As part of Maribor 2012, European Capital of Culture, the “Urban Furrows” programme includes several projects such as “Sustainable Local Supply” (promoting short economic circuits between food production and consumption), a seed library for local plant species and the “Rhizome collective” aiming to empower immigrants and jobless workers, among other projects.

Read more on Culture360.org: Click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Some of the videos from the Radius of Art conference

This post comes to you from Cultura21

This is a selection of videos focusing on the conference introduction and on the thematic window “Art toward Cultures of Sustainability” at the Radius of Art conference (Berlin, Feb. 8-9 2012). This specific thematic window was organized by the Heinrich Boell Foundation in collaboration with Cultura21.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

The Slave Business and Its Material and Moral Hinterlands in Continental Europe

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Conference at the International Slavery Museum, Liverpool (UK), April 20-22, 2012

The history of transatlantic slavery is one of the most active and fruitful fields of historical research worldwide. As scholarship in this field is increasingly global, it opens up unique possibilities for international collaboration. More particularly, the most recent research which looks beyond the familiar Atlantic axis and the principal slave-trading nations has made clear the scope for new kinds of comparative and trans-regional studies.

The conference revisits a number of key themes relevant to the relationship between slavery (outside Europe) and the dynamics of (European) metropolitan society, giving specific attention to developments in Continental Europe and in particular to the German-speaking regions. These themes include the impact of the slave business on capitalist development and the development of discourses around slavery and abolition in the public sphere. Behind that there lie questions about private conscience – in the first instance about what was known and knowable about the implication of individual economic actors in one of the earliest globalised businesses.

By focusing our attention on regions which were physically and politically distant not only from the mines and plantations of the Americas but also from Europe’s ‘slave capitals’ like Liverpool, London, Nantes and Bordeaux, we hope not only to assemble new data and thereby better understand the material ‘reach’ of transatlantic slavery, but also to address wider questions about the ways in which location/space structures knowledge, values and interest by applying them to the particularly dramatic case of slavery in what are still seen as marginal places. How does the geographical status of ‘hinterland’ relate to conditions of economic and moral/discursive interchange?

The conference begins with a keynote lecture by Catherine Hall, Director of the UCL/ESRC project on British stakeholders in slavery and post-abolition compensation, and ends with a session on memory work in teaching, public art and public and community history.

Confirmed speakers

  • Sabine Broeck (University of Bremen): Bremen and the slave business: Notes on a Hermeneutics of Absence, and a Pedagogy of the Trace
  • Peter Haenger (Basel): Basel and the slave trade: from profiteers to missionaries
  • Dan Hopkins (University of Missouri at Kansas City): Julius von Rohr, an Enlightenment scientist of the plantation Atlantic
  • HMJokinen (Hamburg): The Slave Trader Heinrich Carl Schimmelmann and Cultures of Remembrance in Wandsbek: Vestiges, Myths and Protests
  • Craig Koslofsky (University of Illinois at Urbana): A German Diary of a Slaving Journey in the 1690s
  • Jochen Meissner (Humboldt University Berlin): Southern European and Latin American Responses to British Abolitionism
  • Kwame Nimako (University of Amsterdam): The Peace of Westphalia, Slavery and the Berlin Conference: A Continuum
  • Anne-Sophie Overkamp (Viadrina University, Frankfurt a.d.O): The German backcountry and the Atlantic exchange: The participation of textile merchants from the Wupper valley in the Atlantic trade, 1760-1810
  • Allan Potofsky (University of Paris-Diderot): Paris as Atlantic Hinterland, from the Ancien Régime to the French Revolution
  • Alan Rice (University of Central Lancashire): Chair / comment
  • Barbara Richiger (Cooperaxion – Bern): A Swiss database of slave-trade stakeholders
  • Alexandra Robinson (University of Liverpool): A case study of the Earle family’s Leghorn business 1751 -1808
  • Klaus Weber (Viadrina University, Frankfurt a.d.O): ‘All the Negroes cloathed with German Linen’: Central European Implications with the Atlantic Slave Trade, 15th-19th Centuries

Art Installation

  • HMJokinen, Gordon Uhlmann:  projection posthum: Heaven above Wandsbek – Guinea – St. Croix

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Two essays published at the Heinrich Boell Foundation

This post comes to you from Cultura21

In parallel to the “Radius of Art” conference, the Heinrich Boell Foundation published 2 essays dealing with art and cultural transformations toward sustainability.

Both essays can be obtained (in print versions) from the foundation and (in electronic PDF versions) from the website of the foundation:

Sacha Kagan. Toward Global (Environ)Mental Change: Transformative Art and Cultures of Sustainability.

Berlin: Heinrich Boell Stiftung, 2012. (For more information and the free pdf version: click here)

 

 

Adrienne Goehler. Conceptual Thoughts on Establishing a Fund for Aesthetics and Sustainability.

Berlin: Heinrich Boell Stiftung, 2012. (For more information and the free pdf version: click here – Goehler’s essay is also available in German version here)

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Call for submissions: Next idea grant

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The Ars Electronica Linz GmbH in Linz/Austria welcomes submissions for the “next idea grant” 2012.
Every year Ars Electronica awards prizes to artistic works in the field of media arts in the following seven different categories:

  • Computer Animation / Film / VFX
  • Interactive Art
  • Digital Musics & Sound Art
  • Hybrid Art
  • Digital Communities
  • u19–Create Your World
  • [the next idea] voestalpine Art and Technology Grant

The Prix Ars Electronica is one of the most important awards for creativity and pioneering spirit in the field of digital media.
The aim of “THE NEXT IDEA” grant is to honor new and extraordinarily promising ideas and to support the process of developing them further. This year Ars Electronica looks especially for projects that deal with three themes of key importance to humankind’s future: energy, mobility and access.

For detailed information about the grant see http://www.aec.at/prix/en/

Everyone is invited to submit new projects/concepts or prototypes here: http://prix.aec.at/
The deadline for submission is March 2nd, 2012.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

SURVIVAL OF THE BEAUTIFUL (USA)

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An All-Day Wonder Cabinet

On Saturday, February 25th, 2012 from 10:45 am till 9:30 pm, the New York Institute of the Humanities and The New Jersey Institute of Technology present SURVIVAL OF THE BEAUTIFUL at the NYU’s Cantor Film Center in New York.

David Rothenberg talks with scientists and artists about his new book Survival of the Beautiful, which examines the interplay of beauty, art, and culture in evolution.

In it the philosopher and musician Rothenberg deals with the questions, why animals have innate appreciation for beauty and why nature is beautiful.

On the 25th of February the question of how art has influenced science is investigated by him and his guests.
Above that it is asked what we can learn from the amazing range of animal aesthetic behaviour about animals and about ourselves. The event is topped of with music by David Rothenberg and Jaron Lanier and free and open to the public.

For further information about David Rothenberg see http://davidrothenberg.com

Background: David Rothenberg recently published a book, Survival of the Beautiful (www.survivalofthebeautiful.com). Many of the protagonists he encountered will join him on stage at the Cantor Film Center to debate the question of whether nature’s beauty is actual, imaginary, useful, excessive, or perhaps even entirely beside the point.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Invitation to participate in an Earth Forum with Shelley Sacks

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Within the framework of the Citizen Art Days Shelley Sacks offers twice a day the possibility to take part in an Earth Forum „Social Sculpture“ Process at the Freies Museum_öffentlicher Raum Berlin. From February 20th to 24th, in each case from 11 am to 2 pm and 3 to 6 pm, people are given the opportunity to create a humane and ecologically just future in groups of 8 to 12.

Artist and former scholar of Joseph Beuys, Shelley Sacks, invites people of every age and background to a process of creative imagination and exchange in order to bring room for new approaches of thought and action into being. After building an awareness in the group, the focus shall be put on questions directly related to the environment, the neighborhood, the city of Berlin and even the world.

Everyone is invited to participate in the Earth Forum process, whether as an individual or as a network of individuals and organisations who have diverse interests or as an organisation or group of individuals who have similar aims and views of sustainable development, but may have different ideas of how to achieve these aims.

Possible languages are English and German.

Background: The Citizen of Art Days from the 19th to the 24th of February 2012, offer the possibility for citizens to participate directly in the designing of their city by means of workshops, lectures, discussions and city excursions.
Registration and further information here:
www.citizenartdays.de / earthforum [at] citizenartdays [dot] de / 030-49 914 661
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Further projects of Shelley Sacks:
www.social-sculpture.org
www.universityofthetrees.org
www.exchange-values.org
www.ortdestreffens.de

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21