Biological Station

Call for participants: “Field_Notes – Deep Time”, 15th – 24th September 2013, Kilpisjärvi Biological Station, Lapland/Finland

Cultura21, Open Calls, , , , , , , , , , , , , , , , , , , ,

This post comes to you from Cultura21

sanaa-1024x768“Field_Notes – Deep Time” is a week long art&science field laboratory organized by the Finnish Society of Bioart at the Kilpisjärvi Biological Station in Lapland/Finland. Five working groups, hosted by Oron Catts, Antero Kare, Leena Valkeapaa, Tere Vaden, Elisabeth Ellsworth and Jamie Kruse, together with a team of five, will develop, test and evaluate specific interdisciplinary approaches in relation to the “Deep Time” theme.

“Field_Notes – Deep Time” is in search of artistic and scientific responses to the dichotomy between human time-perception and comprehension, and the time of biological, environmental, and geological processes in which we are embedded. The local sub-Arctic nature, ecology, and geology, as well as the scientific environment and infrastructure of the Kilpisjärvi Biological Station will act as a catalyst for the work carried out.

Dates and places:

15th – 22nd September 2013, field laboratory at the Kilpisjärvi
Biological Station
23rd, 24th of September 2013, conference in Helsinki

Application process:

The organizers are looking for 25 artists, scientists and practitioners, who are interested to develop, collaborate and work in one of the below mentioned groups.

Application including CV, group preference and a max A4 letter of motivation and/or direction of possible Field_Notes research/contribution are to be sent to erich [dot] berger [at] bioartsociety [dot] fi

Application deadline: 31st of Mai 2013

The organizers welcome artists, scientists and practitioners from different fields to apply. They will pay for the journey from Helsinki to Kilpisjärvi and back, as well as for full board and accommodation at the Kilpisjärvi Biological
Station for the whole working week. Participants from outside of Finland have to take care of their travel to Helsinki and possible necessary accommodation in Helsinki themselves.

Groups, hosts and fields:

During one week the five groups will approach the “Deep Time” theme from different angles. They will organize themselves in work groups, think tanks, and workshops. They will carry out their work in their related field environment, as well as have common activities of lectures, presentations and feedback sessions. Expected results include abstracts, collaborations, data, documentation, future workshops, hard an software, ideas, knowledge, photos, presentations, prototypes, skills, sounds, projects, videos and more. The languages used are Finnish and English.

The five groups are:

* Journey to the Post-Anthropogenic
hosted by Oron Catts, takes place in the sub-Arctic nature, in the lab, and in the study

* Deep Futures in the Making
hosted by Elizabeth Ellsworth and Jamie Kruse, takes place in the sub-Arctic nature and in the study

* Deep Time of Life and Art
hosted by Antero Kare, takes place within the sub-Arctic geology of bedrock, sediments and caves, the lab and the study

* Time and Landscape
hosted by Leena Valkeapää, takes place in the sub-Arctic landscape, amongst reindeer and the Sami culture

* Second Order
hosted by Tere Vaden, takes place amongst the working groups and in the study

More information at: http://bioartsociety.fi/deep_time/  or contact erich [dot] berger [at] bioartsociety [dot] fi

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico

Ars Bioarctica Residency 2013

ecoartscotland, Open Calls, , , , , , , , , , , , , , , , , , ,

This post comes to you from EcoArtScotland

ars-bioarctica-residencyShared from Yasmin announcement – Call for applications

Ars Bioarctica Residency 2013 – application deadline 6.4.2013

Since 2010 the Finnish Society of Bioart is organizing the ARS BIOARCTICA RESIDENCY PROGRAM together with the Kilpisjärvi Biological Station of the University of Helsinki in the sub-Arctic Lapland.

The residency takes place in the facilities of the Kilpisjärvi Biological Station. It provides the residents with a combined living and working environment, a basic laboratory, internet connection and sauna.

The Kilpisjärvi Biological Station offers to the residents the same possibilities and infrastructure as its scientists and staff. This includes access to scientific equipment, laboratory facilities, the library and seminar room as well as the usage of field equipment. A dedicated contact person in Kilpisjärvi will familiarize residents with the local environment and customs.

The emphasis of the residency is on the Arctic environment, art&science collaboration and is open for artists, scientists and interdisciplinary research teams.

Applications have to include:

  • a biography and CV of the applicant or group
  • a work plan
  • the desired residency starting time and duration

Travel to and within Finland to Kilpisjärvi have to be covered by the applicant. The Finnish Society of Bioart will assist with the funding process.

The evaluation of the applications emphasizes the quality of the proposal, its interaction of art&science, its artistic and scientific significance, the projects relation to the thematics of Ars Bioarctica and its feasibility to be carried out at the Kilpisjärvi Biological Station in the given time.

Send applications or questions to Erich Berger erich.berger@bioartsociety.fi

We accept applications throughout the year but if you want to be included in the summer/fall schedule for 2013, please send your applications until 6.4.2013

More information:

Residency website: http://bioartsociety.fi/ars-bioarctica-residency/

Blog by previous residents: http://www.bioartsociety.fi/residency/

The Kilpisjärvi Biological station: http://www.helsinki.fi/kilpis/english/index.htm 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

FIELD_NOTES – Cultivating Ground

ecoartscotland, , , , , , , , , , , , , , , , , , ,

This post comes to you from EcoArtScotland

Call for professional collaborators

FIELD_NOTES – Cultivating Ground
Kilpisjärvi Biological Station in Kilpisjärvi/ Lapland/ Finland.

26. September – 2. October 2011
Deadline 30th of June 2011

Organized by the Finnish Bioart Society in the context of the Ars Bioarctica project together with the Kilpisjärvi Biological Station.

“ Field_Notes – Cultivating Grounds” is a week long field laboratory for theory and practice on art&science work at the Kilpisjärvi Biological Station of the University of Helsinki in Lapland. Five working groups, each hosted by an expert (Oron Catts, Marta de Menezes, Anu Osva, Tapio Makela and Terike Haapoja) together with a team of four, will develop, test and evaluate specific artistic approaches based on the interplay of art&science. The outcome of Field_Notes will result in a publication published by the Finnish Bioart Society in 2012.

We warmly welcome artists, scientists and practitioners to participate and contribute to the development of the field.  We are looking for 20 artists, scientists and practitioners, which are interested to develop, collaborate and work in one of the groups.

Please send your application including CV, Biography, group preference and a max A4 letter of motivation and/or direction of possible Field_Notes research/contribution to erich.berger@bioartsociety.fi

More information can bee found at http://bioartsociety.fi

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

CALL: 2011 Ars Bioarctica art&science residency in Kilpisjärvi Finland

news, Open Calls, , , , , , , , , , , , , , , , , , , ,

Ars Bioarctica is long term art and science initiative by the Finnish Bioart Society. Since 2010 it is organizing an artist-in-residency program together with the Kilpisjärvi Biological Station of the University of Helsinki in the sub-Arctic Lapland.

The residency has an emphasis on the Arctic environment and art and science collaboration. It is is open for artists and art&science research teams. Amongst the first residents have been Andrea Polli (US), Helene von Oldenburg (DE), Claudia Reiche (DE), Raquel Renno (BR), Anu Osva (FI) and Sini Haapalinna (FI).

The residency takes place in the facilities of the Kilpisjärvi Biological Station. The Kiekula-house provides the residents with a
combined living and working environment, kitchen, bathroom, sauna and internet connection. The Kilpisjärvi Biological Station offers to the visiting artists the same possibilities and infrastructure as its scientists and staff. This includes access to all scientific equipment, laboratory facilities, the library and seminar room as well as the usage of field equipment. A dedicated contact person in Kilpisjärvi will familiarize residents with the local environment and customs.

The basic costs of a residency period include: Travel to Finland, travel within Finland to Kilpisjärvi, accommodation, meals and sauna. There is a possibility to cook in a common kitchen or to eat in the canteen of the station. The Bioart Society will assist with the funding process.

Applications have to include a work proposal, a working plan with time schedule, the desired residency outcome, a list of necessities for the work to be carried out and the artists CV.

The application deadline is 28th of February 2011.

The evaluation of the applications emphasizes the quality of the proposal, its interaction of art&science, its artistic and scientific significance, the projects relation to the thematic focus of Ars Bioarctica and its feasibility to be carried out at
the Kilpisjärvi Biological Station in the given time.

For applications or questions contact Erich Berger:

erich[dot]berger[at]bioartsociety[dot]fi

More info:
http://bioartsociety.fi/3 information on residency
http://www.bioartsociety.fi/residency/ blog by residents
http://www.helsinki.fi/kilpis/english/index.htm Kilpisjärvi Biological Station, Helsinki University

Aesth/Ethics in Environmental Change, transdisciplinary workshop, May 2010, Germany

Announcements, Conferences, CSPA Convergence, Open Calls, Research, , , , , , , , , , , , , , , , , , ,

Aesth/Ethics in Environmental Change
Invitation to a transdisciplinary workshop about the aesthetics, ethics, art, religion and ecology of the environment

Arranged by the European Forum for the Study of Religion and the Environment, Religious Studies, Norwegian University of Science and Technology, Trondheim, Biological Station of Hiddensee, University of Greifswald, Environmental Ethics, University of Greifswald

Hiddensee, 24-28 May 2010

Aesth/Ethics in Environmental Change is an international workshop joining ethics, arts, religion and science in an attempt to reach a combined and deeper insight in nature, landscape and its changes. We invite scholars from different disciplines to participate in this workshop on the beautiful island of Hiddensee!

The following questions will be addressed:

  • What does the perception and awareness of the environment and ourselves within it contribute to our understanding of and dealing with nature? How can arts widen our perception of nature?
  • How are aesthetics and ethics connected to each other in habitats, places and spaces? Can both be entangled into an integrated “aesth/ethics”? Can such a view be incorporated in the aims of nature conservation?
  • How and where to seek, find and express the Sacred in nature? How are worldviews, values, rituals, visons, belief systems and ideologies at work within the human ecology?
  • How can humans in general encounter an accelerating and expanding environmental (incl. climatic) change? How can they perceive, experience, reflect and adapt to it?
  • How can aesthetics, ethics, religion and ecology transcend contemporary political modes of environmental protection? How could they catalyze a truly transdisciplinary environmental science?

Schedule:

The workshop will alternate between lectures, seminaries, discussions, practical art work and excursions,and it will offer varying options to let the  island itself intervene. Scholars and postgraduate students from all faculties and regions around the world are welcome to attend the workshop, and we expect all to stay during the whole workshop. The numbers of participants is limited to 30 persons. The early bird catches the worm:

Please register as soon as possible, using the registration form at: http://www.hf.ntnu.no/relnateur/

Basic accommodation will be provided to every accepted participant.

Island of Hiddensee

The island of Hiddensee is situated west of the island of Ru:gen in Mecklenburg-Vorpommern, Germany. Hiddensee is about 19 km2 in size with around 1,100 inhabitants. The island is completely situated within the Nationalpark Vorpommersche Boddenku:ste. Its beautiful nature including shorelines and shallow water, coastal dunes, heathlands, coastal meadows, dry grasslands and forests, attracks not only tourists, but also biologists!

Keynote speakers:

  • Sigurd Bergmann, Religious Studies/Theology, Trondheim, Norway
  • Irmgard Blindow, Ecology, Hiddensee, Germany
  • Emily Brady, Geography, Edinburgh, UK
  • Forrest Clingerman, Theology, Ohio, USA
  • Celia Deane Drummond, Theology and Religious Studies, Chester, UK
  • Thomas Jaspert, LandArt artist, Bokel, Germany
  • Konrad Ott, Environmental Ethics, Greifswald, Germany
  • Thomas Potthast, Ethics in Science, Tu:bingen, Germany
  • George Steinmann, Artist, Bern, Switzerland
  • Heike Strelow, Curator, Writer and Art Historian, Frankfurt/M., Germany

Call for papers:

Oral presentations (15 min) and posters are invited on the conference theme.  Abstracts (no more than 200 words) should be sent by 15 February of 2010 by e-mail.

Sigurd Bergmann, prof. dr.theol.
Department of Archaeology and Religious Studies
Norwegian University of Science and Technology
NO – 7491 Trondheim
NORWAY
Institutt for arkeologi og religionsvitenskap
Norges Teknisk-Naturvitenskapelige Universitet (NTNU)
NO – 7491 Trondheim
Phone:  +47-73 59 65 87, +47-73 91 97 07
Skype:  sigurdbergmann
Fax:    +47-73 59 14 64

http://www.ntnu.no/arv/english/staff/sb
http://www.hf.ntnu.no/relnateur/