Call For Papers

International Conference:“Popular Culture and Social Transformation”

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What can we learn about social transformations from popular culture?

The two- day conference, entitled “Popular Culture and Social Transformation”,  will be held in Oslo on 4-5 October 2012.

The aim of the conference is through a variety of sessions and topics to address how popular culture is not only a mirror of society, but also a crucial element of power; the keynote speakers are Simon Lindgren and Jason Dittmer.

For those interested in joining the conference, the deadline for abstracts is May 15th, 2012.

The call for papers is available here.

For more information about the conference, please visit:

http://www.uio.no/kultrans/aktuelt/konferanser/popular/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

The Cultural History of Climate Change

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Humanities Research Centre, Australian National University, 27 – 28 August, 2012

Historians since Herodotus have argued that climates shape cultures. We can no longer ignore the fact that cultures also shape climates. Today’s climate is increasingly a material effect of the history of industrialisation. The climate of the coming centuries will be an effect of contemporary global society. Recognition of these interactions opens a significant new field to historical inquiry. It brings the economic, political and technological history of the carbon cycle together with cultural, aesthetic and literary reflections of climate, and links the emergence of ecological thinking to broader transformations in the organization of knowledge. Acknowledging that the climate is cultural compels us to rethink many existing forms of historical understanding. It challenges traditional notions of the historical period, of collective and individual agency, of the narrative forms of historiography, and of the basic distinction between natural and human history. It demands new ways of relating the existential and historical moments of human knowledge and action to the dimensions of geological and evolutionary time.

The cultural history of climate change will be of central importance to social, cultural and political debates of the Twenty-First Century. To provide a speculative survey of this field, the Humanities Research Centre will hold a special conference on this theme on 27 and 28 August, 2012, in Canberra, Australia.

Proposals are invited for papers that either:
• examine episodes, works or themes that fall within the cultural history of climate change; or
• address the conceptual challenges posed to historical inquiry by anthropogenic climate change.

Please submit proposals of up to 300 words to tom [dot] ford [at] anu [dot] edu [dot] au by 18 May 2012

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

CALL FOR PAPERS/PROPOSALS: Trans-cultural, trans-national, trans-species histories in performance

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ASTR/TLA 2012 WORKING GROUP
Ecology and/of/in Performance Working Group (on-going)

“Trans-cultural, trans-national, trans-species histories in performance”

Since our first ASTR Working Group session at the 2010 conference in Seattle, the Performance and Ecology Working Group has spawned symposia, anthologies, and publications.  Foremost among those is a new volume that grew out of our 2010 session: Readings in Performance and Ecology, eds., Wendy Arons and Theresa J. May (Palgrave 2012).  Our Working Group has continued valuable research on numerous fronts, including:  Earth Matters on Stage conference at Carnegie Mellon University (2012); the Staging Sustainability at York University (2011).  Participants in this Working Group have published an array of new material including; Ecology and European Drama by Downing Cless (Routledge). Networks and journals in the field such as, The Center for Sustainable Practices in the Arts Quarterly, the “Fieldworks” issue of Performance Research (eds. Pearson, Roms, Daniels, 2010), and the “Performance and Ecology” section of Theatre Topics (2007) attest to scholars’ acute awareness of environmental politics and ecopoetics praxis in an imminently changing world.  The rising tide of this focused research indicate not only a growing concern and mounting artistic will in the realm of ecological sensibility, but also faith in the imagination as a critical aspect of our individual and collective ecological identities.

In 2012, as part of ASTR’s “Theatrical Histories” focus, we turn our attention to trans-cultural, trans-national, and trans-species performance in anticipation of a second volume of ecocritical writings on theatre and performance.  Our questions for the upcoming 2012 Working Group session include:

  • How do transcultural and transnational performances re-map our understanding of what May has called “ecodramaturgy”?
  • What constitutes “theatre e of species” (Chaudhuri) and how might these trans-species performances rearrange or reinterpret understandings of representation?
  • How do the material characteristics of artistic sites condition the aesthetics of the work produced?
  • What kinds of geological and geographical histories emerge alongside socio-cultural storytelling?
  • How do intersecting histories – indigenous, place-based, community-driven – play out on stage in performance?
  • How do ecological transitions, transmigrations, transmutations, transformations and transference shape artistic practice and meaning-making in the theatre?
  • Other questions, approaches and  topics that clearly address trans-national, trans-cultural, trans-species topics in performance.

Please send a 500-word Abstract as attachment to both Working Group conveners below:

Theresa May, University of Oregon (tmay33@uoregon.edu)

Nelson Gray, University of Victoria (ncgray@uvic.ca)

Session Format:

Working Group participants will exchange papers in advance of the conference via meetings.  Depending on number, participants will read a selection of 3 to 4 papers each and develop questions that arise from the intersection of the ideas and research.  At the conference, these “pods” will discuss their findings and share them with the entire working group.  The conveners will facilitate a discussion leading to a possible frame (for instance, for a volume of essays) and key questions that the working group would like to see addressed as the research moves forward.

Call for Papers – Environmental Humanities & the Challenge of Multidisciplinarity

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This call for papers articulates an argument for a broad, in the terms of the call multi-discipliary, approach to environmental issues.  The text of the call is a clear and cogent case for the involvement of a wide range of disciplines and positions to develop an ethics.

A Workshop at the 13th International Conference of the International Society for the Study of European Ideas, *“The Ethical Challenge of Multidisciplinarity: Reconciling ‘The Three Narratives’—Art, Science, and Philosophy”*

University of Cyprus, Nicosia, July 2 – 6, 2012

THEME OF THE WORKSHOP

Environmental issues are typically framed within public discourse as problems that require empirical information and technological solutions.  This paradigm holds not only scientific but also philosophical assumptions, most importantly that the real world is the one described by natural science, the world of scientific realism. In this worldview, all other disciplines (such as ethics, the qualitative social sciences, and politics and policy) are assimilated as “tools in the toolbox” used to solve the problems previously defined by Western science. The intensity of current environmental crises—especially global climate destabilization—energizes this focus on practical problem-solving and on technological and policy solutions within existing institutional, economic, and political frameworks. However, this approach fails to recognize that the humanistic disciplines, including philosophy, literature, and the arts, both construct and express knowledge of nature that exceeds the bounds of problem-solving and the ontology of scientific realism. Further, claims about nature that appeal to the authority of Western science, though masked as objective, are frequently deployed to undergird ideological constructions about race, class, gender, and nation; the authority to make claims about nature is inseparable from political power.

Underlying this default position of the natural sciences is the unexamined assumption that environmental problems are encountered independently of any context, values, history, or disciplinary biases.  Humanities scholars in the emerging fields of ecocriticism, environmental art, environmental philosophy, and related areas of inquiry vigorously challenge this assumption, arguing that our environmental problems are inescapably ethical, historical, and political. The very definitions of environmental problems at any given moment are a function of human ideas and negotiations that have a particular cultural location and history and that reflect specific concepts of ethical responsibility and justice. Consequently, the methods of the natural sciences, although necessary for meeting our environmental challenges, cannot replace the interpretive, critical, and artistic methods of the humanities. The emergence of the “environmental humanities,” as a multidisciplinary site of convergence within academic scholarship, responds to this need.

This workshop will engage with the emerging disciplines of the environmental humanities to pose a series of questions, including:

* How are the methods and epistemology of the humanities distinct from those of the empirical sciences?

* What would a genuinely interdisciplinary approach to questions of the environment look like, and how can this be negotiated within current institutional limitations?

* What impact can the humanities have on public discourse and political will in specific areas, such as environmental justice and climate change?

PROPOSAL SUBMISSIONS

Please submit two-page abstracts by email in Word format to the workshop organizers by*15 March 2012*. Each presenter will have 20 minutes and is asked to present rather than read a paper. Abstracts of accepted presentations will be circulated to the participants in advance of the conference.

CONFERENCE PROCEEDINGS

Final versions of the papers (not to exceed 3,000 words, or 10 double-spaced pages, including notes) will be reviewed by the workshop organizers for possible publication in the conference proceedings.

THE CONFERENCE

This workshop is planned under the auspices of the 13th International Conference of the International Society for the Study of European Ideas, on the theme “The Ethical Challenge of Multidisciplinarity:

Reconciling ‘The Three Narratives’—Art, Science, and Philosophy.” For more information, visit ISSEI’s website at http://issei2012.haifa.ac.il/

THE VENUE

The workshop will be held at the University of Cyprus – Main Campus, Kallipoleos Avenue 75, Nicosia 2100 Cyprus.

WORKSHOP ORGANIZERS

Janet Fiskio, Environmental Studies, Oberlin College, jfiskio@oberlin.edu

Ted Toadvine, Philosophy and Environmental Studies, University of Oregon, toadvine@uoregon.edu

–

Ted Toadvine
uoregon.edu/~toadvine

Head, Department of Philosophy
Associate Professor, Philosophy& Environmental Studies
University of Oregon

Editor-in-Chief, Journal of Environmental Philosophy
ephilosophy.uoregon.edu

Co-Editor, Chiasmi International
filosofia.unimi.it/~chiasmi/

Editor, Ohio University Press Series in Continental Thought
ohioswallow.com/series/Series+in+Continental+Thought

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Extension of the Call for Papers – Sociology of the Arts – Artistic Practices

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Two months ago we published on our website a call for papers for the next conference of the Research Network Sociology of the Arts, at the European Sociological Association, which will take place in Vienna from 5 to 8 September 2012. The focus of the conference will be on artistic practices. The call for papers is open, not only to sociologists, but also to interdisciplinary researchers from diverse backgrounds.

Many people interested in the conference have asked for the call for papers to be extended. This has been agreed, so the new deadline will be the 19 February 2012.

To look back into our post from November 4th 2011, about the call for papers, please click here.

For more information on the conference please also visit the conference website at: http://www.mdw.ac.at/ESA-Arts-2012

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Call for papers – Seismopolite Journal of Art and Politics issue 3

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Theme: Reimagining the political geography of place and space

In the coming issue we wish to focus on political geographies, as well as artistic interventions in, and reimaginations of, such geographies. The distinction between “place” and “space” is of particular interest, as it is fundamental not only to much art, but also to our global situation within neoliberal political geography. If time has come for us to reimagine this geography, as well as the interrelationships between, and definitions of “space” and “place”, is it thinkable that art could be an ideal site for such reimagination?

The construction and exploitation of a particularism of the local also seems indigenous to the logic of neoliberalism, in the sense that it relies on the opposition between place and space to be able to expand in the first place. Among other things, the space-place dichotomy facilitates the reduction of developmental issues, political unrest or violence to irrational expressions of local misguidance, backward culture or belief systems. When the evolution of neoliberal space is merged with democratic and civilizing pretentions, the otherness and fixed specificity of places appears to be a legitimate pretext to expand into always new (potentially profitable) areas in and beyond the periphery.

The self-fulfilling prophesy of neoliberal geography also constitutes an effective impasse in alternative visions of political geography – on the one hand, by making the critical reconstruction of place and its interconnectedness with a larger picture, beyond the dichotomies of space/place and local/global, superfluous – on the other, by dissimulating any locally based meaning of universality that cannot be reduced to the civilizing prospects and ideals of neoliberal universalist geography. In this sense, the self-upholding myth of the local which neoliberal geography feeds on seems to express another form of orientalism, convincingly presenting itself and its worldview as the necessary cure to global and local problems, and reversely; presenting political issues in localities beyond its borders as a temporary void in its over-arching, inescapable logic.

Contributors from a variety of disciplinary backgrounds are invited to submit articles, exhibition reviews or interviews that address the theme “Reimagining the political geography of place and space”, through a high variety of possible angles.

Topics may include, but are not restricted to:

  • Artistic approaches to political geography, artistic intervention in geopolitical discourses and decolonization strategies.
  • The concepts of space and place in art, and their renegotiation through art
  • The role of art and artists in the rewriting of history and political geography in post-colonial situations.
  • The relationship between neoliberal political geography and orientalism
  • The art biennial as a global phenomenon, and its role in the (re)negotiation of political geography
  • The relationship between the global art scene and neoliberal political geography.
  • The relationship between art and geography

For guidelines and payment rates, please contact Seismopolite Journal of Art and Politics at submissions@seismopolite.com

We accept submissions continuously, but to make sure you are considered for the upcoming issue, please send your proposal, CV and samples of earlier work to us within February 10, 2012.

Completed work will be due March 5, 2012. Commissioned works will be translated into Norwegian and published in a bilingual version.

 

Seismopolite Journal of Art and Politics is a bilingual English and Norwegian quarterly, which investigates the possibilities of artists and art scenes worldwide to reflect and influence their local political situation. Follow this link to visit the journal: www.seismopolite.com

Call for Papers: Affective Landscapes

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May 25th – 26th 2012 Derby, UK

This conference seeks exciting disciplinary and transdisciplinary proposals from scholars working in fields such as cultural studies, literary studies, cultural politics/history, creative writing, film and media studies, Area Studies, photography, fine art, interested in examining the different ways in which human beings respond and relate to, as well as debate and interact with landscape.

The conference organizers are particularly interested in proposals examining the following:

• psychogeography
• critical regionalism
• cultural politics on identity and landscape
• national identity
• suburbia
• edgelands
• the rural / urban
• responses to landscape by creative practitioners (writers / photographers
/ artists / filmmakers)
• phenomenology
• the body in landscape
• Ecocriticism
• landscapes of trauma and memory
• theories of affect and landscape

Please send proposals of not more than 250 words by 16 December 2011 to Dr. Christine Berberich at christine [dot] berberich [at] port [dot] ac [dot] uk

Reposted from http://www.derby.ac.uk/affectivelandscapes Further details about the conference, the venue, travel, accommodation, registration etc can be found there too

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Call for Papers: Under Western Skies 2: Environment, Community, and Culture in North America

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Building on the success of Under Western Skies: Climate, Culture, and Change in Western North America in October 2010, Under Western Skies 2 welcomes academics from across the disciplines as well as members of artistic and activist communities, non- and for-profit organizations, government, labour, and NGOs to address the environmental challenges faced by human and nonhuman actors across North America.

From October the 10th to 13th 2012UWS 2 will take place on Mount Royal University campus in the LEED Gold-certified Roderick Mah Centre for Continuous Learning.

The six keynote speakers can be found listed here.

With its mandate for both interdisciplinarity and community outreach, UWS 2 broadens the geographical scope of the inaugural conference but retains its wide call for contributions from all environmental fields of inquiry and endeavor, including the humanities, natural and social sciences, North American studies, public policy, business, and law.  Artistic, creative, and non-academic proposals are also welcome.  Possible directions may include, but are not limited to

agriculture, food, and food security
alpine and glacial change
animal rights and commodification
automobility/transportation/infrastructure
borders and transnational issues
climate shock
collaboration between scientific and non-scientific communities
continental “perimeter security”
direct action and activism
ecology or nature?
“ecoterrorism”
environmental catastrophe and community
environmental devastation as neo-colonialism
environmental economies
environmental humanities
environmental racism and justice
environmental technologies
feedlots and runoff
forests and forestry
fracking
the Great Lakes
historical perspectives
human and nonhuman migration
indigenous environmental kinship
indigenous land, air, and water rights
indigenous worldviews and sovereignties
interdisciplinarity and transdisciplinarity
invasive species
the Keystone Pipeline and continental integration
law and public policy in North America
literary, filmic, and new media representations
marine ecosystems
national and regional parks
new continental weather patterns
North American bioregions
North American nuclear culture and power after Fukushima
North American studies
oil culture
the politics of meat
resilient communities and solidarity
restoration, reclamation, reparation
the rights of nature
seeds and seed patents
senses of place
technology as social construction
tourism and amenity migration
urban biodiversity
water rights, watersheds, and river systems
the “wilding” of North American cities like Detroit
wildlife and animality
women’s, gender and/or sexuality studies
youth, education, and activism

A selection of papers will go forward for an edited book publication or special journal issue following UWS 2.  (The collection of edited papers stemming from UWS 2010 is forthcoming from Wilfrid Laurier University Press as a part of its Environmental Humanities Series.)

Proposals should run no more than 250 words in length and be attached to an email as a .doc or .docx file. Proposals for readings, panels, screenings, displays, and workshops are also welcome.

Direct all proposals, together with brief bio and contact information, to Dr. Robert Boschman atand to Dr. Mario Trono at.

Check for regular updates regarding UWS 2 at the conference website: www.skies.mtroyal.ca.

Closing Date: Monday, January 23, 2012

Reposted from www.skies.mtroyal.ca/cfp/

The Call for Papers is now also available in French on the homepage http://skies.mtroyal.ca/frenchcfp/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Call for Papers: Beyond the Creative City

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Special Issue: Beyond the Creative City
Portugal

The “Cities, Cultures, and Architecture Research Group” of the Centre for Social Studies (CES), University of Coimbra is going to publish a special journal issue called “Beyond the Creative City” in December 2012. Therefore it calls for papers on the topic of urban development and its effect on local cultures and heritage. Creative city investments and initiatives play an important role in this field, but they get into the focus of heavy critique. Thus the editors search for alternative approaches to urban futures, with a sustainable environment, society and economy and attention payed to inclusion and social equity, to make it short: approaches with a higher cultural sensivity.

The call for papers is not only directed to architects and cultural politicians, but also aims at researchers from the fields of sociology,  anthropology, arts, cultural studies, as well as other disciplines confronted with urban space. Possible topics for investigation are:

urban lifestyles and means of resistance, socioeconomic conditions and empowerment of residents through artistic/cultural initiatives, the impacts of tourism and ‘creative city’ initiatives on cities over the last decade, affirmations of cultural expressions, and the democratic governance of cities.
Revista Crítica de Ciências Sociais (RCCS) publishes the results of advanced research in all fields of social and human sciences in four issues per year. As Revista Crítica de Ciências Sociais is a peer-reviewed journal, all submitted works are graded by three reviewers, and ranked in terms of quality for this special issue. 6-8 articles will be chosen for publication as well as  4-5 book reviews.

The submission deadline for articles is 31 March 2012. Articles can be sent in Portuguese, English, French and Spanish to the following email address: rccs [at] ces [dot] uc [dot] pt

For more information please visit: http://www.ces.uc.pt/rccs/index.php or download the Call for Papers as PDF file here: CFP Beyond the Creative City

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Call for Papers: CONTEMP ART ’12

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From the 11th to 14th of April 2012 the Contemporary Art Conference takes place in Istanbul, Turkey. It is open to the approaches of institutions and history of contemporary art as well as to styles generated by various international artists with different tendencies. Contemporary art has contrary characteristics and constantly renews itself and its environment whether from new materials or ways of communicating with the audience. It gets into the focus of criticism, too.

“Contemporary art, with all its wrapped dimensions, confronts us every day with new agenda and disputes.”

The Contemp Art ’12 tries to give answers to the questions that appear in the rise of the new millennium given this complex motion. Artists as well as institutions are welcomed to follow the call for papers. There are different suggestions on themes, a very interesting one for ecological art is the tendency of place, city and nature as well as material and environment.

The event will be arranged by the Eastern Mediterranean Academic Research Center.

Enquiries: info [at] contempartconference [dot] org
Web address: http://contempartconference.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21