Call For Papers

Call for Papers: The International Conference on Culture, Politics, & Climate Change

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USA

September 13-15 2012

The Conference on Culture, Politics, & Climate Change is an event of the Center for Environmental Journalism at the University of Colorado Boulder, that takes place from the 13th to the 15th of September 2012.

Which obstacles and opportunities are U.S. climate policymakers and scientists confronted with? Current issues of climate change will be focused at the International Conference on Culture, Politics and Climate Change. This will happen in a cross-disciplinary way, in order to look at the topic and at intersections between culture, politics and science from different viewpoints.

The political and cultural discourse generates many questions concerning climate change:

How can climate change be addressed on a national scale? Or should climate change rather be addressed on a global level? How is policy made and what is the role of state and non-state actors? How is meaning is derived from our shared culture?

Especially in the U.S. the topic is relevant, all the more facing the national elections and ongoing international climate negotiations.

The Call for Papers is addressed to presenters, who look at the communication of climate change in public and its effect on other cultural and political processes. Comparisons, with papers and panels on culture, politics and climate change in the U.S. and other countries are welcomed.

The following questions may be considered as suggestions for papers and panels,but can be enhanced by other ideas as well:

  • Communication of science
  • Media and environmental policy
  • Social movements/activism
  • Political communication of climate change
  • Mediated representation
  • Non-state actors in climate politics and communication
  • Journalism studies
  • Visual culture
  • Consumer culture studies
  • Spiritualities of globalization
  • Religions and the environment
  • Documentary/feature film

For more information, contact:

Deserai A. Crow, Associate Director, Center for Environmental
Journalism deserai [dot] crow [at] colorado [dot] eduor have a look at the homepage of the conference www.climateculturepolitics.org
The Call for Papers can be downloaded as PDF file here:

Sept 2012 CU-Boulder conference – media, culture & climate change CFP

The deadline for submissions and abstracts is January 10, 2012.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

The Art of Improvisation – Call for Papers ASA 2012

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Calendar Variations - Experiment at Woodend Barn, 2010, Photo: Chris Fremantle

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The call for papers for the ASA Conference 2012, which will be held in Delhi on 3-6th April, is now open.

The deadline is the 6th of December, 2012.

We would like to invite you to submit an abstract for our panel ‘The Art of Improvisation’.

We are interested in securing contributions from a broad range of perspectives, e.g. anthropology, the visual arts, music and performance. We are hoping to develop a dedicated journal issue as a result.

Full details can be found here.  Queries should be directed to Amanda Ravetz.

Convenors:

  • Amanda Ravetz (Manchester Metropolitan University);
  • Kathleen Coessens (Vrije Universiteit, Brussel);
  • Anne Douglas (Robert Gordon University, Aberdeen).

The panel is driven by an interest in understanding embodied, experiential knowledge through the lens of experimental arts practice. Taking an expanded notion of improvisation as a state of ‘being alive’ (Ingold 2011), the panel will explore trajectories between improvisation in life and improvisation in art as follows:

In life, asserts Tim Ingold, there exists no script. The primacy of experience is a form of ‘trying out’. We might think of this then as a movement from an indefinable and undifferentiated state to one of feeling our way through creating direction.

In art we cast a critical eye on the ‘givens’, the predetermined structures of social, cultural, material experience while recognising that freedom and constraint are profoundly interrelated. Improvisation in art across cultures is a specific approach to form making that centres the imagination (of the creator/ performer/spectator) precisely on managing the interplay between freedom and constraint.

In artistic research, the artist/researcher places him/herself at the sharp point of the inquiry, re-imagining, re-configuring, intensifying and scrutinising practice to create insights within and beyond the arts.

  • How might a revisiting of improvisation as a condition of life open up approaches to improvisation in art, challenging its current formulation as a specific formal approach?
  • In what ways might such an inquiry inform new understandings of embodied knowledge within and beyond artistic practice?
  • How might such knowledge sit beside anthropological formulations of improvisation and creativity?

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Sociology of the Arts – Artistic Practices

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Vienna

5th to 8th of September 2012

Call for Papers: The 7th Conference of the Research Network Sociology of the Arts, which is part of the European Sociological Association (ESA), takes place from the 5th to the 8th of September 2012 in Vienna, Austria. The conference will be organised by the Institute for Music Sociology at the University of Music and Performing Arts Vienna and is an event in a biannual rhythm since 2000. The key aim of these conferences is to enable collaboration and scholarly exchange between art sociologists and other scholars of the arts, and to support the presentation of new research projects. Furthermore, inspiration for the further development of the sociology of the arts can be seen as a goal.

The invited four key speakers, Karlheinz Essl (composer), Nathalie Heinich (sociologist), Theodore Schatzki (philosopher) and Laurent Thévenot (sociologist) will focus their speeches on artistic practices. The conference welcomes participants and papers on all core areas of arts sociology.  (Please find the PDF file of the call for papers at the bottom of this post.)
Experienced as well as young scholars from various disciplines sensitive to social inquiries into the arts are invited to participate in the conference. Their presentations can be related to following fields:

  1. Sociology focused on particular domains in arts including architecture, urban planning, applied arts, arts within the domain of popular culture (e.g. film, television, and popular music) as well as traditional ‘high’ arts (e.g. music, visual arts, literature, theatre, etc.).
  2. The process of production, distribution, promotion and commercialisation of works of art including the impact of technology, new means of production, forms of collaboration, the formation of art theory, the development of arts markets, process of valuation etc.
  3. The process of presentation and mediation of arts including art criticism and publicity in all domains of the arts, museums, theatres, concerts, audience studies, attitudes towards the audience, educational programs, etc.
  4. Professional development including amateurs and semi-amateurs, vocational education, art schools, professional differentiation, artistic income, artistic reputation, relation to arts management, etc.
  5. Arts organisations (not only houses such as museums, theatres but also festivals and artists’ unions) – investigation of historical development, power relations, effects, program selection, processes within the organisations such as gate-keeping, leadership, etc.
  6. Arts policy (especially the sociological aspects thereof) including legal issues, public and private funding, public discourse and debates (e.g. classification of art, arts and religious symbols, arts and sexuality, arts and racism), censorship, analysis of the impact of arts, sustainability, lobbying associations, cultural ministries or other government bodies.
  7. Social and cognitive effects of the arts including:  arts and identity formation, arts and bodies, aesthetic experience, arts and ethics, coding and decoding, gender related practices, ethnographic aspects, art for social transformation, arts in communities and arts as a part of urban culture.
  8. Arts from a macrosociological perspective including: (de-)institutionalisation, economisation, globalisation vs. localism, digitalisation, mediamorphosis, arts and social cohesion, arts and ethics, arts and hegemony and arts and power.
  9. Theoretical development in arts sociology such as the production of culture approach, (post-) structuralism, field theory, system theory, praxeology as well as methodological issues.

The deadline for submission is the 31st of January 2012.
Further information on the conference and about the application details can be found on the conference website.

The call for papers can be downloaded as PDF file here:

Call for Papers, Vienna 5-8 Sept.2012, ESA-RN02

For further details on the conference please contact zembylas [at] mdw [dot] ac [dot] at or tel. +43-1-71155-3617.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Leuphana Sustainability Summit – Call for Papers

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29th February – 2nd March 2012 – Leuphana University Lueneburg, Germany

The conference focuses on three leading questions:

1. What insights about the role of transdisciplinarity for sustainability transitions have we gained over the last 10 years?

2. What gaps in research still remain?

3. How can we fill these gaps?

The deadline for abstract submission is 31 October, 2011. More information on the conference, and full call for papers are available at this website: www.leuphana.de/sustainability-summit

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Sensory Worlds: Environment, Value and the Multi-Sensory

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7th-9th December, 2011; Edinburgh

“What contribution can sensorially-engaged Humanities make to environmental thinking and action?“

The conference “Sensory Worlds“ wants to examine the multi-sensory and will reflect upon the historical, contemporary and possible future relations between the senses (from balance to taste to the haptic and beyond). It aims to allow generously for both formal and informal discussions and dialogues. David Abram and Iain Borden will hold keynote presentations which are also open to the public.

Call for Papers: This call invites responses to the main theme, and asks that these are submitted to one of the following elements: Paper Sessions, Panel Sessions or Installations.

For more information on the conference and the call for papers, check the website:
http://www.iash.ed.ac.uk/Sawyer/Conference.html

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Ethics and Aesthetics of Architecture and the Environment

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The International Society for the Philosophy of Architecture‘s conference in Newcastle upon Tyne, UK, addresses the subject Ethics and Aesthetics of Architecture and the Environment.  There is a call for papers and posters.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

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The Sustainable City and the Arts

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Update: the deadline for the abstracts submission for the ESA (European Sociological Association) Conference in Geneva has been extended until March 8th 2011.

Call for Papers for the Research Stream which will take place in the forthcoming conference of the European Sociological Association from 7. to 10. of Sept. 2011 in Geneva.

10th Conference of the European Sociological Association

7th-10th Sept. 2011, Geneva, Switzerland

“Social Relations in Turbulent Times”

RESEARCH STREAM
“The Sustainable City and the Arts”
CALL FOR PAPERS

The study of the arts and the city in ‘turbulent times’ cannot ignore the social scientific discourse of the concept of ‘sustainability’; it is an important addendum for a contemporary arts-sociological analysis of the urban-sociological analysis of the arts.

Urban development has frequently been reflected by the arts, inspiring the arts and affected by the arts. Theoretical elaborations can be based on the work on early urban sociologists such as Simmel, Weber, Park, Wirth etc. but also on recent works by

  • the postmodern urban studies Los Angeles School (Michael Dear and Edward Soja) and studies on the significance of signs and symbols for urban development,
  • the economic geographical works by Richard Florida, Allan Scott etc. on ‘creative cities’ and issues of ‘creative industries’ and ‘urban development’,
  • and the urban cultural and arts sociological studies by, e.g., Sharon Zukin, Harvey Molotch or Alan Blum etc.

Looking at the growing list of publications, the intersection of arts sociology, cultural sociology and urban sociology prospered within the last years. However, following the main topic of this conference, the additional focus of this research stream would be the role of sustainability in turbulent times for the urban and artistic environment. Sustainability becomes an increasingly important issue for the study of urban and cultural issues (see, e.g., Nadarajah & Yamamoto) and helps to generate a socio-ecological approach to urban and arts sociology (see, e.g., ?apek, Carolan).

We are thus looking for presentations that

  • uncover the effects and the diversity of urban cultures (with different ethnic, subcultural, lifestyle, socio-economic background) as tools for urban and artistic development,
  • reflect on the three notions of ‘sustainable cities’, ‘arts in public places’ and ‘creative cities’,
  • link the increasing significance of urban creativity, culture and the arts, with discourses of sustainability,
  • and complement cultural perspectives on sustainable (or unsustainable) urban development.

One of the general considerations for proposing this research stream is the present lack of positions in arts sociology and cultural sociology for discussing the urban impact of arts and cultures as part of the sustainability discourse.  The research stream aims to offer a forum for this new intersection.

Research Stream Conveners:
Volker Kirchberg (kirchberg [at] uni [dot] leuphana [dot] de, http://www.leuphana.de/en/volker-kirchberg.html)
Laura Verdi (laura [dot] verdi [at] unipd [dot] it, http://www.sociologiapadova.eu/?pagina=pagina_generica.php&id=51)

Please submit your abstract by using the abstract submission form at http://esa10thconference.com. Further instructions and guidelines will be on this conference website.  Please NOTE that the abstracts will only be accepted through completion of the online submission form, and submission in any other form will be declined. Abstracts must include: 1) name (s) and affiliation (s) of the author(s); 2) contact details of presenting author (postal address, telephone, fax and email address); 3) title of proposed presentation. The submission form will limit the title of the abstract to 200 characters (approximately 30 words) and the length of the abstract to a maximum of 350 words. The form also requests authors to submit up to 5 key words that are indicative of the content of the proposed presentation. The platform for the abstract submission will open at the 10th of January 2011 and will close at the 25th of February 2011.

 

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Call for Papers: SER2011

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The Art of Ecology: Transdisciplinary Research In Practice at Society for Ecological Restoration 2011

WORLD CONFERENCE ON ECOLOGICAL RESTORATION
Merida, Mexico – August 21-25, 2011

Please submit abstracts on the following site:

http://www.ser2011.org/en/ser2011-scientific-program/call-for-abstracts-posters/

indicating the title of the symposium and mentioning David Haley as session organiser.

Please, also, take advantage of early registration facilities which will be available through the Conference web page next week (http://www.ser2011.org).

SER (Society for Ecological Restoration) is an important and authoritative scientific organisation concerned with environmental remediation in many countries. It has, previously, held three ‘World Conferences’, and for two of which David Haley was invited to coordinate and chair sessions on ecological art (Liverpool, 2000 and Zaragoza, 2005). In addition, Haley has contributed to Richard Scott’s ‘Creative Conservation’ initiatives at these and other SER conferences. Richard is Senior Programme Manager with Landlife, the National Wildflower Centre in Liverpool, and was a close colleague of the eminent ecologist, Professor Tony Bradshaw. Haley and Scott will be convening this Symposium together.

The SER World Conferences offer great opportunities to meet with some of the world’s top ecological scientists and activists from diverse cultures. On occasion, the language of art and that of science have converged, to emerge as a common language – an ecology of cultures, perhaps. And this Symposium seeks presentations that pursue this concept – ‘The Art of Ecology: Transdisciplinary Research In Practice’.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Staging Stustainability : April 20-22, 2011 at York University

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Call for Papers

The conference committee invites proposals for papers addressing the relationship between the cultural and environmental aspects of sustainability.

Potential topics and questions might include:

  • performance ecologies
  • green design for performance
  • theatre and eco-activism
  • How can the arts widen our perception of nature and our ability to experience, reflect and adapt to the environment?
  • What is the relationship between aesthetics and ethics in terms of our consideration of the environment?
  • How are cultural values expressed in rituals and public events creating a human ecology?

Proposals should include:

  • a 250-word abstract
  • presenter’s name & affiliation
  • mailing & email addresses

Please forward proposals to:

Ina Agastra, Executive Assistant to the Dean
Faculty of Fine Arts, York University
4700 Keele St. Toronto ON Canada M3J 1P3
 ffadeanasst@yorku.ca

Submission deadline: September 1, 2010

Call for Papers: 2nd UNESCO World Conference on Arts Education

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25-28 May, 2010, Seoul, Republic of Korea
Deadline for submissions:  February 15, 2010

A call for paper proposals for the 2nd UNESCO World Conference on Arts Education has been posted on the conference website.  http://www.artsedu2010.kr/htm/en/program/401_callforpaper.jsp

Before submitting a paper proposal, contributors must register on the website.  http://www.artsedu2010.kr/htm/en/program/301_regis.jsp

The following information was taken from the conference website http://www.artsedu2010.kr/htm/en/con_info/101_greeting.jsp and from a message distributed by the organizers.  It appears that organizers may now be accepting only abstracts submitted via the website although email and fax addresses are also provided.

Language

Abstract(s) must be written in either ENGLISH or in FRENCH.

English: English abstracts can be submitted electronically through the online system of the official website or

via e-mail at 2010artsedu@korea.kr. We also welcome abstracts submitted by fax: +82 2 2075 6317.

French: We appreciate all French abstracts submitted via e-mail at fr_artsedu@naver.com or also by fax: +82 2 2075 6317.

Conference Framework

Convened at the initiative of UNESCO, in close partnership with the Government of Republic of Korea, the 2nd World Conference on Arts Education will take place in Seoul from 25th to 28th of May, 2010. The Conference will bring together representatives of Ministries of Education and/or Culture from the UNESCO Member States, as well as various experts, researchers and practitioners in the area of Arts Education.

Researchers are invited to submit abstracts for paper presentations within the framework of the upcoming World Conference on Arts Education. Abstracts from any relevant discipline will be considered, provided they make an original academic contribution to the research of arts education and its effects. All workshop topics are listed in the Appendix 1 and also available on the following webpage: http://www.artsedu2010.kr/htm/en/program/201_detail.jsp. The Steering Committee will endeavor to schedule abstracts according to authors’ preferences but reserves the right to decide on the final form of presentation. We particularly seek proposals for research papers on the following topics within the realm of Arts Education:

  • Arts education practices after the Road Map: contextualizing the Road Map
  • Encouraging cooperation and partnerships: within and beyond school
  • Developing the capacity of arts education practitioners: education and training system
  • Reaching out to a diversity of socio-cultural contexts and specificities
  • Healing and relieving through arts education
  • Social and economic intervention of arts education
  • Evidence, language of advocacy: indicators of arts education, evidence-based policy making
  • Building information gateway: Arts Education Glossary and Observatories
  • Renewed language of arts education: Creativity, interaction between theory and practice