A new study shows that plastic in the Pacific Ocean has increased 100 times over the last 40 years.The only beneficiary, reportsThe Economist, is Halobates sericeus, “a small insect that now has lots of nice little floating platforms on which to lay its eggs”.
“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK†(2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
The BBC have looked into soap operas as agents for social change and have discovered in some cases they have changed the world. Â From the longest-running program, The Archers, which encouraged farmers in the 1950s to increase production by trying out new techniques, to a BBC radio program in Afghanistan, calledNew Home, on women’s rights, which taught listeners how to avoid land mines, the soap opera has had a significant influence.
A two-part programme on Your World (part 1, 21 April; part 2, 28 April) can be heard here.
“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK†(2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
A unique event took place at 69 theatres across the United States on March 11, the one-year anniversary of the devastating Japanese earthquake. Â Called SHINSAI – the Japanese word for an earthquake disaster – it was a series of readings of ten-minute plays to raise funds for the Japan Playwrights Association.
Some theatres held one or two readings before their normally scheduled productions; others made an evening of presenting many of the plays and songs put together for the event. Â More than half of the plays have to do with the environmental disaster in Japan. To read the plays, register here
The Theatre Communications Group helped to organize SHINSAI. Japanese and American playwrights wrote works for the event; Stephen Sondheim and John Weidman reworked two songs from their 1976 musical Pacific Overtures. All plays were to be presented only on March 11.
National Public Radio did a story, which you can hear here.
Yoji Sakate, President of Japan Playwrights Association wrote:
Theater artists in Japan, centered around those living in the Tohoku region that was devastated by the great earthquake and nuclear accident, extend our hand to theater artists around the world to rebuild Tohuku and Japanese society, restoring the conditions that surround the art of theater, such as environments for creative activity, theater buildings, companies, rehearsal spaces, education and audiences. Â We seek to work with our international peers to demonstrate the potential of human beings and the theater to overcome adversity as well as the primordial power of expression on stage.
“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK†(2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
Our yearly collaboration with the Paideia School, in Atlanta Georgia has just wrapped up.  Each year they send a pre-written postcard, ready to be filled in with a date, for the first spotting of a blooming daffodil.  All of those who receive cards are within 5 miles of U.S. Route 1, which stretches from the southern tip of Florida to the northern tip of Maine.  As the cards return to the school, they are used by the  9- and 10-year olds to plot the advance of spring on a map.  When all the cards are in they use their maths skills to figure out the rate at which spring advances.
This year the winter was unseasonably warm on the east coast. In Boston, where the snowfall average is 41.3 inches, we have received only 9.1 inches. Â This is only a tenth of an inch more than the least snowiest winter on record.
Last year the first daffodil was spotted on April 5th. Â This year it was three and a half weeks earlier on March 12. Â We will have to wait until all the cards have been returned to see if spring in general was much earlier this year.
“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK†(2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
Wallace Heim writes: The TippingPoint last month, co-hosted by the Newcastle Institute for Research on Sustainability, made a step-change from previous TP events. Many of the same elements were there, but something shifted. Something sparked in the combination of TP’s open structure and those participants, those presentations, the talk, the room and the city. It felt as if many things were converging, and instead of being an event proposing or speculating that culture and the arts could be important responses to climate change, it was an event going with and propelling the diverse and energetic work that is being made, and being dreamt of.
The presentations in more conventional conference form, many now online, were provocative, each presenting a distinct direction and raising questions that filtered through the rest of the event. Kevin Anderson and Matt Ridley’s heated head-to-head (“Two men slugging it out over data” as one participant named it) exemplified adversarial strategies and the ways in which the ‘deniers’ and those who accept the consensus views of science tend to define one another’s arguments, leaving a blank between them. It also brought out the difficulties of seeing and critiquing the rhetoric and argumentation in debates that rely on scientific data.
Lucy Conway presented the artwork that is the Isle of Eigg, and how the population there is realising low-carbon, high socially and culturally benefitted living. Ben Twist from Zero Carbon Scotland +TBD, introduced the problem of whether art can, or should, be linked to behavioural change. Erica Whyman from Northern Stage showed how the major cultural organisations in Newcastle are collaborating across their business and institutional interests, and building a network that could include developing plans for material sustainability. The idea of organisational collaboration returned in Alan Davey’s announcement of Arts Council England’s decision to embed environmental sustainability into its funding agreement.
On the last day, Sue Gill, of Dead Good Guides led everyone in singing a version of ‘All Things Bright and Beautiful’ before John Fox gave his reflections on the transitions in art-making from commercialised spectacle to vernacular art, to ‘random acts of culture’. “Even if the markets fail, we must not tolerate the failure of imagination.”
The three days were planned to allow for chance conversations and random mixing in small groups, like the ‘Show and Tell’ session, where participants bring an object with meaning for them relating to climate change. Some of these personal and emotive exchanges drifted into the wider discussions. The three Open Space sessions had themes, the first two mostly ignored: ‘In what ways might I influence the future’ and ‘Exploring Possibilities’, in favour of people’s more immediate concerns. The third, ‘What am I going to do about the future’, drew out dozens of groups talking about their projects, and help that could be given to them.
The openness of TP makes reporting back very subjective. It did feel as if something happened, more than presentations and networking. The unrepeatable, and well-facilitated, combination of the people, the ideas, the timing came together to make an event that showed and advanced the many edges of social and artistic action.Audio recordings of the presentations, tweets, blogs, interviews and commentaries with participants and some of the evenings’ entertainment are on Amplified. Photos above posted on Amplified by quitexander.
“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK†(2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
In the last couple of years a number of plays about climate change have been staged in London from Steve Waters’ The Contingency Plan to the multi-authored Greenland at the National Theatre and Richard Bean’s The Heretic. The Contingency Plan was funny, dramatic and accurate; Greenland was not very dramatic, not very funny and accurate; and The Hereticwas very funny, quite dramatic and fairly inaccurate.
Meanwhile, this blog has been waiting since 2010 for the results of the substantial grant of $750,000 (£470,000) from the US National Science Foundation for a new play about climate change by The Civilians theatre company. The reviews for The Great Immensity are now in. It sounds as if it has made some of the same mistakes as Greenland.
So what happens in The Great Immensity? The set-up is that a character called Phyllis arrives at Barro Colorado Island, a rainforest and research reserve in the middle of the Panama Canal, in search of her twin sister Polly, a filmmaker who has suddenly disappeared. The researchers on the island help Phyllis reconstruct her sister’s last days through flashbacks, video interviews from Polly’s hard drive, and vaudeville musical sketches. Phyllis learns that Polly was engaged in a project to do with the upcoming Auckland Climate Summit. The action then moves to Churchill, Manitoba, where Earth Ambassadors and others disclose what happened to Polly.
Robert Trussell in the Kansas City Star calls it a “risk-taking showâ€and an “unwieldy cargo container of theatrical virtues and deficienciesâ€.
“Integrated into the narrative is alarming information about the plight of the planet. I’m not questioning the scientific information that forms this play’s foundation. My concern is how the show works as theatrical entertainment.â€
Victor Wishna, in the KCMetropolis, an online journal of the performing arts, takes the viewthat what theatre does best is provoke, rather than educate or entertain. Although well-performed, he finds it a single-issue, educational show, with no subplots or diversions from the message of the irreversible damage that humans have done to the planet.
“Theatre-goers may very well leave The Great Immensity more frustrated and agitated than inspired. Unlike a lecture or even a documentary film, theatre isn’t expected to offer answers but to raise—to provoke—questions, to challenge assumptions, to take us from ‘There’s nothing to be done’ to ‘Isn’t there something we can do?’â€
“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK†(2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
A pioneering project that was set up to bridge a perceived communication gap between the science of climate change and the deep societal changes required to avoid dangerous impacts is explained by its creator in Nature Climate Change this week. Â In 2001, British artist David Buckland founded the Cape Farewell project, which he feels attempts to address one of the most pressing social issues of our time.
“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK†(2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
At the most recent State of the Arts (SOTA) conference hosted by Arts Council England in Salford had, for the first time, two sessions on ‘Artists and our future environment’, with speakers James Marriott from PLATFORM; the writer Jay Griffiths; Mojisola Adebayo, writer, performer, director; and Andy Field, co-director of Forest Fringe.
All of SOTA’s sessions – on the creative economy, changing society, imagination, fundraising – touch on environmental themes. But these two drew out specific questions of the relations between artists and environments, of the material effects of artistic practices on the Earth, and of the importance of artistic expression of environmental themes.
This interest by SOTA in the environment comes about, in part, from talks between ACE London and arts organisations with an environmental focus in the London region – organisations who had lost their Regularly Funded Organisation status, and questioned ACE’s policies on the environment and climate.
James Marriott’s session, transcribed on the PLATFORM blog, sets out how this collaboration between disparate organisations has worked, and how substantial shifts in ACE’s environmental directions are taking shape.
“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK†(2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
Michael Pinsky’s Plunge, on three monuments in London
In a collaboration among LIFT,Artsadmin., and IMAGINE 2020, artist Michael Pinsky was commissioned to create a new work of public art in central London. Today the project is launched and will remain on view through 4 March. Blue circles of LED lights have been placed on the Seven Dials Sundial Pillar, the Duke of York Column, and the Paternoster Square Column indicating the height of the sea level one thousand years from now, if climate change continues unchecked.
Though thousands of people pass these monuments every day, Pinsky’s art allows people to see them in a new (blue) light.
Together, the Plunge monuments create an arc across central London, following the line of a future Thames that has swallowed much of the capital in its wake.
“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK†(2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
The American Association for the Advancement of Science (AAAS) is an international non-profit organization and the world’s largest general scientific society. Its mission is to “advance science, engineering, and innovation throughout the world for the benefit of all people†by serving as an educator, leader, spokesperson and professional association.
Read on for more information about the themes of the 2012 AAAS Meeting and about a specific session on Science, Sustainability and Art…
In order to fulfill this mission, AAAS promotes cooperation among scientists and the public, defends scientific freedom, encourages scientific responsibility and supports scientific education. Furthermore, it is the publisher of the well-known scientific journal Science.
The AAAS Annual Meeting, scheduled for February 16-20 in Vancouver, is a multi-disciplinary gathering of international leading scientists. Its leading theme is “Flattening the World: Building a Global Knowledge Societyâ€. For this occasion an array of speakers will gather in Vancouver, B.C. for four days of symposia, lectures, seminars, workshops, and poster sessions that cover every area of science, technology, and education.
One of the symposia will bring together three panelists who work at the intersection of science, sustainability, and art. They will focus in their discussion on the question how artistic work engages with leading issues in sustainability science, including preservation of biodiversity, the human ecological footprint, climate change, and contemporary urban life.
For more details on this session, see: http://aaas.confex.com/aaas/2012/webprogram/Session4478.html
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)
Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
