Climate Change

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This post comes to you from Ashden Directory

In Nottingham, there’s a three-day celebration of the apple.In Edinburgh, David Abram, author of The Spell of the Sensuous, and Being Animal: An Earthy Cosmology,  gives a public talk.

In London, Arcola’s Green Sundays return with a focus on recycling and upcycling.

In the bookshops, David Rothenberg’s Survival of the Beautiful investigates why nature is beautiful and how it has influenced science, Brendon Larson explores how metaphors entangle scientific facts with social values and Mojisola Adebayo’s Plays One includes ‘Moj of the Antarctic: An African Odyssey’.

There’s a new funding stream for public art by Creative Scotland, and a call for runners to participate in NVA’s Speed of Light at the Edinburgh Festival.

On the international scene, Conversation between Trees  uses sensors and mobile phones in the forest canopies in Brazil and the UK to communicate the light and colour of the trees and the changing climate around them.

Closer to home, Culture and Climate Change: Recordings is available as an online pdf and publication.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

U-N-F-O-L-D in New York

This post comes to you from Cultura21

New York

30 September – 15 December 2011

The Exhibition U-N-F-O-L-D exhibition continues until 15 December in New York City at the Sheila C. Johnson Design Center (SJDC) at Parsons The New School for Design. It shows the work of twenty-five artists who took part in Cape Farewell expeditions 2007 and 2008 to the High Arctic and 2009 to the Andes, where they were able to witness the consequences of climate change and global warming. Their work is an innovative response to these processes and explores the role that human activity plays in it. In this way the artists aim to raise awareness and create a cultural shift through their work.

The programme of public events and performances can be downloaded here.

A series of exciting lectures, panels and special events are broadcasted on newschoolradio.org.
One of these broadcasts is “What Ifs: Climate Change and Creative Agency“, in which Architect and planner Dilip da Cunha and artists Aviva Rahmani and Susannah Sayler as well as artist Eve Mosher talk about their creative interventions and debate oppositions and collaborations between science and art. The webradiocast can be found on http://wnsr.parsons.edu/2011/10/19/what-ifs-climate-change-and-creative-agency/

In February 2012 the U-N-F-O-L-D heads to Liverpool, where it opens at John Moores University.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Call for Papers: The International Conference on Culture, Politics, & Climate Change

This post comes to you from Cultura21

USA

September 13-15 2012

The Conference on Culture, Politics, & Climate Change is an event of the Center for Environmental Journalism at the University of Colorado Boulder, that takes place from the 13th to the 15th of September 2012.

Which obstacles and opportunities are U.S. climate policymakers and scientists confronted with? Current issues of climate change will be focused at the International Conference on Culture, Politics and Climate Change. This will happen in a cross-disciplinary way, in order to look at the topic and at intersections between culture, politics and science from different viewpoints.

The political and cultural discourse generates many questions concerning climate change:

How can climate change be addressed on a national scale? Or should climate change rather be addressed on a global level? How is policy made and what is the role of state and non-state actors? How is meaning is derived from our shared culture?

Especially in the U.S. the topic is relevant, all the more facing the national elections and ongoing international climate negotiations.

The Call for Papers is addressed to presenters, who look at the communication of climate change in public and its effect on other cultural and political processes. Comparisons, with papers and panels on culture, politics and climate change in the U.S. and other countries are welcomed.

The following questions may be considered as suggestions for papers and panels,but can be enhanced by other ideas as well:

  • Communication of science
  • Media and environmental policy
  • Social movements/activism
  • Political communication of climate change
  • Mediated representation
  • Non-state actors in climate politics and communication
  • Journalism studies
  • Visual culture
  • Consumer culture studies
  • Spiritualities of globalization
  • Religions and the environment
  • Documentary/feature film

For more information, contact:

Deserai A. Crow, Associate Director, Center for Environmental
Journalism deserai [dot] crow [at] colorado [dot] eduor have a look at the homepage of the conference www.climateculturepolitics.org
The Call for Papers can be downloaded as PDF file here:

Sept 2012 CU-Boulder conference – media, culture & climate change CFP

The deadline for submissions and abstracts is January 10, 2012.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Exhibition in New York

This post comes to you from Cultura21

New York - November 2 to December 15, 2011

FIELDNOTES FROM THE GOWANUS is a visual research exhibition led by The Canary Project commissioned by the Sheila C. Johnson Design Center. It takes place from November 2 to December 15, 2011 and features the work of Aron Louis Cohen, Daniella Garcia Rosales, Mare Liberum (Ben Cohen, Dylan Gauthier, Stephan von Muehlen), Curtis Hamilton, Bland Hoke, Christine Sandoval Howard, Hannah Kramm, Camilo Leyva, Simonetta Moro, Sayler / Morris (The Canary Project) with Evan Paschke, Rebecca Volinsky and Louis Wright.

Part of the public programs in conjunction with the exhibition U-n-f-o-l-d: A Cultural Response to Climate Change.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

High Arctic Film Weekend

This post comes to you from Cultura21

London - December 3/4, 2011
On December the 3rd and 4th, the National Maritime Museum in London hosts the High Arctic Film Weekend. In parallel, the High Arctic exhibition is shown at the National Maritime Museum until the 13th of January 2012, too.
The weekend of Arctic films complements it by featuring a range of documentaries, Inuit features and rare archival footage. The purpose is to expose different representations of the Arctic over the past century.

Why are we so fascinated by the Arctic? Which impact has the climate change for the Arctic? Which problems are Inuit communities confronted with? Among others, these questions will be discussed in-between the screenings.

A special preview screening of the BBC Frozen Planet series programme 7 – On Thin Ice as well as  rare footage of early Arctic expeditions from the BFI National Archive will be shown and film experts, scientists and artists will be there to answer questions and discuss with the audience.

The event is organised in association with the BFI National Archive, Royal Anthropological Institute and Canadian High Commission.
In order to view the full prgramme see http://www.nmm.ac.uk/visit/events/high-arctic-film-weekend

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Transition Design – thoughts

This post comes to you from EcoArtScotland

Gideon Kossoff, in the event last Monday evening at UWS, was attempting to articulate a theoretical framework for transition design, design approaches intended to move towards resilient communities that can address peak oil and environmental, social, existential crisis. This is an important area for theoretical development as well as practical activity. I’m offering these observations from memory, so apologies for any mistakes or misunderstandings.

This project is understood to be undertaken in the context of current design theory, in particular ‘wicked problems’ and ‘user-centred design’. I have reservations about the current assumption that design, in whatever configuration, can solve all the world’s problems. It seems to me that we might offer an alternative argument along the lines that education could solve all the world’s problems. Ascribing solutions to any single discipline or practice is inherently problematic in itself. Graham Jeffrey has argued that any articulation of ‘design’ needs to have a parallel and complementary articulation around ‘performance’. This construction is likely to be more fruitful.

Kossoff framed the complex challenges that are interacting with each other, challenges that we are all familiar with – climate change, food security, existential crisis, pollution, peak oil, etc. At root he argued that, whilst the externalisation of environmental impacts may be one problem, another is the way in which our needs are met externally or within our homes, communities or regions. At the core of his argument is a critique of neo-liberal consumerism.

He set the stage for the idea of sustainability and resilience in terms of basic needs, but he defined these more broadly than work, housing and shopping. His definition included spiritual, creative, security, communality, etc.

Core to Kossoff’s theoretical framework is a developed understanding of holism which he unpacked in detail. Holism is nested and exists at the domestic, community, regional and city level, and there are historical examples of these, but holism at the global level remains something to be understood. He did differentiate between holism encompassing diversity and holism as uniformity (Nazism).

His idea of holism becomes operative when related to holistic therapies: he hinted at, but didn’t explore the role of intervention in holistic therapies – a subject that perhaps Aviva Rahmani is currently exploring in her work on Trigger Point Theory from an ecological perspective.

But the constant juxtaposition with modern and pre-modern, pre-industrial cultures, developing the contrast between mass production of bread with local production of bread, romanticised the pre-modern in ways that we know are deeply problematic.

Gavin Renwick’s work with the Dogrib in the Canadian North West Territories, in which he highlights the Elder’s rubric “strong like two people” is significantly richer and more provocative. The Elders are acknowledging the necessity of young people operating in the western culture, whilst also valuing and understanding traditional culture. This is a richer and more productive construction which does not romanticise the pre-modern, but rather values it for what if offers to life now. Renwick also highlights a correlated idea which is “being modern in your own language”, an idea which is strong in Scottish writing of the 20th Century including the likes of MacDiarmid and others.

Kossoff’s articulation lacked a strong practical articulation of ways that the ethical can be woven into the fabric of life – I’ve elsewhere talked about Eigg’s move to renewable energy and the importance of the ‘cut-outs’ built into the system ensuring that no one person can be greedy at the expense of others.

Finally in the discussion the issue of technology was raised. Our extensive dependence on digital devices is a problem for Kossoff’s construction of the ‘good life’. If holism is about the satisfaction of needs within nested structures, what is the role of the internet, mass communications, social networking, etc? I’m not sure I have an answer, but I was very struck by the argument made by James Wallbank of Access Space in Sheffield. He said that their organisation will offer anyone a free computer, but they have to come and learn to build it themselves. Buying a computer off the shelf is buying ignorance. Like the example of social justice embedded in the renewable energy system on Eigg, the example of Access Space is one which addresses resilience whilst also embedding learning and empowerment in the satisfaction of everyday needs.

I’d really like to revisit the conclusions that Kossoff offered as well at some point.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

New metaphors for sustainability: why we started

This post comes to you from Ashden Directory

Wallace Heim writes:

We began thinking about metaphor and sustainability when we noticed that there weren’t any strong or imaginative metaphors for the concept, or ones that we could easily use in conversation. Metaphors are pervasive in human thought and communication. ‘Sustainability’ stood out as an anomaly, a common concept with many definitions, but no metaphors.

So in April, we asked four people to suggest a metaphor and we filmed their responses. We weren’t looking for ‘the’ metaphor. We were experimenting to see whether it was possible to think metaphorically about sustainability, in all its promise, its limitations and paradoxes.

Since then, we’ve added 14 more metaphors, (18 if you count everyone in the Institute for the Art and Practice of Dissent at Home), and will add another 6 through November and December, here on Ashdenizen and collected on the Directory.

Too, we’ll be posting comments on the project itself, which for some contributors was challenging; for others, playful; and for others, a delicate expression of meaning taken from their everyday life.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Wales’ Volcano Theater Releases Free Resource for Creative Industries to tackle Climate Change

Free resource to help creative industries tackle climate change and understand their role in creating a more sustainable society now available online

Creative industries can play a fundamental role in developing a sustainable future for the planet, both by addressing the direct impact on the environment from their own practice, and through the influential impact their work could have within society.

But for many working in the arts, addressing these complex issues can be a daunting task.  A new initiative based in Wales is encouraging creative practitioners to take direct action to develop a sustainable future for the planet, and by bringing together scientists and artists, the project is helping drive the issue of sustainable practice within the arts to the forefront of the political agenda within Wales.

The project, entitled ‘Emergence’, began as a collaboration between Swansea based theatre company Volcano and Cynnal Cymru-Sustain Wales, supported by Arts Council Wales and The British Council.  In 2010/11 The arts community in Wales attended three major events to raise issues, discuss alternatives, and suggest practical solutions for a more sustainable future.

The series of conferences focused on creating an impetus for change within the arts, challenging practices and motivating artists and creative companies to discuss and develop practical solutions to reduce their environmental impact.  In addition, the project encouraged artists to consider the role of the arts in influencing behaviour, and how they can begin to inspire change within society through their work.

The project has recently published a conference report in an engaging and informative 30 page document.  This ‘Emergence’ document is now openly available as a free download,  both in English and Welsh, and provides an invaluable resource for all those working in the arts, and anyone interested in the development of sustainable practice within this field.

The document can be downloaded online through the Volcano website here:

http://www.volcanotheatre.co.uk/398/news/emergence-the-document.html#/image.php?id=321

The Emergence document collates inspiring and educative transcripts from expert speakers on the subject of climate change, fair resource use, well being and the transition towards a more connected sustainable society.

From scientist Jean Boulton to the artistic director of National Theatre Wales, John McGrath, the pioneering talks documented within ‘Emergence’ provide inspiration, information and practical ideas for artistic practitioners, venues and companies alike.

The value of the project and the report has been widely applauded, Louise Wright from British Council Wales says ‘Emergence has worked from the ground up…it has been a creative catalyst’.

The conferences have already kick started investigations into current practice – a study by Cardiff University measuring the environmental impact of ‘Night Out’, an Arts Council Touring Scheme, was initiated by Arts Council Wales following the conference.  During the launch event major key players such as The Wales Millennium Centre and Welsh National Opera agreed on the creation of a focus group to look at sustainable practise within these flagship organisations, actively supported by the Theatres Trust and Julies Bicycle.  In addition many individual delegates have changed behaviour and implemented new strategies to reduce their environmental impact, as the project continues to gather focus and momentum within Wales and beyond.

 

TEDx Youth @Thames Event – 20 November – ZSL London Zoo

If the voices of young people alive today were heard in parliaments, councils,
courtrooms and corridors of power, what would we do differently? If future
generations not yet born could speak to us now, what would they say about the
world we hand down to them?

With speakers who have innovative ideas and creative solutions to the challenges intergenerational justice poses for topics such as climate change and sustainability, democracy, law, and economics, its certain to be a fascinating afternoon. For more information including how to book tickets, see HERE

The event is part of a global network of independently organised TED events.

Go to Arcola Energy

New metaphors for sustainability: song

This post comes to you from Ashden Directory

Sue Palmer, an artist making live and digital work with people and place, and author of inquiline, a blog on botany and art, suggests song as a metaphor for sustainability.

the extraordinary song:often straightforward, yet infinitely complex

the diversity (how many millions have been created)

the particularity (each one individual)

a structure enabling brilliant inventiveness

often a voice and an instrument

two kinds of sounds, working

my musician friend John talks about chords as metaphors

about how two ‘discordant’ tones are shifted

through the addition of a third note, bringing resolve

songs are free, and they can make someone a living

they help people make it through the day, and night

songs have changed peoples’ minds

a song can contain a lot of information, honed,

ideas packed in language,

rhythm, rhyme

there’s craft in it, and anyone can do it

there’s multiple ways to begin, and a sense when it’s complete

 

verse, chorus, verse, chorus, middle eight, chorus,

bridge

and key change, ‘ad lib to fade’

the pleasure of the repetition, letting the song free up, go

When I think of sustainability, I usually think of losing things, resources, capacity, and I find my materially-centred thought frustrating.

‘If anything, I wanted to understand things and then be free of them. I needed to learn how to telescope things, ideas. Things were too big to see all at once, like all the books in the library – everything laying around on all the tables. You might be able to put it all into one paragraph or into one verse of a song if you could get it right’, Bob Dylan, Chronicles, Volume One, 2004.

photo: by Orelie Grimaldi of John Cartwright playing C#m7

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory