Climate Chaos

art not oil

news, , , , , , , , , , , ,

Since 2004, Art Not Oil has aimed to encourage artists – and would-be artists – to create work that explores the damage that companies like BP and Shell are doing to the planet, and the role art can play in counteracting that damage.

It is designed in part to paint a truer portrait of an oil company than the caring image manufactured by events such as the BP Portrait Award, Shell’s sponsorship of classic drama at the National Theatre, and other ‘cultural activities’ of the oil multinationals which also happen to divert public attention away from their actual activities. Climate chaos is set to have a catastrophic effect on all of us, while hitting the poorest hardest. The companies most responsible are profiting handsomely, yet they’re still welcome it seems in many of our most prestigious public galleries and museums.

info@artnotoil.org.uk

art not oil – About Us.

Was The Wave really the “turning point”?

COP15, news, RSA Arts & Ecology, , , , , , , , , , , , , , , , , ,

Saturday’s The Wave demo saw crowds of up to 50,000 people coming out onto the streets to demand a result from governments on climate change at Copenhagen. That’s not a shabby number, and the organisers deserve praise for getting people out onto the streets in a season which has been unbelievably filthy.

But we have to be honest: 50,000 is a decent crowd. It’s not an unstoppable mandate for action.

In the history of British demonstrations, 50,000 is a medium-sized demo. In the 1980s, at the peak of concern about Cruise missiles,  CND demonstrations attracted crowds of a quarter of a million. The Countryside Alliance’s strangely unfocussed march in 2002 attracted between 400,000 and one million people. The following year’s Iraq march brought between one and two million out onto the streets.

The Director of Stop Climate Chaos called the march “a turning point”. But really, the size of the crowds The Wave managed only underlines again how hard it is to engage the broader public with this issue.

Go to RSA Arts & Ecology