Between James Brady and Aviva Rahmani, they calculated close to 1 million people are engaged directly or indirectly in ecological art or audience members for it’s ideas.
This is how we estimated it:
1. How many schools/ museums/ books-journals internationally the ecoart list serve alone (about 100 invited members) represents (ie., including residencies, publications, group & individual exhibitions)?
2. Estimate 2,000 audience venue impact total (av. 20 times 100 per person, a conservative figure I think)
3. Each venue represents about 200 min audience access per… = 400, 000 if my math is correct…+ secondary effect has to double that figure = close to 1 million (chatter with family members & friends assuming at lease one conversation per person and then there are workers for each venue: guards, bookkeepers, etc)
That’s a mighty constituency.
This year’s climate camp turns out to be on Blackheath. They’ve been pouring onto the site for the last two hours after the secret location was finally disclosed. Reading Twitter gives you a great sense of the infectious drama of the moment, and why it has such momentum.
Why Blackheath? Proximity to the city? Joan Ruddock’s constituency – Parliamentary Under-Secretary in the Department of Climate Change? Or, as the rapidly updated Wikipedia entry for Blackheath suggests, because this was the site of the Peasant’s Revolt. Let’s hope it’s not the latter as that particular popular movement was spectacularly sold down the river.
Go to RSA Arts & Ecology