Creative Industries

Culture|Futures conference in Milan, Italy: Oct 19, 2011

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The amazing Palazzo Marino in Milan will October 19th 2011 be the setting for another international Culture|Futures conference, which in Milan is organised by Ragnarock Association in cooperation with the City of Milano and other partners.

The conference will discuss the role that Scandinavian and Italian actors in the creative industry have in reaching an ecological age that is the Culture|Futures vision for 2050.

The conference will also be focusing on the way design, food, fashion and innovation can guide people towards more sustainable standards of living in the next few years.

To speak at the conference, Culture|Futures and Ragnarock have invited several guests from the sector to talk about how they connect creativity and sustainability, the guest-list includes among many others Kigge Hvid (CEO of INDEX), Francesco Paulo Zurlo (Vice director of INDACO) and Guizy Bettoni (Director of CLASS).

For further details on the Culture|Futures Conference in Milan and the full program and guest-list of the day download the Culture Futures programme

For registration  please write conferenza@ragnarock.eu

Please also see, RSVP the Italia Facebook Event page

If any other question, please contact:

Elisabetta Ferrario

e-mail: elisabettaferrario@ragnarock.eu
mobile: (+39) 3473578941.

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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Culture|Futures Invitation: Eco-Leadership by Cultural Institutions Venue: São Paulo Cultural Centre 30 May 2011

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Invitation: Eco-Leadership by Cultural Institutions
Venue: São Paulo Cultural Centre
30 May 2011

Download Sao Paulo Culture|Future Conference – Program

Workshops for cultural managers and practitioners
31 May 2011

Venues: Goethe Institute, British Council & Centro Cultural da Espanha em São Paulo

Organized by:

Culture|Futures and the City of São Paulo in cooperation with
C40 cities, EUNIC Brazil, Danish Cultural Institute, Spanish Culture Centre/AECID, British Council, Goethe Institute, Crie Futuros, Arup and other partners at the occasion of the World Summit of the Large Cities Climate Leadership Group (C40)

Culture|Futures Sao Paulo 2011 and partners logos

Conference Program

Eco-Leadership by Cultural Institutions - May 30th 2011, Cultural Centre of São Paulo

Aims and objectives

The overall aim is to foster cultural actions for the transition to an Ecological Age by 2050.

The objectives are:

  1. To inspire cultural institutions in São Paulo to consider new eco-social practices and leadership.
  2. To provide international mutual inspiration and exchange on the vision of an Ecological Age and how cultural institutions in their normal own practice can provide eco-leadership.
  3. To mark the initiation of a new global network for large cultural institutions on eco-leadership.

Program

MC: Wellington

8:45 – 9:15 Arrivals and registration

9:15 – 9:30 General explanation about Culture|Futures, the conference & workshop programs and the whole process

  • •Olaf Gerlach-Hansen, Director of Culture|Futures.

9:30 – 10:00: Opening Address

  • EUNIC President Ana Paula Laborinho
  • Ministry of Culture Secretary Marta Porto
  • City of São Paulo Cultural Secretary CALIL

10:00 – 11:30: Global Key Notes on Connecting Culture and Ecology

  • Mark Watts, Arup (expected): International key note on Entering an Ecological Age.Mark Watts is managing the C40 team in Arup, advising cities around the world on sustainable urban development. His presentation is based on a research done on what the global transition to an ecological age, will require for cities around the world.
  • Lala Dehenzelin: South-South key note on the Creative Economy and sustainability.Lala Dehenzelin is UNDP Special Advisor on the Creative Economy South – South Programme, founder of Cries Futuros and has a background in arts and culture.

Questions & Answers

11:30 – 12:30: Lowering carbon and ecological footprint and benefitting from it

Moderator: Ricardo Voltolini (tbc)

  • Justine Simons, Head of Culture, Greater London Authority: The creative industries green programme in the context of the London Mayor’s Cultural Strategy. The experience of working with the creative sector to lower carbon footprint through goals, practical guides, tips etc. So far with sub-sectors of music, visual arts, film, theatre and now fashion and others coming.
  • Danilo Santos de Miranda, Director SESC São Paulo (tbc): The experience of SESC São Paulo on lowering carbon and ecological footprint in their centres

Question & Answers / dialogue with audience on greening cultural sector based on experiences of institutions in different disciplines.

LUNCH: 12:30 – 14.00

14:00 – 15:00: Re-thinking culture/nature and communication with audiences

Moderator: Paulina Chamorro (Eldorado) ou Denis Russo (Revista VEJA)(tbc)

  • •Janek Müller, fmr. theatre director, current curatorial team-member and dramatic adviser for the Über Lebenskunst festival. Über Lebenskunst is a project initiated by the German Federal Cultural Foundation in cooperation with the Haus der Kulturen der Welt, Berlin.
  • Ana Dip, Somos um Só Project

Q & A/dialogue with panel from Sao Paulo/international persons on connecting cultural content and communication with ecology

15:00 – 16:30: Culture – Ecology and Community

Moderator: Felipe Chaimovich, curator from MAM (tbc)

  • Philip Vencken, architect advising founder of Cradle to Cradle, Baumgartner.Introduction on applying cradle to cradle approach to city/community development. Dutch cities are now leading this worldwide
  • Hernani Dias, artist, founder of “re:farm the city”. Refarm the city (aka re:farm) is a collective project started and led by Hernani Dias with the purpose of developing open source software and hardware tools for urban farmers. Its now linking groups in Barcelona, Lisboa, Buenos Aires, New York and Beijing.
  • Questions & Answers/dialogue with panel from SP/int‘ on how culture can be part of community, city, regional or sector greening programs

16:30 – 17:30: Closing panel on the power of culture for green growth

  • Apresentacao dos workshops – MC
  • Olaf Gerlach-Hansen – Presenting Culture|Futures global eco-leadership network for cultural institutions and cities
  • Eduardo Jorge, Secretaria do Verde (tbc)
  • Ricardo Resende, Director of Cultural Center of São Paulo

17:30 – 19.00 Reception and social networking

Please note program is subject to change

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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An update and welcome to Culture|Futures 2011

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A  warm welcome to: Culture|Future partners, cultural institutions and cultural actors from around the world

Culture|Futures’ spiral of engagement in 2011 is expanding…

Welcome to the new website and the strategies for Culture|Futures over the next decades.

Please see the

  • information about the events planned for 2011 on the News Page
  • information on Culture|Futures  strategic Vision

If you are new to Culture|Futures you may be interested in its history since 2007

Please feel free to share this resource site and its information to other Cultural Institutions, Cultural actors and practitioners in your area.

You or your organisation may also wish to join and share information about your cultural activities in this area on the Culture|Futures Facebook, Twitter, Youtube and News links below

__________________________________

Individuals are invited to connect to Culture|Futures through the Culture|Futures ning.community

This site will be re-launched in the near future at www.culturefutures.ning.com

Please also connect with  Culture|Futures social media: you can also sign up  for email updates by entering your email on the homepage

facebook logo link  youtube logo culturefutures link  culturefutures twitter logo link  culturefutures news feed logo

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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The Sustainable City and the Arts

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Update: the deadline for the abstracts submission for the ESA (European Sociological Association) Conference in Geneva has been extended until March 8th 2011.

Call for Papers for the Research Stream which will take place in the forthcoming conference of the European Sociological Association from 7. to 10. of Sept. 2011 in Geneva.

10th Conference of the European Sociological Association

7th-10th Sept. 2011, Geneva, Switzerland

“Social Relations in Turbulent Times”

RESEARCH STREAM
“The Sustainable City and the Arts”
CALL FOR PAPERS

The study of the arts and the city in ‘turbulent times’ cannot ignore the social scientific discourse of the concept of ‘sustainability’; it is an important addendum for a contemporary arts-sociological analysis of the urban-sociological analysis of the arts.

Urban development has frequently been reflected by the arts, inspiring the arts and affected by the arts. Theoretical elaborations can be based on the work on early urban sociologists such as Simmel, Weber, Park, Wirth etc. but also on recent works by

  • the postmodern urban studies Los Angeles School (Michael Dear and Edward Soja) and studies on the significance of signs and symbols for urban development,
  • the economic geographical works by Richard Florida, Allan Scott etc. on ‘creative cities’ and issues of ‘creative industries’ and ‘urban development’,
  • and the urban cultural and arts sociological studies by, e.g., Sharon Zukin, Harvey Molotch or Alan Blum etc.

Looking at the growing list of publications, the intersection of arts sociology, cultural sociology and urban sociology prospered within the last years. However, following the main topic of this conference, the additional focus of this research stream would be the role of sustainability in turbulent times for the urban and artistic environment. Sustainability becomes an increasingly important issue for the study of urban and cultural issues (see, e.g., Nadarajah & Yamamoto) and helps to generate a socio-ecological approach to urban and arts sociology (see, e.g., ?apek, Carolan).

We are thus looking for presentations that

  • uncover the effects and the diversity of urban cultures (with different ethnic, subcultural, lifestyle, socio-economic background) as tools for urban and artistic development,
  • reflect on the three notions of ‘sustainable cities’, ‘arts in public places’ and ‘creative cities’,
  • link the increasing significance of urban creativity, culture and the arts, with discourses of sustainability,
  • and complement cultural perspectives on sustainable (or unsustainable) urban development.

One of the general considerations for proposing this research stream is the present lack of positions in arts sociology and cultural sociology for discussing the urban impact of arts and cultures as part of the sustainability discourse.  The research stream aims to offer a forum for this new intersection.

Research Stream Conveners:
Volker Kirchberg (kirchberg [at] uni [dot] leuphana [dot] de, http://www.leuphana.de/en/volker-kirchberg.html)
Laura Verdi (laura [dot] verdi [at] unipd [dot] it, http://www.sociologiapadova.eu/?pagina=pagina_generica.php&id=51)

Please submit your abstract by using the abstract submission form at http://esa10thconference.com. Further instructions and guidelines will be on this conference website.  Please NOTE that the abstracts will only be accepted through completion of the online submission form, and submission in any other form will be declined. Abstracts must include: 1) name (s) and affiliation (s) of the author(s); 2) contact details of presenting author (postal address, telephone, fax and email address); 3) title of proposed presentation. The submission form will limit the title of the abstract to 200 characters (approximately 30 words) and the length of the abstract to a maximum of 350 words. The form also requests authors to submit up to 5 key words that are indicative of the content of the proposed presentation. The platform for the abstract submission will open at the 10th of January 2011 and will close at the 25th of February 2011.

 

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

CSPA Quarterly: Calls for our next two issues

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We are now accepting submissions for our next two issues:  The last of 2010 focusing on International Action, with a special section dedicated to COP16 Cancun, and the first issue of 2011 on art that makes the invisible visible.

International Action

Please share with us any work that creatively addresses global issues in sustainability.  We are particularly interested in projects happening outside of the United States that pay attention to global dilemmas including global warming, rising sea levels, disappearing cultures, and economic divides.  A special section will be dedicated to work at the UN’s Conference of the Parties, summit on climate change in Cancun in December.

International Action Deadline for Submission:  January 10, 2011

Invisible Visibility

For this issue, we are interested in art projects, installations, and performances that visualize invisible threats to our environmental, economic, or cultural sustainability.  How can our creative industries call public attention to major issues that are easy to ignore because they are ‘out of sight, out of mind?’

Invisible Visibility Deadline for Submission:  February 1, 2011.


The CSPA Quarterly explores sustainable arts practices in all genres, and views sustainability in the arts through environmentalism, economic stability, and cultural infrastructure.  The periodical provides a formal terrain for discussion, and seeks to elevate diverse points of view.

Please send your opinion articles, project case studies, researched essays, and photos to: Miranda@SustainablePractice.org.

To view past issues, along with our current issue on digital work, please visit:  http://www.magcloud.com/browse/Magazine/38626

Julie’s Bicycle Helps UK Theatres Cut Carbon

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Reprinted from The Guardian: “Green Dreams: How Can Theatre Cut Its Carbon Emissions?” by Chris Wilkinson, June 29, 2010

As the financial climate gets ever chillier, much has been said about the need for theatre companies to band together if they are to survive the coming cuts. So it is good to see that a new spirit of cooperation is now developing across the industry – albeit in response to an entirely different climate. The curiously named Julie’s Bicycle – an organisation that exists to help the creative industries lower their greenhouse gas emissions – has recently announced the launch of a “UK-wide theatre programme” aimed at helping theatres play their part in the fight against climate change.

Of course, for some theatres, an interest in the environment is nothing new. There have been individual efforts going on for a number of years now. Some companies are building theatres that are literally recycled, the National Theatre has been working with Philips to reduce its energy consumption and east London’s Arcola theatre has made itself the industry leader with its hugely impressive Arcola Energy project.

Yet what is particularly exciting about this new initiative is that it seeks to foster a much greater level of cooperation across the industry as a whole. The aim of Julie’s Bicycle is to bring together producers from both the commercial and subsidised sectors, and they have already attracted some of the biggest names on both sides of the theatrical divide. A steering committee for the project has been set up, chaired by Nick Starr, the executive director of the National Theatre, which boasts representatives from organisations as diverse as Cameron Mackintosh Productions, Glyndebourne, the National Theatres of Scotland and Wales, the RSC and many others.

Sian Alexander, Julie’s Bicycle’s associate director for theatre, says this shows that there is a “huge appetite” in the industry for tackling this issue. The plan is that companies will share information and ideas so that eventually Julie’s Bicycle will be “able to produce an annual report for theatre on GHG emissions and progress towards targets based on the data collected by the industry”. Given how secretive theatres can be about their plans and operations, it is good to see that differences are being overlooked in the face of this major challenge.

In fact, as the Stage recently explained, Julie’s Bicycle has already launched one major report about the impact that touring theatre has on the environment. They calculated that in 2009 British touring companies produced approximately 13,400 tonnes of greenhouse gases: equivalent to flying round the world 2,680 times. In one sense this is good news – Alexander points out that this figure is not as high as they had initially feared it might be – but she adds that there are also many areas where things could be improved.

As well as working directly with theatres, the organisation has provided a number of resources on its websites to enable companies to measure their impact themselves. These include a free carbon calculator, which theatres can use to work out what their carbon footprint is, and a range of other advice on how to become more energy-efficient.

Recent years have seen a range of shows – from Filter’s Water to the Bush’s Contingency Plan – that have sought to tackle climate change from an artistic point of view. So it’s good to see theatres attempting to be green not just in word, but in action too.

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APInews: E.U. Ministers Call for Culture in Economic Plan

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European Union ministers have called for culture to be put at the “heart” of the blocs new economic plan, the Europe 2020 strategy according to Helen Spongenberg on euobserver.com 4/6/10. It could mean that Europe will invest more in its creative industries as a source of future growth. In late April, the E.U. executive is set to adopt its “Green Paper on Cultural and Creative Industries,” aimed at unlocking the economic potential of cultural and creative industries in Europe, a sector that generates five million jobs and represents 2.6 percent of GDP in the 27-nation bloc. The sector includes areas as diverse as cinema, music, publishing, the media, fashion, interior and product design, cultural tourism, performing arts and heritage. Critics warn that Europe should not neglect cultural diversity and caution against homogenizing European culture.

APInews: E.U. Ministers Call for Culture in Economic Plan.

HOW CAN WE ENSURE THAT CULTURE AND CREATIVITY MAKE MAXIMUM IMPACT ON THE UK ECONOMY BEYOND THE RECESSION?

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HOW CAN WE ENSURE THAT CULTURE AND CREATIVITY MAKE MAXIMUM IMPACT ON THE UK ECONOMY BEYOND THE RECESSION ?

- ENSURING MOST RIGOROUS IMPLEMENTATION OF CREATIVE BRITAIN

- CAPITALISING ON THE SUCCESS OF CULTURAL LEADERS

- DELIVERING CREATIVITY AT THE CORE OF REGIONAL AND CITY STRATEGIES

- MAKING BEST USE OF THE INVESTING IN CREATIVE INDUSTRIES? LOCAL GUIDE

Monday 26 October, 2009

– Royal Commonwealth Society, London

Contributors include

Sir John Tusa,Chair, University of the Arts London

· Emily Thomas,Director, Aequitas

· Anne Bonnar, Recently Transition Director, Creative Scotland

· Mark Davy, Director, Futurecity

· Alexandra Jones,Associate Director, The Work Foundation

· Anna Whyatt,Creative Futures Director, ERA

· Jacqui Henderson, Skills Ambassador to the Creative and Cultural Industries

· Chris Garcia, Head of Clusters, South West Regional Development Agency

· Phil Shankland, Managing Director, Inspiral, South Yorkshire

· Brendan McGoran, Creative Industries Officer, Belfast City Council

Issues covered

· How best should we capitalise on the huge contribution of culture and creativity to UK economy and society?

· What should we learn from the vast success of UK cultural leaders unlike those in other sectors?

· How do we ensure creative industries make maximum impact on economic growth throughout the UK?

· What are Government’s agenda and expectations?

· How effectively is the Creative Britain strategy being taken forward?

· What will be the impact of Digital Britain?

· How best can we sustain innovative and sustainable business models for the arts and creative industries?

· How best do we find, inspire, develop and sustain creative entrepreneurs and maximise their contribution?

· How important is cultural branding to regeneration and growth?

· How best to we ensure successful collaboration between artists, architects, public authorities and developers?

· What can we learn from the Ideopolis concept?

· How can culture and innovation make maximum impact to success, sustainability and growth of UK cities?

· How do we ensure creative and cultural industries make maximum contribution and impact on regional growth?

· How best should we use the local government guide Investing in Creative Industries??

· Where can we hope to be in ten years time?

How to Book

To see the full programme, speaker biographies, venue information and booking details Click Here

There are discounts for voluntary and community organisations and for block bookings

Please note

Any problems, please contact Louise Rushworth on 01422 845004 or email seminars@cppseminars.org.uk.

To unsubscribe please telephone 01422 845004 – we apologise in advance for any inconvenience caused.

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