This post comes to you from EcoArtScotland

Characteristic Scottish landscape, sometimes described as a wet desert: high moorland managed for shooting and commercial plantation of conifers. This is what makes Black Rannoch Woods, as remnant Caledonian Forest, so important. With permission of Collins and Goto Studio

Tim Collins and Reiko Goto’s project, The Forest is Moving, exploring, listening and responding to, imagining, learning from, touching, sleeping in, filming, photographing, walking in and with, the Black Rannoch Woods, is ongoing at the moment.  They have been posting to the Imagining Natural Scotland’s blog (where you can find blog posts from other projects as well).

1. A Critical Forest Art Practice. | Imagining Natural Scotland.

2. Critical Forest Practice: Onsite in the Black Wood. ¦ Imagining Natural Scotland.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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