Crowds

Ghost Forest by Angela Palmer, Trafalgar Square

Ghost Forest – London from RSA Arts & Ecology on Vimeo.

It’s an amazing achievement, to unlock this space for this kind of exhibit. The crowds I saw were drawn to the sheer strangeness and hugeness of the shapes of the trees, which are supposed to link the ideas of deforestation and climate change. Angela Palmer has done something remarkable in persuading the Mayor’s office to let her use this space for this work. Its scale and ambition makes the current occupant of the Fourth Plinth look rather irrelevant.

But, being honest, I’m not sure it works that well, either as a polemic or as art; I’m not sure it left people convinced. Palmer had originally envisaged the stumps as standing straight up, which would have made it easier to understand them as the leavings of human greed, rather than the lumber they look like. I’m guessing that it simply wasn’t practical to display the stumps like that. And the huge text billboards seemed to be as much about Palmer’s struggle to realise the work, with Antony Gormley saying “the project can’t be done”, as they were about the issue of deforestation and simply added a level of  Fitzcaraldo-in-reverse hubris. (This is like dragging the rainforest to the opera-house rather than vice versa).

When artists create events like this why don’t they let the art speak for itself and instead work closely with an NGO who can make the polemic explicit on site, and far more effectively?

Anyway, please disagree with me.

www.ghostforest.org

Go to RSA Arts & Ecology

Was The Wave really the “turning point”?

Saturday’s The Wave demo saw crowds of up to 50,000 people coming out onto the streets to demand a result from governments on climate change at Copenhagen. That’s not a shabby number, and the organisers deserve praise for getting people out onto the streets in a season which has been unbelievably filthy.

But we have to be honest: 50,000 is a decent crowd. It’s not an unstoppable mandate for action.

In the history of British demonstrations, 50,000 is a medium-sized demo. In the 1980s, at the peak of concern about Cruise missiles,  CND demonstrations attracted crowds of a quarter of a million. The Countryside Alliance’s strangely unfocussed march in 2002 attracted between 400,000 and one million people. The following year’s Iraq march brought between one and two million out onto the streets.

The Director of Stop Climate Chaos called the march “a turning point”. But really, the size of the crowds The Wave managed only underlines again how hard it is to engage the broader public with this issue.

Go to RSA Arts & Ecology

Ghost Forest by Angela Palmer, Trafalgar Square

It’s an amazing achievement, to unlock this space for this kind of exhibit. The crowds I saw were drawn to the sheer strangeness and hugeness of the shapes of the trees, which are supposed to link the ideas of deforestation and climate change. Angela Palmer has done something remarkable in persuading the Mayor’s office to let her use this space for this work. Its scale and ambition makes the current occupant of the Fourth Plinth look rather irrelevant.

But, being honest, I’m not sure it works that well, either as a polemic or as art; I’m not sure it left people convinced. Palmer had originally envisaged the stumps as standing straight up, which would have made it easier to understand them as the leavings of human greed, rather than the lumber they look like. I’m guessing that it simply wasn’t practical to display the stumps like that. And the huge text billboards seemed to be as much about Palmer’s struggle to realise the work, with Antony Gormley saying “the project can’t be done”, as they were about the issue of deforestation and simply added a level of  Fitzcaraldo-in-reverse hubris. (This is like dragging the rainforest to the opera-house rather than vice versa).

When artists create events like this why don’t they let the art speak for itself and instead work closely with an NGO who can make the polemic explicit on site, and far more effectively?

Anyway, please disagree with me.

www.ghostforest.org

Go to RSA Arts & Ecology