Culmination

Launch of The Theatres Trust People’s Choice Award 2012

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The Theatres Trust is pleased to announced at the ABTT Theatre Show 2012 that entries are open for The Theatres Trust’s third annual People’s Choice Award.

Entertainment industry manufacturers and suppliers are invited to enter one of their products for the People’s Choice Award. Products need to be making a difference to theatres sustainability, either through design, manufacture or operation.

Selection takes place at PLASA 2012 running from 09 – 12 September at Earls Court, London, where shortlisted products are displayed on The Theatres Trust’s stand and visitors to the show cast their vote for the People’s Choice Award.

Visitors to stands at both the ABTT Theatre Show 2012 and PLASA 2012 can also find information on the Trust’s European Regional Development Fund-backed ‘Ecovenue’sustainability project, which has been improving the sustainability of 48 London performing arts venues.

At PLASA 2012, after three days of visitor voting, the award will be presented to the winner on The Theatres Trust’s stand at a reception at 1700 on Tuesday 11 September. The presentation of the Award will mark the culmination of PLASA’s sustainability series of related Education Programme events that day.

In 2011 those shortlisted included Core Lighting, ETC, Martin Professional, Philips, ROBE and Robert Juliat. Last year PLASA visitors voted Global Design Solutions’ArcSystem the overall winner.  Matt Lloyd, of Global Design Solutions, which also took the 2010 prize, said “The People’s Choice Award is so important as it’s voted for by people in the industry – the people who actually use the equipment. It’s great for public relations, and a morale booster for the company.”

PLASA Chief Executive Officer & Director of Events, Matthew Griffiths, said “The Theatres Trust People’s Choice Award provides a chance for people in the industry to support the commitment shown by manufacturers to issues of sustainability in theatre and live entertainment. An award that is voted for by the theatre community carries real value to the companies dedicated to making a sustainable difference.”

Tim Atkinson, leading on delivery of the Ecovenue project, said “It was a closely fought competition last year. The enthusiasm of the visitors that voted demonstrated that improved product sustainability is high in the mind of users, buyers and manufacturers. I look forward to a competition just as close this year, with entries from a range of companies spanning the entertainment industry.”

Manufacturers or suppliers who wish to enter may pick up an entry form from The Theatres Trust stand at the ABTT Theatre Show 2012, or visit www.theatrestrust.org.uk

Of Farms and Fables shows beauty, struggle of family farming – Theater – Portland Phoenix

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FINDING THEIR PLACES Actors, including farm workers and their children, rehearse Of Farms and Fables.

An interesting show coming up in Portland, ME….

It’s all in a day’s work on a family farm. From pests to family strife to the game-changing scale of industrial farming, the challenges to the modern family farm are given unsentimentally resonant treatment in Open Waters Theatre Arts’ Of Farms and Fables, the theatrical culmination of several years of research and residencies on farms here in southern Maine.

With a script by Cory Tamler, direction by Jennie Hahn, and a cast that includes farm workers and children of farmers, this most recommended production runs October 27-30, at Camp Ketcha in Scarborough.

In Open Waters’ plain and simple billing, Of Farms and Fables is “a play about the people who bring you food.” A team of its actors, playwright, and director spent last summer working alongside those very people, the farmers and farm workers who sow and weed at Wm. H. Jordan, Broadturn, and Benson farms. After a season of learning their work, and of hearing their worries and joys, Open Waters’ artists turned to the task of making theater of the experience, to share with the public a nuanced look at the realities of family farming in the modern age.

via Of Farms and Fables shows beauty, struggle of family farming – Theater – Portland Phoenix.

AHM’s State of Play, Dundee

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This post comes to you from EcoArtScotland

AHM‘s final State of Play event takes place in Dundee on Saturday 1 October.

As with previous events it will include a number of ‘One Minute Manifestos’.  One of these has emerged through a collective process of writing initiated by Tim Collins and contributed to by a number of participants in the Values of Environmental Writing programme at Glasgow University.

Tim has asked me to post the manifesto and authorship, and to encourage anyone who broadly supports the manifesto, and is at the State of Play symposium, to come forward and share in the speaking of the manifesto.

“Who are we? Though the origins of this manifesto are the Values of Environmental Research Network conversations, this document is inclusive of all those who feel that the arts and humanities have a vital role in the effort to mitigate and prevent environmental damage.”

The Anthropo-scene Evolution

2011 saw the culmination of avarice that necessitates naming the human impact on all earthly things. In response we wish to reject humanity’s supposed dominion over nature and to take responsibility for wilful and excessive impact. Our intention is to constitute greater empathy between the world’s free-living things. As creative pragmatists committed to producing practical wisdom, we recognise a loss of humility and seek to reengage the aesthetic and the sublime, which provide interface and witness to spirit on earth. Cultural responses to the anthropo-scene realize that there are opportunities embedded in new constraints; but more importantly there is generative force amongst living things that must be engaged anew. We experiment with a new materialism and aim for new metaphysical purpose for the arts and humanities within the public domain.

Background

Draft1 scribed by Tim Collins (TC) with Reiko Goto, 18 June 2011, subsequently edited by Tom Bristow and Chris Maughan, with comments and encouragement from Aaron Franks and Chris Fremantle (CF). The AHM ‘State of Play in Scotland’ submission was initiated by CF. TC offered the first rough draft with proper word editing by Aaron Franks and Rachel Harkness, followed by strategic refinement by Rhian Williams, Kate Foster, Alistair McIntosh and Owain Jones. The full manifesto is a result of discussion that occurred on 17 June, 2011 with Aaron Franks, Owain Jones, Chris Maughan, Mike Robinson and Karen Syse. Tom Bristow and the ‘frog team’ were present in spirit if not in material form. The work was inspired and energized by presentations and dialogue with Alistair McIntosh and Gareth Evans all set within the wider context of the AHRC supported Values of Environmental Writing Network, organized by Hayden Lorimer, Alex Benchimol and Rhian Williams (2011).

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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