Curators

Edinburgh Feed the 5000

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Edible Edinburgh

Reposted from Edinburgh City Council / University of Edinburgh – see Edible Edinburgh for more information or download Edible Edinburgh 5 Oct flier 500kB – thanks to David Somervell for alerting us to this,

Please join us on Saturday 5th October in Bristo Square and Potterrow, University of Edinburgh for this Feeding the 5,000 event, with community stalls showcasing local food related action and a discussion about the future of Edinburgh as a sustainable food city.

Community stalls open from 11am in Potterrow, with a free lunch being served outside in Bristo Square from 12pm until 5,000 portions run out or we close at 4pm!

The purpose of this event is to:

Inspire awareness about local food production, food waste and social responsibility.

Engage Edinburgh residents about the proposed strategy to develop Edinburgh as a Sustainable Food City and launch “Edible Edinburgh” – an action group of the re-established Edinburgh Sustainable Development Partnership.

Feeding the 5000 is a campaign launched in 2009 to raise awareness of the amount of food wasted locally, nationally and globally and how we can solve this. Following successful events in London, Paris, Bristol, Manchester and other cities across Europe, we are planning Scotland’s very first Feeding the 5000 event in Edinburgh on Saturday 5th October 2013.

5,000 people will be fed with a delicious free meal created by celebrity chefs and community groups from ingredients that might otherwise have been thrown away. Along with participatory cooking sessions, educational and campaign stalls and more, the two days are sure to be a must for anyone who enjoys good food and cares about food waste.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Su Grierson Public Lecture

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Su Grierson, who corresponded with us whilst on residency in Fukushima Province earlier this year, is giving a public lecture in conjunction with her exhibition Intersections.  It’s in the Norrie Miller Studio at Perth Concert Hall, 7pm Thursday 26th September.

SG Talk Invitation 1.

Su Grierson will talk about her art practice and multi-media art works in the exhibition.  She will also focus on her recent ten week residency in Fukushima Province in Japan where she visited the disaster areas and met the displaced refugees.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Working the Tweed – opportunities

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Kate Foster asked me to post the following:

With Working the Tweed, we have spaces left on an interesting Riverside Meeting Friday 30th August.  It is on the site of a river restoration project, re-meandering a the Eddleston Water as part of a Natural Flood Management scheme. The presenters are very knowledgeable and linked to national research on natural flood management and sustainable land use strategy.

This link gives full details: http://workingthetweed.co.uk/riverside-meetings/

Interested folk should respond to Claire Pençak on info@workingthetweed.co.uk

For background on the project Kate suggests reading http://workingthetweed.co.uk/2013/08/22/on-passing-through-places-so-far-stories-and-movement-improvisation/

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Sustainable Transformation of Global Society – Navigating Ecological Times, Whitechapel Gallery, London

This post comes to you from Cultura21

Friday 30 August, 2013, Navigating Ecological Times, Whitechapel Gallery, London

A study afternoon of presentations and discussion on art practice and sustainability with artists Lise Autogena, Fernando Garcia-Dory and Tamás Kaszás and led by curators by Maja and Reuben Fowkes. This symposium looks at the challenges of living in ecological times and the sense in which the current political, economic and environmental predicament might also offer opportunities for a sustainable transformation of global society. How have artists sought to navigate the dilemmas of living and working in a world system that seems chronically out of touch with ecological realities and can they, through their practice and approach to the world, act as guides during times of crisis?

‘Navigating Ecological Times’ is realised through the River School and supported by the EU Culture Programme. Maja and Reuben Fowkes are art historians and curators whose interests in the field of art and ecology are manifest in their curated exhibitions, symposia and writings, which have explored key ideas and practices around green curating, environmental art history and the sustainability of contemporary art. Their work also focuses on the theory and aesthetics of East European art from the art production of the socialist era to contemporary artistic responses to the transformations brought by globalisation.

 For more information : click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

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Be Strong Like Two People: Learning from Elders

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invite1

invite back

ayr converses is pleased to invite you to Be Strong Like Two People: Learning from Elders.  Gavin Renwick will give a presentation on his experience of working with elders in the Canadian North West Territories 6-9pm Thursday 22nd August 2013 in Ayr Auld Kirk Hall KA7 1TT.  Please RSVP info@ayrconverses.org.uk if you’d like to attend.

Please circulate - pdf version of flyer Working_with_Elders-FINAL2_lo_res

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Wings of desire: why birds captivate us from The Guardian

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Swallows nesting in Knossos Palace, Crete. Photo Chris Fremantle

Swallows nesting in Knossos Palace, Crete. Photo Chris Fremantle

Our behaviour is causing a mass extinction on the planet and birds are one of the many lifeforms suffering.  Mark Cocker’s new book and the cover article, Wings of desire: why birds captivate us, in this week’s Guardian Review  explores the relationship between humans and birds in practical, cultural and spiritual terms.  It clearly articulates thousands of reasons beyond the loss of biodiversity for us to make more space for birds in our lives.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Merz DIY

This post comes to you from EcoArtScotland

e421449f2b5aca03a0e6369369fb25c2Miki, who along with Christine I met at Carrying the Fire where they were doing their Travelling Hearth project, asked me to post this, promoting Merz DIY this summer.  It’s an opportunity to experiment with being thinkers, builders, dwellers.  I should think the stuff on Let’s Remake might be useful.

Also download and circulate as a pdf: Merz DIY 13 e-flyer. 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Slow Wing

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Slow Wing Owl, with permission Ilka BlueSlow Wing Owl, with permission Ilka Blue

Ilka Blue in Australia asked for this to be shared,

Slow Wing – an Australian satellite workshop of the Uncivilisation UK Festival

Byron Bay, 17th & 18th August 2013

Latorica in collaboration with The Dark Mountain Project present Slow Wing, a weekend workshop of storytelling from the deep.

Led by transdisciplinary artists Ilka Blue & Cherise Asmah, this will be an intense exploration of cultural and biological extinction as we search for ways to belong and adapt to a changing world. The workshop involves 2 full days of storytelling, walking, writing, deep ecology & creative practices that will conjure old & new stories of dying, death, belonging, place and mythologies of this land.

Slow Wing is free of charge but places are limited to 25 and will be offered through a registration process. For a registration form or enquiries please email ilka@thelasttree.net More details www.latorica.net

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Laughing Matters

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Subhankar Banerjee, who’s recent book Arctic Voices, highlights the oil business in the North from the perspectives of the people who live there, has written a piece for ClimateStoryTellers.org on humour.

Arctic Voices was well received,

“One of the great strengths of Arctic Voices is that it shows how Alaska and the Arctic are tied to the places where most of us live. In this impassioned book, Banerjee shows a situation so serious that it has created a movement, where “voices of resistance are gathering, are getting louder and louder.” May his heartfelt efforts magnify them. The climate changes that are coming have hit soon and hard in the Arctic, and their consequences may be starkest there.”—Ian Frazier, The New York Review of Books

In the piece Laughing Matters he highlights the long history and importance of humour as a means to shame otherwise impervious politicians.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Imagining Natural Scotland’s 15 projects

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3d8154de18fcc0dc5d079c4b5277cac3Photo: Chris Fremantle

Imagining Natural Scotland have just announced their selected teams to develop work towards the August conference in St. Andrews.  It includes a wide range of artforms and approaches to questioning how we imagine natural Scotland.  The projects include a wide mix of methods, and should represent a good articulation of the range of artists’ ways of knowing, each somewhat juxtaposed and engaged with scientists’ ways of knowing.

Press release here: Successful Applications announced | Imagining Natural Scotland. 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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