Decisions

New metaphors for sustainability: a stranger’s compass

This post comes to you from Ashden Directory

Our co-editor Wallace Heim continues our series of new metaphors for sustainability with a guidance system that changes hands. 

Walking an unfamiliar Cumbrian fell with a compass, often without a map, links me to the land in a special way. The invisible, magnetic north that spins into place on the device is often perplexing and counter-intuitive. However reassuring it is to know there are vast forces of geology beyond any I can see, forces that co-ordinate my safe passage, I still have to negotiate the land right in front of me: that granite face, that swamped mire, that fast river. There is no picture in which to find myself, only wit, the land and the pull of a distant polar force.

A few times, I’ve come across a dropped compass. There’s a moment when clearing the mud from its face when I wonder whether it was left behind because it was broken, or not believed. Is the north that was found in a stranger’s hand the same as in mine?

I don’t think sustainability can be likened directly to a compass, as if there was a pole of certainty to it. There are orientations that guide, but they fluctuate with a landscape that is continually shifting. The incremental decisions made in response to immediate conditions themselves change the situation, alter what is possible to do. I see sustainability as a response to change, one that keeps alive the capacity to respond to further change. What kind of compass would show this light-footed improvisation that makes sure those in the future can navigate their own way?

Walking with a stranger’s compass comes closer as a metaphor. The compass is given, handed over, and it connects me to those I will never know, while helping me cross the land that I am in. The instruction is not reliable; maybe not safe. Or maybe it is, and the coordinates are sharper than on my own compass, signalling a clearer route. Is it pulling me in a direction I couldn’t have imagined? This uncertain magnetism invigorates the walk. One day, I’ll leave my compass behind.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Re-nourish | Design Sustainably

Friends of the CSPA and all around fantastic Resource, Re-Nourish, has this exciting update:

As the Pepsi Refresh Everything competition draws to a close,* the three of us have been doing a ton of talking, reflecting, questioning, and planning (and the occasional heavy drinking). As with our previous foray into the world of social media popularity contests, we’ve been grappling with the question of what is the best approach to accomplish what we’re trying to accomplish? Which is, at it’s most simple, to build an efficient organization tasked with making graphic design a more sustainable industry.

That aim has gotten more complicated as we’ve gone through the planning and strategizing required for grant funding, legal paperwork filing, and so on. While a Refresh Everything grant would have opened a lot of doors for us, we’ve also come to believe that our mission will be best served by now investing our energy into more actionable growth strategies.

The organizational plan

Re-nourish didn’t start with some grand vision of changing the world. We started with three individuals who found each other because of our own inability to find the information we needed to make better decisions about our work. As we started answering our own questions and sharing resources, we realized there are a lot more people who might want and benefit from this information.

Our goal has always been, and remains, to provide good information—independent information—to those of you who want it, and to help you use that information to make better decisions in your design work. To do this effectively, we’ve decided that we must remain independent ourselves. While we’ll continue to work actively in the field as individuals, Re-nourish will become a nonprofit 501(c)3 organization. Being a nonprofit entity will allow us to work with the entire supply chain without the embedded risk of serving a private, commercial interest.

The programming plan

We want to be very careful about how we actually fulfill our mission. We don’t want to reinvent the wheel (there are a ton of incredible organizations who do really great work in this area), and we don’t want to just throw a bunch of stuff against the wall to see what sticks. Because our resources are so limited and our goalposts are so high, we need to work smarter, not harder. To this end, we’ve identified three primary areas of work that we feel will most effectively accomplish our mission:

Education

Deliver reliable, vetted information about sustainable graphic design practice and theory (much of which is still in its infancy) to graphic designers, design students, and educators.

Tools development

Develop practical tools to make integrating this information into day-to-day design work easier.

Idea exchange

Connect designers to their supply chain to facilitate idea exchange, innovation, and thus real change, throughout the industry.

Next Steps

The challenge with all this, which is the same for most young organizations, is that of resources. That we’ve come this far without any formal funding, and with each of us working full time, is a testament to how important this stuff is to each of us. Either that, or it’s a testament to our psychosis.

The Pepsi competition represented an opportunity for us to shift from labor of love to structured organization. It seemed appropriate to choose a platform like Refresh Everything because everything we’ve done so far has been out in the open, with the engaged support of our fans and users. And regardless of where we placed (in the top 5% of projects, it might be worth pointing out), we feel the Pepsi campaign has been incredibly successful.

But now, we turn our attention forward. We’ll be spending the coming weeks writing our articles of incorporation and bylaws, building a board of directors to provide appropriate oversight, and developing specific programming strategies for the short and long term. Once the paperwork is filed, we'll begin a more traditional fundraising program, which will involve both grant seeking and turning to individual donations to help fuel our efforts. We expect this process to be somewhat slow going. We intend to be more consistent in terms of keeping everyone updated on our progress and specific plans. We also want to be very careful about how we handle fundraising, because we don't want to alienate the very people who have already shown us so much dedication and love.

Finally, as always, we want to thank everyone who has lent their support, shared their ideas and opinions, and offered help. Please, please continue to do so. If you would like to be involved in Re-nourish’s organizational growth, please email us at info (at) re-nourish (dot) com. And please, feel free to share your thoughts about this process in the comments below.

*We should point out that because we placed in the top 100 projects, Pepsi has automatically rolled our project into this month's competition. This means that if you'd like to, you're still more than welcome to vote for us each day of March.

via Re-nourish | Design Sustainably.

John Kinsella/Melanie Challenger | Travelling by other means

I’m really pleased to say that the RSA Arts & Ecology site is hosting a new artwork. It’s a collaborative piece of poetry created by Melanie Challenger and John Kinsella called Dialogue between the body and the soul.

The idea came from a reading that both poets were invited to in New York in 2007. Though they had worked together — John had edited Melanie’s debut collection —  they’d never actually met, so the event would have given them both that chance. Kinsella lives in Australia; Challenger lives in the UK. But both were becoming increasingly uneasy about the idea of artists travelling internationally just to give readings of their own work.

In the end, neither travelled to New York. Instead, they’ve decided to create this collaborative work which comes from their decisions to eschew air travel for such events.

The first poem arrived in my email box yesterday; it’s posted on the site today, initiating the exchange. Take a look. I’m loving the idea of seeing a piece of work like this evolve in my email inbox.

You can link to the poems here tinurl.com/dialoguepoems.

Photo: Roger Bishop

Go to RSA Arts & Ecology

Manchester Festival announces programme: it’s good

manchester21The second Manchester International Festival released its 2009 programme this week. It’s turning into the the best multi-platform arts festival in the UK – but then the size of its budget – a whopping £10m this year – probably helps with that. That said, they’re making great artistic decisions. While the Edinburgh International Festival is clearly on the up under Jonathan Mills, Manchester is setting a great standard in new commissions.

And obviously chosing to put an image for Gustav Metzger’s new plea for environmental sanity Flailing Trees, which is one of those commisions, on the cover shows a kind of ethical intent which other festivals need to match.

More about Metzger’s sculpture here.

Go to RSA Arts & Ecology