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New metaphors for sustainability: nine so far

This post comes to you from Ashden Directory
From the ‘iron curtain’ to the ‘glass ceiling’, metaphors are one of the most powerful ways in which we frame the way we think.

Yet one of the key concepts in environmentalism – sustainability – seems to be remarkably short of vivid metaphors.

So we asked some artists, writers, architects, cultural commentators, environmentalists, activists and scientists to come up with their own metaphors for sustainability.

We’ve published nine new metaphors so far. More to follow.

New metaphors for sustainability: mercury
New metaphors for sustainability: symbiosis
New metaphors for sustainability: “Come into my house” (DVD)
New metaphors for sustainability: ‘art & grace’
New metaphors for sustainability: my sweet pea
New metaphors for sustainability: water on a fire – helping turn the page – a child asleep – the family – failing better
New metaphors for sustainability: the shopping divider at the check-out
New metaphors for sustainability: the sailboat
New metaphors for sustainability: the act of breathing

Watch a film about four of the new metaphors.

Please suggest metaphors of your own. As @TheMuseDailytweeted yesterday, “The drive toward the formation of metaphor is the fundamental human drive. – Nietzsche”

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

New metaphors for sustainability: the shopping divider at the check-out

This post comes to you from Ashden Directory

Monik Gupta, environmental blogger and researcher has guest blogged for Ashdenizen. Here he suggests a metaphor in our series New metaphors for sustainability: the shopping divider at the check-out.

For me, thinking about sustainability, the object in the picture comes to mind. We come across it so regularly, however there is no word readily available to us to describe it (google suggests it to be termed ‘cashier divider’ by retail experts). Evidently, just like with ‘sustainability’, it is something very well known but much less engaged with.

What’s more important, both the shopping divider and sustainability mark the necessity for confinement of our own consumption and draw attention to others’ needs.

Maybe those two points, shallow engagement despite omnipresence and a focus on limitations of our consumption, are related. We are reluctant to make explicit the distinction between our needs and those of others, even though we are acutely aware of its necessity.

However, this is exactly where the beauty of both the ‘shopping divider’ and ‘sustainability’ could lie: in marking the confines of our needs, they enable us to direct attention to our fellow human beings. We begin to acknowledge that we are ‘in this together’, urgently needing to demonstrate our ‘ability to sUStain’.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory