Ecological Sustainability

Mierle Laderman Ukeles at Grazer Kunstverein

Cultura21, , , , , , , , , , , , , , , , , , ,

This post comes to you from Cultura21

01Maintenance Art Works 1969–1980 – On show until May 19th 2013

This is the very first comprehensive European solo exhibition of the artist’s earlier work. Originally organized in 1998 by Ronald Feldman Fine Arts gallery in New York, the exhibition presents a body of work spanning over a decade of significant production.

In 1969, following the birth of her first child, Ukeles wrote “Manifesto for Maintenance Art” as a challenge to the binary systems of opposition that draw the line between art/life, nature/culture, and public/private. The manifesto proposed undoing boundaries that separate the maintenance of everyday life from the role of an artist in society. Ukeles was interested in how artists could use the concept of transference to empower people to act as agents of change and stimulate positive community involvement toward ecological sustainability.

Grazer Kunstverein
Palais Trauttmansdorff
Burggasse 4
8010 Graz, Austria
Hours: Wednesday–Sunday 11–18h
www.grazerkunstverein.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico

Call for Papers – Acoustic Space No. 12: ART OF RESILIENCE

Cultura21, Open Calls, , , , , , , , , , , , , , , , , , ,

This post comes to you from Cultura21

Riga’s Center for New Media Culture RIXC is welcoming submissions – articles, conceptual and artistic texts, research papers and visual contributions – from artists, theorists, scientists, researchers who are engaged with issues of social and ecological sustainability, and who are interested in a deeper understanding of technology, for the next Acoustic Space (Volume No. 12), a peer-reviewed journal for interdisciplinary research on art, science, technology and society, devoted with the theme Art of Resilience.

The conference exploring the topic — Art of Resilience — took place during Art+Communication 2012 festival in Riga, October 5-6, 2012 (http://rixc.lv/12). The forthcoming publication will include papers presented at this conference, but will not be limited to it and is open for contributions by other authors. It will be published in English.

“Today art is leaving its autonomous position behind the society’s quest for a sustainable future. Artists who once were in vanguard of exploring digital frontiers, today again are among the first ones who are actively engaged in looking for other ways how to make the world more sustainable.

Resilience is one of the key tactics that helps people to undergo unstable, uncertain times. The idea of a resilience is used as a guiding theme and as a point of departure for the discussions with which we aim at fostering deeper understanding of social, cultural and ecological, as well as technological sustainability issues.
We are questioning: How to enhance resilience – our capability to cope with today’s complex situation that has occurred in the result of rapid ‘techno-sciences’ development? Does art play a role of a ‘catalyst’ in this quest for sustainability, if it keeps actively establishing new connections with other fields – science and technology, architecture and design, rural infrastructure development and urban planning, social networking and global engineering? How these emergent art practices that are bridging not only different fields but also exploiting resilience experiences from different times and different cultures, are contributing towards developing a successful scenario for the future world?”

Deadline for submitting full papers – March 15, 2013
However, abstracts can be submitted first – deadline for abstracts: February 11, 2013

Length of texts: between 2500 and 8000 words (i.e. 20 000 – 45 000 characters).

Submitted texts should include:

  1. short abstract (ca. 250 words, i.e. 1500 characters)
  2. 5 – 6 keywords
  3. short bio of the author (ca. 100 words, i.e. 800 characters)

References should be in APA style.

Language for submissions: English.

The publication will come out in October, 2013, and it will be presented at the Media Art Histories 2013: ReNew conference / Art+Communication 2013 festival, October 8-11, 2013.

Please send abstracts and texts to the editor: Rasa Smite rasa [at] rixc [dot] lv

The previous editions of Acoustic Space are available on amazon.com

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico

Techno-Ecologies

Cultura21, , , , , , , , , , , , , , , , , , , , , , , , , , , ,

This post comes to you from Cultura21

November 3rd – December 11th, 2011

Riga and Liepaja

“Techno-Ecologies is the theme of this year’s Art+Communication festival, the 13th edition of which will take place in Riga from November 3 – 6, 2011, featuring conference (November 4–5) and exhibition (November 4 – December 11) as well as broad programme of performances, screenings, public lectures and workshops in Riga and Liepaja, Latvia.”

“Techno-Ecologies builds upon the concerns of Felix Guattari (the French philosopher and co-conspirator of Gilles Deleuze) about the lack of an integrated perspective on the dramatic techno-scientific transformations the Earth has undergone in recent times. Guattari urges to take three crucially important ‘ecological registers’ into account: the environment, social relations, and human subjectivity.”

“Techno-Ecologies will develop a discussion between artists, theorists, designers, environmental scientists, technologists, responsible entrepreneurs and activists to develop this perspective. Diversity, social and ecological sustainability, and a much deeper understanding of technology as an extension of [their] desires are the building blocks that [they] want to bring together to build a perspective that can help [them] chart less hazardous routes into the future than the ones currently travelled.”

more info: http://rixc.lv/11/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

YORK UNIVERSITY seeks faculty for ECOLOGICAL DESIGN FOR PERFORMANCE

news, , , , , , , , , , , , , , , , , , ,

Applications are invited for a full-time tenure-track position in Ecological Design for Performance, at the rank of Assistant Professor, with graduate and undergraduate teaching responsibilities, effective July 1, 2012. In addition to teaching and research responsibilities, and service at the departmental, Faculty and University levels, the appointment will be key in the direction and development of the new Theatre MFA in Design for Performance.

York’s Department of Theatre has an undergraduate program with over 400 majors pursuing BFA or BA degrees in performance, devised theatre, theatre studies, playwriting, production and design. There is also a Graduate Program with a PhD and MA in Theatre Studies and an MFA in Acting, Directing, and Design. The Department has the only MFA in Acting in Canada and is at the forefront of developing sustainability in design for performance at the graduate level.

The Faculty of Fine Arts, and especially the Department of Theatre, have been developing an active interest in ecological sustainability and, in doing so, have embraced the mandate of York University’s Sustainability Policy: “York will strive to be at the forefront of sustainability research and education, and will use its capacity and expertise to promote sustainability within and beyond the University, with its alumni, governments and the surrounding communities.” The position in Ecological Design for Performance will support the continued exploration and development of sustainability in design, primarily at the MFA level, and potentially in conjunction with Film, Dance, Visual Arts, Architecture, Environmental Studies, and Engineering.

Applicants must be mid-career designers for performance who have demonstrated a commitment to sustainability in their work. Strong consideration will be given to applicants whose work challenges the borders of art within the construct of sustainability; this may include the research and exploration of technological innovation. Good interpersonal communication and ability to work closely with students, colleagues and other departments are required, as is demonstrated excellence or promise of excellence in scholarly and creative research and teaching. Preferred candidates will have a terminal degree in an appropriate discipline, demonstrated professional recognition, teaching experience at the post-secondary level, and strong connections with the theatre and industrial communities.

Salary will be commensurate with qualifications and experience. The successful candidate should be suitable for prompt appointment to the Faculty of Graduate Studies.

A letter of application with an up-to-date curriculum vitae, a statement of research, professional and teaching interests and experience, a DVD or online examples of creative work, and the names and contact information of three referees should be sent to: Search Committee, c/o Mary Pecchia, Room 320 Department of Theatre, Centre for Film and Theatre, York University, 4700 Keele St., Toronto, Ontario, Canada, M3J 1P3; Tel: 416-736-2100 ext 66266;  Fax 416-736-5785.  Email: mpecchia@yorku.ca

York University is an Affirmative Action Employer. The Affirmative Action Program can be found on York’s website at www.yorku.ca/acadjobs or a copy can be obtained by calling the affirmative action office at 416.736.5713. All qualified candidates are encouraged to apply; however, Canadian citizens and permanent residents will be given priority.

Deadline for applications: Friday, December 2nd, 2011

The Hyperbolic Crochet Coral Reef

Announcements, Research, , , , , , , , , , , , , , , , , , , , , ,

Christine and Margaret Wertheim’s Coral Reef Project is another one of the CSPA’s favorites to date. It combines creative endeavors seamlessly with scientific thought and a social initiative. It brings to light issues of global warming and ecological sustainability without being didactic.

If you’re in New York city, you have a month left to view it at the Cooper-Hewitt National Design Museum. That exhibition closes in early January.

If you are in Washington DC, please visit the temporary exhibit on the the First Floor of the Sant Ocean Hall, OCean Focus Gallery at the National Museum of Natural History. It is on display through April 24th of next year 2011.

Margaret Wetheim’s TED Talk

httpvh://www.youtube.com/watch?v=zGEDHMF4rLI

At The Science Gallery in Dublin

httpvh://www.youtube.com/watch?v=RsKhi0x4Ni41

A recent interview with Margaret Wertheim

View the video at Smithsonian.com

More information

Hyperbolic Crochet Coral Reef
The Institute for Figuring