Economic Crash

The achilles heel of climate campaigners

As American writer Barbara Ehrenreich suggests in her book Bright-Sided, it’s now OK to say that optimism may be over-rated.  If a relentless economic positivism led to the economic crash, I’d also say that an instituational inability to say how dire things really are environmentally must now be seen as one of the contributing factors to why the public are reluctant to back the kind of radical measures we need from COP15.

In private, climate experts often admit they’re scared silly about what the future’s going to be like; in public they maintain a more positive face. There are, of course, very good reasons for this. Conventionally, we assume that people don’t change unless there’s something in it for them. But what if the climate crisis doesn’t fit this paradigm for cultural change? What if we actually need to start to panic to achieve change?

A slightly comic tussle took place on Monday in the Guardian between two people – both climate campaigners – who hold opposing views on this. The new British bugle blower for looking apocalypse in the face has been the writer and activist Paul Kingsnorth, who, along with his friend Dougald Hine, established the anti-modernist Dark Mountain Project to urge us to embrace the end of civilisation, (see this blog from  a few weeks ago). Kingsnorth’s radical view is that civilisation is the disease, not the cure. Any efforts civilisation makes to combat climate change are doomed to failure, and will only prolong the descent.

Kingsnorth and the Guardian’s climate rottweiler George Monbiot went to head on this, Kingsnorth belittling Monbiot’s efforts to browbeat us to reform ourselves:

We still believe that we will be able to continue living more or less the same comfortable lives (albeit with more windfarms and better lightbulbs) if we can only embrace “sustainable development” rapidly enough; and that we can then extend it to the extra 3 billion people who will shortly join us on this already gasping planet.

It’s an odd situation for Monbiot to find himself in. Monbiot is more accustomed to coming under attack from the denial-bots of the conspiracist fringe. Now activist Kingsnorth himself is attacking his friend Monbiot forbeing a denialist. You have to feel sorry for the man. Interestingly poet and author Kingsnorth comes at the issue as much as an artist as a camaigner – and as noted earlier – art often scratches at the apocalyptic door.

Monbiot’s obvious defence is to point out that Kingsnorth’s millenarianism has a lurid seam of misanthropy to it:

I note that you have failed to answer my question about how many people the world could support without modern forms of energy and the systems they sustain, but 2 billion is surely the optimistic extreme. You describe this mass cull as “a long descent” or a “retreat to a saner world”. Have you ever considered a job in the Ministry of Defence press office?

Monbiot is right of course. Kingsnorth’s world is a dark one. It’s just whenever I hear Monbiot arguing like this, there’s something about the primness of his tone, the convolutions of his clauses and the use of words like “surely” that always makes me think of Miss Jean Brodie.

But despite the misanthropy of Kingsnorth’s position, he has hit on a real achilles heel of the climate change movement. It’s never healthy to believe one thing and say another.

Read the Guardian article.

The Dark Mountain Project

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By the by, Kingsnorth himself refers to Monbiot’s love of McCarthy’s The Road as evidence of Monbiot’s own millenarianism. Kingsnorth and I have been disagreeing about that book (see comments); he doesn’t think it’s about climate change at all. It’s one of those arguments where the only solution will be to pull McCarthy off the sidewalk and ask him himself:

EDIT. Coincidentally, Bill McKibben and Steven Colbert also danced around the same maypole on the Colbert Report, with Cobert adopting a slightly lighter form of millenarianism: “It’s game over. We should all have end of the world sex, right now. We’re all going to die!”

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