Edge Research

Hot Air

This post comes to you from EcoArtScotland

The Chicago Reader published a blistering review of the Cape Farewell exhibition currently at Columbia College.

“This sort of easy moralism, pandering to a like-minded audience, is bad enough. It’s the bland egotism that’s truly unsettling. The artists have put a hand on nature, framing it, manipulating it, and hauling it home like a lion pelt collected on a safari. They emulate the hubris they’re trying to indict. They suggest that nature is ours to have, hold, and fuck with. And fuck, with its sexual connotations, is the right word, too: there’s sadism in the unacknowledged, fetishized lust for control that’s put on display here. The world serves and is subsumed into the artists, who use it for their own pleasure and what they take to be its good.”

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

PLAND’s Power School

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PLAND (Practice Liberating Art through Necessary Dislocation) off-grid residency centre on the Taos Mesa is running a workshop called Power School (July 10-18,2011) with a closing date of 25 April for applications.

You can find an interview with PLAND on Bad at Sports.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Sights and Sounds of Bitumen Extraction

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“Changeable Places brings together individuals from different contexts working with stories about particular places of environmental sensitivity.”  The post Sights and Sounds of Bitumen Extraction in Alberta Canada provides a deep exploration of a locality.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Glasgow ‘stalled’ spaces

This post comes to you from EcoArtScotland

Glasgow City Council is offering small grants to community groups to improve stalled spaces including:

  • Land earmarked for development though delayed e.g. economic circumstances.
  • Vacant/Derelict Land
  • Open space – yet undeveloped

It’s also worth looking at Greenspace Scotland for policy and practice on ‘stalled spaces.’

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

More Water

This post comes to you from EcoArtScotland

Another interesting project around water.

Watershed: Art, Activitsm and Community Engagement is a programme organised by Raoul Deal and Nicolas Lampert looking at Milwaukee and the Great Lakes Basin.  There are three phases spanning 1) community outreach, 2) public interventions, and 3) exhibition.

There is an interesting video about Colleen Ludwig’s piece in the exhibition and the work she has been doing around touching.

Another of the works addresses corporate power/politics and there is an excellent pdf download of info which is embedded into the artwork in the exhibition.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Ethics and Aesthetics of Architecture and the Environment

This post comes to you from EcoArtScotland

The International Society for the Philosophy of Architecture‘s conference in Newcastle upon Tyne, UK, addresses the subject Ethics and Aesthetics of Architecture and the Environment.  There is a call for papers and posters.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Artists and Scientists

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Artist Lisa Roberts worked with scientists investigating the life of Krill deep in the ocean.  Lisa Roberts’ drawings, based on a very blurry video from the bottom of the ocean, articulates what she could see.  She focused on understanding the ‘dance’ to the point that she could draw and then animate it.  Lisa was not illustrating something scientists already knew.  Rather by working with scientists, her drawing and animation skills enabled everyone to understand something no-one hitherto knew.  She ended up as co-author of a paper in the Journal of Plankton Research.  The web site Antarctic Animation also demonstrates the to-and-fro of dialogue between artist and scientist working out what’s going on.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

4×4 Dance Body and the Environment

This post comes to you from EcoArtScotland

Bodysurf Scotland is organising a major event 18th – 29th April 2010 entitled 4X4 Dance Body And The Environment with Guest Artists: Jennifer Monson, Simon Whitehead, Helen Poynor, Angus Balbernie and Simon McPherson.

4×4 takes place at two distinctive locations:

The Findhorn Eco-village – a major international centre dedicated to personal and planetary transformation, with access to The Universal Hall Arts Centre theatre, dune-lands, gardens, woods and coastline.

Dundreggan, Glen Moriston, Scottish Highlands – a 10,000 acre estate, owned and run by the charity, Trees For Life, who work to help restore the Caledonian Forest.

See web site for details on participation.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

The Electricity Fairy

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The Electricity Fairy is a new film which approaches the issue of mountaintop removal from the everyday need for electricity:

“They reach out and flip the switch and the light comes on.  Well, there”s not a magic electricity fairy.  That electricity comes from a power plant that feeds on coal”.

But the question of coal-fired power is not a just a question for China and Appalachia, it is also a question for Scotland.  Should a major new coal-fired power station be built at Hunterston?

http://www.conchcampaign.org/

http://www.ayrshirepower.co.uk/

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Hydromemories: Call for examples of artists working with water

This post comes to you from EcoArtScotland

Hydromemories is seeking to build up an archive of artists working with water.  The site already contains a number of interesting examples, to which one might add:

Betsy Damon, Keepers of the Waters,

Liz Ogilvie’s Bodies of Water amongst other works,

Anne Bevan’s Source amongst other works,

Common Ground’s Confluence and other projects,

Helix Arts’ Quaking Houses seen&unseen project,

as well as the Harrisons’, David Haley, Aviva Rahmani and a trawl through Greenmuseum’s archives…

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland