Edinburgh Festival Fringe

Edinburgh’s greener Fringe

Fukushima – A Silent Prayer of Poetry

This post comes to you from Ashden Directory

Wallace Heim writes:

Among the bevy of shows at the Edinburgh Festival Fringe about Hitler, adolescence, Macbeth and stage spiritualists, there is a remarkable number of dance and physical theatre pieces with ecological themes. Consumerism and happiness, oil and politics, the Japanese earthquake, undercover policing, urban architecture and fear of the woods are among the ideas and sensibilities these shows are expressing.

Theatre shows number highly this year, too, with around 70 that have ecological themes varying from the strongly activist to the bucolic. Shows about animals, food and an apocalypse always feature. This year, there are three shows walking to Edinburgh; shows about abattoirs, about the Deepwater oil spill and the Fukushima nuclear leak; and shows about a swamp, plastics, population and the price of milk.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Applications open for the 2012 Fringe Festival Award for Sustainable Production at the Hollywood Fringe #lathr #hff12

CLICK HERE TO GO TO THE 2012 HOLLYWOOD FRINGE QUESTIONNAIRE

The Center for Sustainable Practice in the Arts (CSPA) announces the 2012 Fringe Festival Award for Sustainable Production at the Hollywood Fringe Festival. The CSPA Fringe Festival Award for Sustainable Production is designed to reward sustainable practice in the production of a fringe show. The winner will be announced at the Fringe Awards Ceremony on June 24th at 7:00pm, and will receive a plaque and a feature article in an upcoming edition of the CSPA Quarterly, the CSPA’s print publication highlighting the most exciting work being done in sustainability and the arts.

The award will be adjudicated by the CSPA Directors, Ian Garrett and Miranda Wright, along with a number of CSPA affiliates. It will be looking at public communication and education, resource use and transportation in support of presenting a fringe show based on methodology developed by the CSPA itself and San Diego’s Mo’olelo Performing Arts Company, who has created a comprehensive Green Theater Choices Toolkit with a generous grant from the Theater Communications Group.

To be considered for the award, a production fills out an online questionnaire. Questions range from an inventory of materials used to what public transportation lines run close to venues to how themes about sustainability are addressed in their shows. Because venues vary so greatly, all but the most basic questions are optional. Shows are encouraged, but not required to provide a CSPA affiliate with tickets to their production to allow a trained eye to look at shows and projects as they exist in the real world.

As an independent producer and designer, outside of the CSPA, Garrett has produced dozens of shows at the Edinburgh Festival Fringe.  Garrett also serves as the Festival Producer for CalArts Festival Theater, a program of California Institute of the Arts’ School of Theater that enables students and alumni to bring work to the Edinburgh Fringe, now in it’s 9th year.

“Even more so than we want someone to score perfectly on the questionnaire we use to evaluate shows, we want theater artists to look at the questions and think about how it helps to guide their thinking about sustainability in the their art. There may be questions asked in ways they hadn’t thought, and we hope they ask these questions of their next project and the project after that.”

To apply, fringe show producers can head over to the CSPA’s website at http://www.sustainablepractice.com/fringe or email fringe@sustainablepractice.org. Applications for evaluation will be taken up until the end of the festival, though it is encouraged to apply while it is still possible for a CSPA affiliate to view the show. All questions regarding the award by also be be directed to fringe@sustainablepractice.org.

The CSPA Award for Sustainable Production at the Fringe launched in 2010 at the Hollywood and Edinburgh Festival Fringes. Previous recipients include:  The Pantry Shelf a satirical comedy that takes place in any ordinary pantry shelf, produced by Team M&M at Sweet Grassmarket; Presque Pret a Porter, produced by Dreams by Machine; and Allotment by Jules Horne and directed by Kate Nelson, produced by nutshell productions at the Inverleith Allotments in co-production with Assembly.

The CSPA was founded by Ian Garrett and Miranda Wright in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. It provides a network of resources to arts organizations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. We support the infrastructure of this network by supplying artists with the information, education and intellectual community they need to make the best choices for their sustainability. We do this through three independent programs: CSPA Knowledge Network,  CSPA convergences, workshops and granting. We extend these efforts with key partnerships with like minded organizations. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theater, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others. Under the umbrella of the CSPA, each program and partnership uses different tactics with their own mission to create a comprehensive and cooperative synthesis in artistic sustainability.

Going Green the Wong Way going to Edinburgh

[iframe http://www.kickstarter.com/projects/1886729744/bring-going-green-the-wong-way-to-the-edinburgh-fr/widget/video.html 500 380]

CLICK HERE TO VIEW KICKSTARTER

Going Green the Wong Way is being presented by CalArts Festival Theater this August 2012 at the Edinburgh Festival Fringe in Scotland– the world’s largest fringe festival.  This show looks at the hilarious trials and tribulations of sustainable living, most notably, creator Kristina Wong’s experiences of running a car on vegetable oil, and subsequently, living in Los Angeles without a car.

“Going Green the Wong Way might be one of the most ridiculous shows we’ve ever seen, and we mean that in the best of ways…. Wong took a seemingly overworked topic like sustainable living and turned it into a surrealist, hilarious ride.”                           — Miami New Times

See the show in Los Angeles before it goes to Edinburgh!

This Kickstarter campaign is also a way for us to get the word out about the Los Angeles run of GGTWW at the Bootleg Theater June 28- July 22.  A donation of $35 or more will secure general admission seats for the run of the show and help us get to Edinburgh!  (See details on your right!)

More About Going Green the Wong Way:  

In her lifelong quest for sustainable living, Kristina Wong purchased a 1981 pink Mercedes that ran on vegetable oil, and endured a nightmare of never-ending car repairs and near death pursuits for the used cooking oil to fuel it. When the car finally burst into flames on an L.A. freeway, Wong lost the largest line item in her monthly budget, and gained the inspiration for this premiere production.  GOING GREEN THE WONG WAY brings our contemporary urban environment to life, revealing just how tricky it is to “do the right thing.”  Based on Wong’s true-life adventures, but elevated to surrealist heights, the production takes us from Kristina’s confrontational 6th grade science project, to her wandering years as a missionary of recycling, to her true calling as Los Angeles’ patron martyr of carbon-free living.

Going Green the Wong Way was originally produced by Mad Cat Theatre Company in November 2010 and premiered at the Arsht Center for the Performing Arts in Miami, FL as an ensemble piece.  It premiered as a full length solo work in San Francisco last summer (produced by Mad Cat Theatre Company and Circuit Network).  It’s also played at the Comedy Central Stage, Upright Citizens Brigade, South Coast Rep, and the Contemporary Art Center’s “The Off The Strip” Festival in Las Vegas.

“Kristina Wong is a funny — no, make that an extremely funny — performer with a wildly imaginative, sometimes raunchy sensibility.”  — Miami Herald

“Kristina Wong is a terrific physical comedienne whose love of dry humping, scrambled TV porn, reusable female necessities, scatology and vegetable oil make her highly qualified to be an ecological martyr.”   — Miami Art Zine           

“When things go wrong for performance artist Kristina Wong, you know it’s going to be a spectacular mess… There are hundreds of ways to go wrong when attempting to go green, but going Wong can only ever be right.”
— San Francisco Bay Guardian

“While her hilarious tales of being a “missionary of recycling” might make her audience laugh, the sustainable schtick isn’t just an act. Wong is serious about practicing what she preaches.”  — Good Magazine

Sustainable Production Award Announced for 2011 Edinburgh Festival Fringe

LOS ANGELS/EDINBURGH — The Center for Sustainable Practice in the Arts (CSPA) has awarded the second CSPA Fringe Award for Sustainable Production at the Edinburgh Fringe to Allotment by Jules Horne and directed by Kate Nelson. The world premiere of Allotment was produced by nutshell at the Inverleith Allotments in this co-production with Assembly.

Allotment is a dark and physical tragicomedy that takes place in a real allotment. It follows green-fingered sisters Dora and Maddy as they live out their rivalry among the plants. When the unexpected rocks their uneasy balance, it’s time to do something radical.

“We chose Allotment because its successful incorporation of its location into the drama.” comments Ian Garrett, Executive Director of the CSPA.  “The show’s honesty and heart is revealed in choosing to set it in a garden, and not build a facsimile on stage. Kudos to nutshell and Assembly for serving an already fantastic play so brilliantly ”

The award is determined by the submission of a questionnaire about how the show was produced along with audience response. Amongst dozens of entries, Allotment stood out in it’s minimal environmental impact, very much a result of it’s setting in the Inverlieth Allotments, requiring very little scenic construction and no additional show technology. Additionally the venue was easily accessible by public transportation, refreshments created little waste, themes of one’s relationship to the natural world were evident and it received excellent audience response. Allotment was also awarded a fringe first award by the Scotsman.

The CSPA Directors, Ian Garrett and Miranda Wright adjudicated the award, along with select CSPA affiliates. For the Edinburgh Fringe, Mhora Samuel and Tim Atkinson from The Theatres Trust’s European Regional Development Fund-backed Ecovenue project have helped the CSPA adapt the criteria for a UK audience, providing guidance on UK equivalents to US name brands, as well as providing insight on measuring conventions and policy. The award simply would not have been complete with out their assistance.

“The CSPA is not just another ‘go green’ organization,” says Wright.  “We hope to gather and distribute information that aids in the sustainability of the earth, the sustainability of our communities, and the sustainability of our art.  And so, the purpose of this award is not to recognize the greenest production.  Our objective in offering this award is to ask questions of ourselves, as theater artists, about the greater impact of our work on the world around us. The fringe model provides an ideal platform to introduce these ideas and the award due to the expectations and scale of the shows.”

“Even more so than we want someone to score perfectly on the questionnaire we use to evaluate shows, we want theater artists to look at the questions and think about how it helps to guide their thinking about sustainability in the their art. There may be questions asked in ways they hadn’t thought, and we hope they ask these questions of their next project and the project after that,” adds Garrett.

Ian Garrett and Miranda Wright founded the CSPA in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. The organization provides a network of resources to arts organizations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theater, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others.

 

The Center for Sustainable Practice in the Arts to Present Second Annual Award for Sustainable Production at Edinburgh Fringe Festival.

LOS ANGELES/EDINBURGH — The Center for Sustainable Practice in the Arts (CSPA) announces the 2011 Fringe Festival Award for Sustainable Production at the Edinburgh Festival Fringe this August. The CSPA Fringe Festival Award for Sustainable Production is designed to reward ecologically sustainable practice in the production of a fringe show. The winner will be announced Monday, the 22nd of August. The winner will receive a plaque and a feature article in an upcoming edition of the CSPA Quarterly, the CSPA’s print publication highlighting the most exciting work being done in sustainability and the arts.

The award, which debuted last year at the inaugural Hollywood Fringe Festival will be adjudicated by the CSPA Directors, Ian Garrett and Miranda Wright, along with a number of CSPA affiliates. It will be looking at public communication/education, resource use, and transportation in support of presenting a fringe show based on methodology developed by the CSPA itself and San Diego’s Mo’olelo Performing Arts Company, who have created a comprehensive Green Theater Choices Toolkit with a generous grant from the Theater Communications Group.

For the Edinburgh Fringe, Mhora Samuel and Tim Atkinson from The Theatres Trust’s European Regional Development Fund-backed Ecovenue project have helped the CSPA adapt the criteria for a UK audience, providing guidance on UK equivalents to US name brands, as well as providing insight on measuring conventions and policy. The award simply would not have been complete with out their assistance.

Last year’s winner was The Pantry Shelf a satirical comedy that takes place in any ordinary pantry shelf, was produced by Team M&M at Sweet Grassmarket, . Characters are food items most of us have readily available. The story follows the addition of a revolutionary new snack to the shelf: Queenie, a quinoa, date and bark bar. Queenie discovers that her healthy branding doesn’t accurately represent what’s actually inside. The comedy explores branding, consumerism and the corporate control of our diets. It’s also a “love story between a quinoa bar, a bag of Scottish porridge and a sexy block of dark chocolate,” about staying true to yourself.

“We chose The Pantry Shelf as the award winner based on its comprehensiveness,” comments Ian Garrett, Executive Director of the CSPA. “The show raised valid questions that are relevant to everyone’s daily lives, without being heavy handed. Team M&M took great care to ensure the production was produced as environmentally sustainable as possible, and the content of the play was both entertaining and informative.”

“We’ve been working since we started the CSPA on how to provide resources and guidelines for sustainable production to the theatrical community. Both Miranda and myself come from theatrical backgrounds and it is important to us. The fringe festival model provides an ideal platform to introduce these ideas and the award due to the expectations and scale of the shows. It is easier to start the conversation at a fringe level of production than Broadway. By starting with the Hollywood Fringe, our local and the newest fringe festival, and immediately moving to the Edinburgh Fringe, the largest and oldest fringe in the world, we are looking to create the greatest visibility and excitement around the introduction of ideas of sustainability to the largest number of theatre artists at home and away,” says Executive Director Ian Garrett.

To be considered for the award, a production fills out an online questionnaire. Questions range from an inventory of materials used, to what public transportation lines run close to venues, to how themes about sustainability are addressed in their shows. To accommodate the widest variety of productions, sections of the questionnaire that are not applicable to a show, will be omitted from consideration. Shows are encouraged, but not required to provide a CSPA affiliate with tickets to their production to allow a trained eye to look at shows and projects as they exist in the real world.

“Even more so thanwe want someone to score perfectly on the questionnaire we use to evaluate shows, we want theatre artists to look at the questions and think about how it helps to guide their thinking about sustainability in the their art. There may be questions asked in ways they hadn’t thought, and we hope they ask these questions of their next project and the project after that.”

To apply, fringe show producers can head over to the CSPA’s website at https://www.sustainablepractice.org/fringe or email fringe@sustainablepractice.org. Applications for evaluation will be taken up until the end of the festival, though it is encouraged to apply while it is still possible for a CSPA affiliate to view the show. All questions regarding the award by also be be directed to fringe@sustainablepractice.org.

The CSPA was founded by Ian Garrett and Miranda Wright in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. It provides a network of resources to arts organisations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. We support the infrastructure of this network by supplying artists with the information, education and intellectual community they need to make the best choices for their sustainability. We do this through three independent programs: CSPA Online Resources, annual CSPA convergence and the CSPA Institute’s curriculum building. We extend these efforts with key partnerships with like minded organisations. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theatre, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others. Under the umbrella of the CSPA, each program and partnership uses different tactics with their own mission to create a comprehensive and cooperative synthesis in artistic sustainability.

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Sustainability in Theatre | Edinburgh Festival Fringe 2010

The Center for Sustainable Practice in the Arts, a Los Angeles-based non-profit arts infrastructure organisation, presents an overview of current trends and practices in sustainability for theatre from around the world. We will be looking at UK initiatives from Julie’s Bicycle, the Arcola Theatre and White Light LTD, as well as those of the Broadway Green Alliance, York University in Toronto, Mo’olelo Performing Arts in San Diego and other theaters, arts organisations and artists from around the globe. Join us to learn about the growing momentum towards ecologically-minded arts making! www.sustainablepractice.org/fringe

via Sustainability in Theatre | Edinburgh Festival Fringe 2010.

Northern Light Events and C venues Green up their Act at Edinburgh Festival Fringe

The Events division of leading UK sound and lighting installer Northern Light is working with one of the biggest venue producers on the Edinburgh Festival Fringe – C venues – to ‘green-up’ the latest addition to its stable of festival venues – C aquila.

Head of hire and events for Northern Light, Nick Read, has teamed up with C venues production manager Richard Williamson, artistic director (and international lighting designer) Hartley Kemp, and industry journalist Sarah Rushton-Read to collaborate on an energy-efficient lighting rig that will not compromise creative expression or practical application.

To that end, Read, Williamson and Rushton-Read trawled the aisles of PLASA Focus in Leeds and the ABTT Show in London to source the very best in low-energy entertainment technology. Read comments: “I’m delighted to say that having established the kit we required we received unfettered support from a number of top lighting manufacturers and suppliers. They include Robert Juliat with its Aledin LED profile; White Light, which is exclusive distributor for a number of low energy and LED pro lighting kit including the impressive RevEAL CW LED Washlight from Prism Projection; ETC with its Selador range of LED wash lights, dimmers, consoles and low-wattage Source Four Juniors; and Philips with its Selecon range of low-wattage Fresnels and PCs. This is fantastic as we have just 63A single phase available to run two performance spaces, catering and a bar!”

Read, Williamson, Rushton-Read and Kemp’s priority was to develop a lighting rig that would offer full creative flexibility yet be as low-energy as possible. Williamson comments: “It‘s essential that we don’t go green just for the sake of it – that can often do more damage than good! The entertainment technology products we will be using have to make sense on all fronts – creatively, practically and logistically. The Edinburgh Festival Fringe presents a number of unique challenges. Venues generally have limited power available, many hosting up to ten different shows a day, and turnaround between shows is tight – less than 15 minutes in most cases. Such a gruelling schedule demands that technical kit is robust, quick to rig, de-rig, set up, adjust and programme and, in particular, quick and simple to maintain.”

Read continues: “We’ve chosen equipment we believe will sit comfortably with the demanding schedule, fast set up and turnarounds, however Northern Light technicians will be on hand to offer incoming theatre companies any training, help or advice they may need.”

Rushton-Read will document activities, measure results and feed back information online through Northern Light Fringe Networking Site, Facebook and Twitter, she explains: “Not only will we document the all important numbers, but also the artists and technicians response to the new kit. We’ll look at how user friendly and fit for purpose it is and feedback on how quick and easy it is to programme. We aim to evaluate the wider environmental impact of C venues using British Standard BS8901 – Sustainability Management System for Events. This process will help us identify areas where the operation can be improved in a truly sustainable way – environmentally, economically and practically.”

At the end of the Festival, Northern Light Events, C venues and Sarah Rushton-Read will compile a report detailing the successes and any issues raised and look at where improvements can be made. It will also detail recommendations for next year’s event. It will be available for download from C venues, Northern Light and The Fifth Estate websites.

Hartley Kemp, artistic director for C venues concludes: “We’re deeply concerned about the environmental impact of festivals like the Edinburgh Festival Fringe and we welcome the chance to play our part in improving its sustainability. However, we also believe strongly in what we do artistically. We are therefore aiming to take a realistic approach to reducing our carbon emissions and our wider impact on the environment, in order to achieve minimal environmental impact without compromising creative expression. C venues is not claiming to be the greenest of the green or anywhere near the elysian fields of carbon neutrality. What we’re doing is taking the first positive steps to reduce our CO2 emissions, waste and environmental impact. I believe this exercise will give us the context and benchmarks by which to achieve effective results year on year.”