Edinburgh Fringe

Applications open for the 2012 Fringe Festival Award for Sustainable Production at the Hollywood Fringe #lathr #hff12

CLICK HERE TO GO TO THE 2012 HOLLYWOOD FRINGE QUESTIONNAIRE

The Center for Sustainable Practice in the Arts (CSPA) announces the 2012 Fringe Festival Award for Sustainable Production at the Hollywood Fringe Festival. The CSPA Fringe Festival Award for Sustainable Production is designed to reward sustainable practice in the production of a fringe show. The winner will be announced at the Fringe Awards Ceremony on June 24th at 7:00pm, and will receive a plaque and a feature article in an upcoming edition of the CSPA Quarterly, the CSPA’s print publication highlighting the most exciting work being done in sustainability and the arts.

The award will be adjudicated by the CSPA Directors, Ian Garrett and Miranda Wright, along with a number of CSPA affiliates. It will be looking at public communication and education, resource use and transportation in support of presenting a fringe show based on methodology developed by the CSPA itself and San Diego’s Mo’olelo Performing Arts Company, who has created a comprehensive Green Theater Choices Toolkit with a generous grant from the Theater Communications Group.

To be considered for the award, a production fills out an online questionnaire. Questions range from an inventory of materials used to what public transportation lines run close to venues to how themes about sustainability are addressed in their shows. Because venues vary so greatly, all but the most basic questions are optional. Shows are encouraged, but not required to provide a CSPA affiliate with tickets to their production to allow a trained eye to look at shows and projects as they exist in the real world.

As an independent producer and designer, outside of the CSPA, Garrett has produced dozens of shows at the Edinburgh Festival Fringe.  Garrett also serves as the Festival Producer for CalArts Festival Theater, a program of California Institute of the Arts’ School of Theater that enables students and alumni to bring work to the Edinburgh Fringe, now in it’s 9th year.

“Even more so than we want someone to score perfectly on the questionnaire we use to evaluate shows, we want theater artists to look at the questions and think about how it helps to guide their thinking about sustainability in the their art. There may be questions asked in ways they hadn’t thought, and we hope they ask these questions of their next project and the project after that.”

To apply, fringe show producers can head over to the CSPA’s website at http://www.sustainablepractice.com/fringe or email fringe@sustainablepractice.org. Applications for evaluation will be taken up until the end of the festival, though it is encouraged to apply while it is still possible for a CSPA affiliate to view the show. All questions regarding the award by also be be directed to fringe@sustainablepractice.org.

The CSPA Award for Sustainable Production at the Fringe launched in 2010 at the Hollywood and Edinburgh Festival Fringes. Previous recipients include:  The Pantry Shelf a satirical comedy that takes place in any ordinary pantry shelf, produced by Team M&M at Sweet Grassmarket; Presque Pret a Porter, produced by Dreams by Machine; and Allotment by Jules Horne and directed by Kate Nelson, produced by nutshell productions at the Inverleith Allotments in co-production with Assembly.

The CSPA was founded by Ian Garrett and Miranda Wright in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. It provides a network of resources to arts organizations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. We support the infrastructure of this network by supplying artists with the information, education and intellectual community they need to make the best choices for their sustainability. We do this through three independent programs: CSPA Knowledge Network,  CSPA convergences, workshops and granting. We extend these efforts with key partnerships with like minded organizations. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theater, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others. Under the umbrella of the CSPA, each program and partnership uses different tactics with their own mission to create a comprehensive and cooperative synthesis in artistic sustainability.

Going Green the Wong Way going to Edinburgh

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CLICK HERE TO VIEW KICKSTARTER

Going Green the Wong Way is being presented by CalArts Festival Theater this August 2012 at the Edinburgh Festival Fringe in Scotland– the world’s largest fringe festival.  This show looks at the hilarious trials and tribulations of sustainable living, most notably, creator Kristina Wong’s experiences of running a car on vegetable oil, and subsequently, living in Los Angeles without a car.

“Going Green the Wong Way might be one of the most ridiculous shows we’ve ever seen, and we mean that in the best of ways…. Wong took a seemingly overworked topic like sustainable living and turned it into a surrealist, hilarious ride.”                           — Miami New Times

See the show in Los Angeles before it goes to Edinburgh!

This Kickstarter campaign is also a way for us to get the word out about the Los Angeles run of GGTWW at the Bootleg Theater June 28- July 22.  A donation of $35 or more will secure general admission seats for the run of the show and help us get to Edinburgh!  (See details on your right!)

More About Going Green the Wong Way:  

In her lifelong quest for sustainable living, Kristina Wong purchased a 1981 pink Mercedes that ran on vegetable oil, and endured a nightmare of never-ending car repairs and near death pursuits for the used cooking oil to fuel it. When the car finally burst into flames on an L.A. freeway, Wong lost the largest line item in her monthly budget, and gained the inspiration for this premiere production.  GOING GREEN THE WONG WAY brings our contemporary urban environment to life, revealing just how tricky it is to “do the right thing.”  Based on Wong’s true-life adventures, but elevated to surrealist heights, the production takes us from Kristina’s confrontational 6th grade science project, to her wandering years as a missionary of recycling, to her true calling as Los Angeles’ patron martyr of carbon-free living.

Going Green the Wong Way was originally produced by Mad Cat Theatre Company in November 2010 and premiered at the Arsht Center for the Performing Arts in Miami, FL as an ensemble piece.  It premiered as a full length solo work in San Francisco last summer (produced by Mad Cat Theatre Company and Circuit Network).  It’s also played at the Comedy Central Stage, Upright Citizens Brigade, South Coast Rep, and the Contemporary Art Center’s “The Off The Strip” Festival in Las Vegas.

“Kristina Wong is a funny — no, make that an extremely funny — performer with a wildly imaginative, sometimes raunchy sensibility.”  — Miami Herald

“Kristina Wong is a terrific physical comedienne whose love of dry humping, scrambled TV porn, reusable female necessities, scatology and vegetable oil make her highly qualified to be an ecological martyr.”   — Miami Art Zine           

“When things go wrong for performance artist Kristina Wong, you know it’s going to be a spectacular mess… There are hundreds of ways to go wrong when attempting to go green, but going Wong can only ever be right.”
— San Francisco Bay Guardian

“While her hilarious tales of being a “missionary of recycling” might make her audience laugh, the sustainable schtick isn’t just an act. Wong is serious about practicing what she preaches.”  — Good Magazine

Sustainable Production Award Announced for 2011 Edinburgh Festival Fringe

LOS ANGELS/EDINBURGH — The Center for Sustainable Practice in the Arts (CSPA) has awarded the second CSPA Fringe Award for Sustainable Production at the Edinburgh Fringe to Allotment by Jules Horne and directed by Kate Nelson. The world premiere of Allotment was produced by nutshell at the Inverleith Allotments in this co-production with Assembly.

Allotment is a dark and physical tragicomedy that takes place in a real allotment. It follows green-fingered sisters Dora and Maddy as they live out their rivalry among the plants. When the unexpected rocks their uneasy balance, it’s time to do something radical.

“We chose Allotment because its successful incorporation of its location into the drama.” comments Ian Garrett, Executive Director of the CSPA.  “The show’s honesty and heart is revealed in choosing to set it in a garden, and not build a facsimile on stage. Kudos to nutshell and Assembly for serving an already fantastic play so brilliantly ”

The award is determined by the submission of a questionnaire about how the show was produced along with audience response. Amongst dozens of entries, Allotment stood out in it’s minimal environmental impact, very much a result of it’s setting in the Inverlieth Allotments, requiring very little scenic construction and no additional show technology. Additionally the venue was easily accessible by public transportation, refreshments created little waste, themes of one’s relationship to the natural world were evident and it received excellent audience response. Allotment was also awarded a fringe first award by the Scotsman.

The CSPA Directors, Ian Garrett and Miranda Wright adjudicated the award, along with select CSPA affiliates. For the Edinburgh Fringe, Mhora Samuel and Tim Atkinson from The Theatres Trust’s European Regional Development Fund-backed Ecovenue project have helped the CSPA adapt the criteria for a UK audience, providing guidance on UK equivalents to US name brands, as well as providing insight on measuring conventions and policy. The award simply would not have been complete with out their assistance.

“The CSPA is not just another ‘go green’ organization,” says Wright.  “We hope to gather and distribute information that aids in the sustainability of the earth, the sustainability of our communities, and the sustainability of our art.  And so, the purpose of this award is not to recognize the greenest production.  Our objective in offering this award is to ask questions of ourselves, as theater artists, about the greater impact of our work on the world around us. The fringe model provides an ideal platform to introduce these ideas and the award due to the expectations and scale of the shows.”

“Even more so than we want someone to score perfectly on the questionnaire we use to evaluate shows, we want theater artists to look at the questions and think about how it helps to guide their thinking about sustainability in the their art. There may be questions asked in ways they hadn’t thought, and we hope they ask these questions of their next project and the project after that,” adds Garrett.

Ian Garrett and Miranda Wright founded the CSPA in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. The organization provides a network of resources to arts organizations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theater, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others.

 

Sustainability in Theatre | Edinburgh Festival Fringe 2010

The Center for Sustainable Practice in the Arts, a Los Angeles-based non-profit arts infrastructure organisation, presents an overview of current trends and practices in sustainability for theatre from around the world. We will be looking at UK initiatives from Julie’s Bicycle, the Arcola Theatre and White Light LTD, as well as those of the Broadway Green Alliance, York University in Toronto, Mo’olelo Performing Arts in San Diego and other theaters, arts organisations and artists from around the globe. Join us to learn about the growing momentum towards ecologically-minded arts making! www.sustainablepractice.org/fringe

via Sustainability in Theatre | Edinburgh Festival Fringe 2010.