Based on Arcola’s creative science education workshops World Stage Design 2013 brings you an engineering and design challenge – how far can your Lego car go on a limited amount of hydrogen? Using customised designed Lego kits and hydrogen fuel cells, this session looks at efficient design and low-carbon alternatives.
This Spring, Dance Exchange Artistic Director Cassie Meador examines loss and gain, risk and reward, and the distances travelled by our stories, our stuff, and ourselves, in How To Lose a Mountain. The National Performance Network commissioned stage production is part of a multi-year choreographic project, which included a 500-mile walk and community engagement tour last spring.
One year prior to the How To Lose a Mountain world premiere, Meador investigated the resources that power by walking from her home in Washington, DC to a site of mountaintop removal in West Virginia. Along the way, she and Dance Exchange artists visited power plants, led movement and outdoor education workshops called “Moving Field Guides,” and collected stories from community members in workshops called “500 Miles/500 Stories.”
During this past year following the walk, Meador and her artistic collaborators returned to the studio to build the evening length work that addresses issues of use and reuse, of living in the now and honoring our past, of what we lose when we gain and what we gain when we lose. The piece features a few additional voices, including that of a 200-year-old piano that will play an unconventional role in How To Lose a Mountain.
How To Lose a Mountain is a National Performance Network (NPN) Creation Fund Project co-commissioned by John Michael Kohler Arts Center in partnership with Dance Place, Dance Exchange and NPN. For more information: www.npnweb.org.
This project is supported in part by an award from the National Endowment for the Arts. Art Works.
John Michael Kohler Arts Center
Sheboygan, WI April 25, 2013