Energy Efficient Lighting

People, Profit, Planet – Sustainability Programme at WSD2013

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Exploring Sustainability in Creative Practice

Theatre is a process of reinvention, making and remaking. How do we consider the resources that go into bringing something to the stage? What is our responsibility to materials and energy? How do we create efficient spaces that house performance? How do we talk about this, both as artists and in our art? These questions are the focus for the Sustainability Programme at World Stage Design 2013. Join designers, architects, researchers and others who are focused on the intersection of sustainability and performance as we explore the future of our field as it relates to one of most vital issues of today.

You can view the full programme and book online for some events here.  More events will be added throughout the summer, so keep checking the website.

The People, Profit, Planet programme is supported by the Waterloo Foundation.

Who should attend?

These workshops and presentations are for anyone interested in considering the issues of sustainability within their work. Curious about how reused and eco-materials impact design and construction? Or the future of new energy efficient lighting technology? Intrigued by new work that explores issues of social justice and the environment? Interested in tools and best practices to monitor the carbon footprint of your facility or productions? Perplexed by how these tie together? Join us for a cross section of programming that highlights performances, place and interconnectedness in the wider world.

Sustainability Offerings at WSD2103

Thurs, Sept 5

Fri, Sept 6

Sun, Sept 8

Mon, Sept 9

Tues, Sept 10

Wed, Sept 11

Thurs, Sept 12

Fri, Sept 13

Sat, Sept 14

People, Profit, Planet – group leader
Ian Garrett - Assistant Professor, York University, Canada

TOP TEN WAYS TO GREEN-UP YOUR LIGHTING & SET DESIGN

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This post comes to you from the Broadway Green Alliance

HOW TO THINK GREEN-ER AS A LIGHTING DESIGNER

  1. Always design with greener lighting in mind.

  2. Always rehearse under energy-efficient lighting (exceptions for tech and dress rehearsals).

  3. Keep all dimmers, instruments and control gear clean and dust-free.

  4. Shut down all dimming gear at the source at the end of rehearsal/performance day.

  5. Power down moving heads & LED power supplies if they won’t be in use for more than one hour.

  6. Make sure all back-of-house, dressing room, and corridor lighting is energy-efficient (LED recommended) and operated by motion sensors.

  7. All running and marker lights should be LED.

  8. Install dimmable energy efficient sources for all of your front-of-house areas.

  9. Use the BGA’s Gel Project for donating and reusing lighting gels where feasible.

  10. Join the Broadway Green Alliance!

 

HOW TO THINK GREEN-ER AS A SET DESIGNER

  1. Create a greener studio: For model-making, choose cardboard over foam core, pulp board over illustration board, white glue over Twin Tak or other adhesive sheets.

  2. Printing: Ink cartridges are often over-packaged with plastic. Choose a printer that uses less or no plastic packaging for their inks. Recycle all ink cartridges. Use recycled paper, print front and back, or review documents digitally and don’t print at all!

  3. Build models out of packing materials like cereal boxes, pulp board & cardboard inserts, plastic packaging and cardboard boxes.

  4. Recycle all paper & cardboard used in the studio. Break down old models and reuse materials. Save models that can’t be broken down to be used as base structures for new models.

  5. Designing Greener: When approaching a project, think of the type of materials you want to use. Is there a more sustainable option for this material? What is the sheet-size of this material? Choose sizes that more closely resemble size of sheet goods so as to produce less waste.

  6. Spend some time researching sustainable material options. There are lots of options out there, so this will be an ongoing adventure. Start with one material and build your references slowly as greening can be an ongoing process as opposed to a major overhaul. This will help you incorporate sustainability into your current working process & schedule.

  7. Try to incorporate used materials into your designs. Look through shop stock materials, search groups like Artcube and Craig’s List for materials, shop at places like Build-It-Green and Film Biz Recycling. Include a visit to Materials-for-the-Arts if you are working with a not-for-profit organization. (see the BGA’s website for all of these resources and more or you can “Ask the BGA” @ green@Broadway.org)

  8. Recycle your set. When your show is struck you can post it on the Artcube list serve for others to claim. Or donate directly to Film Biz Recycling. Other productions, particularly off-off Broadway shows with limited budgets, could really use these materials. Reuse encourages creativity. The BGA can help you facilitate this.

  9. Reach out to others. Sustainability in theatrical design is a new & ongoing area of exploration. We can all learn from each other. Share your experiences with friends, colleagues and students. Twitter, Facebook and blogs are a great way to share greening tips.

  10. Join the Broadway Green Alliance! You will learn new ways you can improve your greening efforts. Attend workshops and meet others who have a passion for theater and a passion for the environment!

 

The Broadway Green Alliance was founded in 2008 in collaboration with the Natural Resources Defense Council. The Broadway Green Alliance (BGA) is an ad hoc committee of The Broadway League and a fiscal program of Broadway Cares/Equity Fights Aids. Along with Julie’s Bicycle in the UK, the BGA is a founding member of the International Green Theatre Alliance. The BGA has reached tens of thousands of fans through Facebook, Twitter, YouTube and other media.

At the BGA, we recognize that it is impossible to be 100% “green” while continuing activity and – as there is no litmus test for green activity – we ask instead that our members commit to being greener and doing better each day. As climate change does not result from one large negative action, but rather from the cumulative effect of billions of small actions, progress comes from millions of us doing a bit better each day. To become a member of the Broadway Green Alliance we ask only that you commit to becoming greener, that you name a point person to be our liaison, and that you will tell us about your green-er journey.

The BGA is co-chaired by Susan Sampliner, Company Manager of the Broadway company of WICKED, and Charlie Deull, Executive Vice President at Clark Transfer<. Rebekah Sale is the BGA’s full-time Coordinator.

Go to the Broadway Green Alliance

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Northern Light Events and C venues Green up their Act at Edinburgh Festival Fringe

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The Events division of leading UK sound and lighting installer Northern Light is working with one of the biggest venue producers on the Edinburgh Festival Fringe – C venues – to ‘green-up’ the latest addition to its stable of festival venues – C aquila.

Head of hire and events for Northern Light, Nick Read, has teamed up with C venues production manager Richard Williamson, artistic director (and international lighting designer) Hartley Kemp, and industry journalist Sarah Rushton-Read to collaborate on an energy-efficient lighting rig that will not compromise creative expression or practical application.

To that end, Read, Williamson and Rushton-Read trawled the aisles of PLASA Focus in Leeds and the ABTT Show in London to source the very best in low-energy entertainment technology. Read comments: “I’m delighted to say that having established the kit we required we received unfettered support from a number of top lighting manufacturers and suppliers. They include Robert Juliat with its Aledin LED profile; White Light, which is exclusive distributor for a number of low energy and LED pro lighting kit including the impressive RevEAL CW LED Washlight from Prism Projection; ETC with its Selador range of LED wash lights, dimmers, consoles and low-wattage Source Four Juniors; and Philips with its Selecon range of low-wattage Fresnels and PCs. This is fantastic as we have just 63A single phase available to run two performance spaces, catering and a bar!”

Read, Williamson, Rushton-Read and Kemp’s priority was to develop a lighting rig that would offer full creative flexibility yet be as low-energy as possible. Williamson comments: “It‘s essential that we don’t go green just for the sake of it – that can often do more damage than good! The entertainment technology products we will be using have to make sense on all fronts – creatively, practically and logistically. The Edinburgh Festival Fringe presents a number of unique challenges. Venues generally have limited power available, many hosting up to ten different shows a day, and turnaround between shows is tight – less than 15 minutes in most cases. Such a gruelling schedule demands that technical kit is robust, quick to rig, de-rig, set up, adjust and programme and, in particular, quick and simple to maintain.”

Read continues: “We’ve chosen equipment we believe will sit comfortably with the demanding schedule, fast set up and turnarounds, however Northern Light technicians will be on hand to offer incoming theatre companies any training, help or advice they may need.”

Rushton-Read will document activities, measure results and feed back information online through Northern Light Fringe Networking Site, Facebook and Twitter, she explains: “Not only will we document the all important numbers, but also the artists and technicians response to the new kit. We’ll look at how user friendly and fit for purpose it is and feedback on how quick and easy it is to programme. We aim to evaluate the wider environmental impact of C venues using British Standard BS8901 – Sustainability Management System for Events. This process will help us identify areas where the operation can be improved in a truly sustainable way – environmentally, economically and practically.”

At the end of the Festival, Northern Light Events, C venues and Sarah Rushton-Read will compile a report detailing the successes and any issues raised and look at where improvements can be made. It will also detail recommendations for next year’s event. It will be available for download from C venues, Northern Light and The Fifth Estate websites.

Hartley Kemp, artistic director for C venues concludes: “We’re deeply concerned about the environmental impact of festivals like the Edinburgh Festival Fringe and we welcome the chance to play our part in improving its sustainability. However, we also believe strongly in what we do artistically. We are therefore aiming to take a realistic approach to reducing our carbon emissions and our wider impact on the environment, in order to achieve minimal environmental impact without compromising creative expression. C venues is not claiming to be the greenest of the green or anywhere near the elysian fields of carbon neutrality. What we’re doing is taking the first positive steps to reduce our CO2 emissions, waste and environmental impact. I believe this exercise will give us the context and benchmarks by which to achieve effective results year on year.”