Environment

ecoartscotland: Scotland’s new resource on culture and the environment

ecoartscotland is a new project focused on the connections between culture and environment.  It is a platform for practice and research focused on the cultural challenges of environmental crisis.

The ecoartscotland website http://ecoartscotland.net has:

  • information on artists,
  • resources for learning projects,
  • highlighting formal education courses,
  • and including an extensive bibliography,

ecoartscotland draws on a wide range of sources to provide up to date information on everything from funding and creative opportunities to key policy and exemplary practice.

You can subscribe to a weekly news digest from the site, and we would be very happy if you would add us to your press mailing list.

Chris Fremantle
ecoartscotland
http://ecoartscotland.net
chris@fremantle.org

APInews: Art in Agriculture at Auburn University, Ala.

This spring, Auburn University continues its annual interdisciplinary series, Art in Agriculture, which brings together artists, designers and scientists to examine a topic related to agriculture, food, the environment or natural resources. This semester’s series is titled, “Reclaiming Ground,” and includes two exhibitions, several workshops for kids and seven lectures. One exhibition combines agriculture and architecture, called “Agritecture,” and another features sustainable designs by students in the Landscape Architecture Program, Design Program and Art Department. The lectures investigate questions such as: What is the role of the artist and designer in society at large? Can ordinary citizens make a difference in their local ecologies? How can a university encourage its students to become involved in their community? Art in Agriculture is jointly hosted by AU’s College of Agriculture, College of Liberal Arts and Department of Art.

via APInews: Art in Agriculture at Auburn University, Ala..

Help us choose the best art of 2009

Still from Flooded MacDonalds, Superflex, 2009

It has been an extraordinary year for art that responds to issues surrounding the environment. In the (almost) five years since we have been operating, there has never been so much great work being produced. Art never speaks with a single voice, but there has been an increasing cluster of activity around climate change, politics and the enviroment.

It’s time to compile our annual list of the best of the year. We have an embarrassment of riches to chose from. Radical Nature at the Barbican; 100 Days at the Arnolfini; Denmark’sRETHINK; Steve Water’s The Contingency Plan at the Bush Theatre; Artsadmin’s 2 Degrees; Heather and Ivan Morison’s The Black Cloud; Franny Armstrong’s The Age of Stupid, Manchester’s Environment 2.0 at Futuresonic 2009, Superflex’s Flooded McDonalds Petko Dourmana’s Post Global Warming Survival Kit or one of the Yes Men’s interventions – like their one yesterday at COP15 which proved so embarrassing to the Canadians … that’s just dipping our toes in the water.

What were your highlights of the year – and why? What have I criminally overlooked in that above list? What were the best books and stories – the best films? We want to include your comments in the piece which we’ll put up on the main RSA Arts & Ecology Centre website.

Tell us in the comment field below – or email me at william.shaw@rsa.org.uk.

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Actors wanted | The Waste Ed Roadshow

Waste Ed Roadshow, charity creating educatioinal tools for young people, is looknig for two actors for pilot project

We are a registered charity creating exciting educational tools for teaching young people about ecology. Our new project - The Waste Ed Roadshow – is looking for two actors – male and female – to perform a 20 minute humourous dialogue about waste and how it effects ourselves and the environment.

Suitable people will be 18-25 years old, lively and confident, have some acting experience, and be genuinely interested in ‘green’ issues.

The performance will be part of up to 5 pilot runs of the roadshow, from end of May through June. Rehearsals will be led by our Project Leader (a professional actress). To keep travel expenses to a minimum, we are looking for volunteers from the West Greater London/Woking/Ascot area.

If you’re interested in getting involved contact us with a bit about yourself, your experience, and a photo if possible.

You can also visit www.waste-ed.org.uk for more information about the roadshow.

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New York’s Waterpod; artists of the floating world

When Radical Nature opened, some critics bemoaned the fact that the exhibition was cloistered away from both the environment it discussed, and the audience that it deserved to reach. EXYZT’s wonderful Dalston Mill project was a clear answer to those critics

In New York, The Waterpod – pictured above – has been slowly circumnavigating Manhattan. Conceived by artists Mary Mattingly and Mira Hunter as a literal platform for art, it brings New Yorkers to the water that surrounds their island. Like Dalston Mill it provides not only a space for performaces, artworks and discussions, but it creates a triangulation between food, community and environment. This live-aboard ark grows at least some of its own food and includes its own henhouse.

For a taste of what it’s like to live and work aboard The Waterpod, try this NY Times article, which reveals that the floating pod was built from a variety of donated materials, including metal railings used in a Broadway production of Equus, and foliage print wallpaper recycled from the US soap As The World Turns.

It’s currently moored at Pier 5, Brooklyn Bridge Park but will be moving on to Staten Island after the 17th. Have any readers visited The Waterpod? Did it work?

Photo: thanks to BH301.A7

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Madeline Bunting in today’s Guardian: the “quiet powerhouse” that is RSA Arts & Ecology

Radical Nature’s The Dalston Mill project

Radical Nature’s The Dalston Mill project

Madeleine Bunting’s article on the role of arts in changing perceptions about the environment kicks off by looking at Radical Nature’s The Dalston Mill project, and discusses new work Gustav Metzger and new thoughts from Tim Smit and gives a very warmly appreciated nod to the RSA Arts & …

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Radical Nature @ The Barbican reviewed

Skye Sherwin in The Guardian:

Even the remotest hermit knows that the effects of climate change are the greatest threat faced by mankind. So where does that leave artists? Can they contribute anything to debates about the environment? Might the imperatives of environmentalism constrain their freedom to make interesting work? And …
Go to RSA Arts & Ecology

Mo`olelo Receives $30,000 Grant from The James Irvine Foundation

Funds will commission playwright Chantal Bilodeau to write a play on race, poverty and environment

Thursday, June 18, 2009 – San Diego, CA – Mo`olelo Performing Arts Company, San Diego’s community-focused, socially-conscious, Equity theater company, today announced The James Irvine Foundation has awarded the Company a $30,000 grant over two years to commission a new play by Chantal Bilodeau. This grant is made as part of the Irvine Foundation’s Creative Connections Fund, which was designed to reach small and midsize arts organizations pursuing a diversity of projects and ideas.

The funds will support the commissioning, work-shopping and development of an original script by Ms. Bilodeau that focuses on the contemporary debate over the Northwest Passage and the intersection of climate change, commercial opportunity and the survival of Inuit peoples native to the region. Through the play development process, Mo`olelo will engage San Diego’s Native American populations and environmental organizations to contribute to the evolution of the script through public readings and discussions.

Mo`olelo launched a greening initiative in 2007 to identify how theater can be created without damaging the long-term health of our communities and the environment. In addition, central to Mo`olelo’s mission is to select plays that focus on diverse communities and allow the Company to engage local, nontraditional theater audiences.

“Commissioning this play will provide an opportunity for Mo`olelo to draw the connection between issues of race, class and the environment,” said Seema Sueko, Co-Founder and Artistic Director of Mo`olelo. “This will allow us to support on stage, through content, the greening work we are doing backstage.”

The commission will launch in July 2009, with a first workshop and public reading of the script tentatively scheduled for June 2010. Revisions and adjustments will be made and a second workshop and public reading is scheduled for May 2011. The script is expected to be completed by June 2011.

Chantal Bilodeau is a playwright and translator originally from Montreal, Canada. Her plays include Pleasure & Pain (Magic Theatre; Foro La Gruta and Teatro La Capilla, Mexico City), The Motherline (Ohio University; University of Miami), Tagged (Ohio University; Alleyway Theatre), as well as several shorts that have been presented by Brass Tacks Theatre, City Theatre Company, The Met Theater, Philadelphia Dramatists, Raw Impressions, and Women’s Project. She has been a fellow in the Women’s Project Playwrights’ Lab, the Lark Playwrights Workshop and at the Dramatists Guild and has received grants from NYSCA, the Canada Council for the Arts, Stichting LIRA Fonds (The Netherlands), the Quebec Government House, Étant Donnés: The French-American Fund for the Performing Arts and Association Beaumarchais (France). Her translations include plays by Quebec playwrights Larry Tremblay and Catherine Léger, French-African playwright Koffi Kwahulé and Jean Cocteau. Current projects include the book for the musical The Quantum Fairies in collaboration with composer Lisa DeSpain and lyricist Mindi Dickstein and the translation of four more plays by Koffi Kwahulé.

The James Irvine Foundation is a private, nonprofit grantmaking foundation dedicated to expanding opportunity for the people of California to participate in a vibrant, successful and inclusive society. The Foundation’s grantmaking focuses on three program areas: Arts, California Democracy and Youth. Since 1937 the Foundation has provided over $1 billion in grants to more than 3,000 nonprofit organizations throughout California. With $1.4 billion in assets, the Foundation made grants of $78 million in 2008 for the people of California.

About Mo`olelo – Mo`olelo means story in Hawaiian. Selected as the inaugural Resident Theatre Company at La Jolla Playhouse, Mo`olelo Performing Arts Company is a socially-conscious theatre organization dedicated to broadening the scope of San Diego’s cultural environment by telling powerful stories that are as diverse as the islands of Hawaii, by paying Equity wages to local actors and developing environmentally-friendly theatre practices. A recipient of the Patté, San Diego Theatre Critics Circle, McDonald Playwriting and the Anti-Discrimination Awards, its mission is to create new works based on research within various communities, produce lesser-known works by master and contemporary playwrights, and educate youth. To learn more, visit www.moolelo.net or call 619-342-7395.

grant from The James Irvine Foundation « Mo`olelo Blog.

Radical Nature @ The Barbican reviewed

Skye Sherwin in The Guardian:

Even the remotest hermit knows that the effects of climate change are the greatest threat faced by mankind. So where does that leave artists? Can they contribute anything to debates about the environment? Might the imperatives of environmentalism constrain their freedom to make interesting work? And …
Go to RSA Arts & Ecology

Respond! in June

This Thursday we in Britain go to the polls to vote in local and European government elections. Depressingly, the environment is barely mentioned in any of the main parties’ campaigns. The papers are still full of the Telegraph’s expenses witchhunt and machinations to oust Gordon Brown.

Respond! kicks off today. For …
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