Environmental Conditions

Brazil: Seminar on Culture and Sustainable Development

This post comes to you from Culture|Futures

eu-brasil-homepageWithin the framework of the Joint Programme ‘EU-Brazil Sector Dialogues’, the Ministries of Culture and Planning, Budget and Management will hold a seminar on Culture and Sustainable Development, which will take place from 21 to 23 May 2013, in Brasilia, Brazil.

The seminar aims to strengthen the role of culture as a catalyst for global governance as well as to promote the importance of culture for sustainable development, exploring the three axes of this concept — social, economic and environmental.

The event will have three discussion tables, which will debate the contribution of culture to each of these three axes. These tables will be composed by distinguished guests from the European Union and Brazil, with recognized experience in the academic field, in public administration or in cultural production. At the closing session, there will be a moment to reflect on the relevance of culture as a fourth pillar of sustainable development, and how cultural cooperation between the EU and Brazil can strengthen the culture in global governance.

In order to enhance the quality of this dialogue, Olaf Gerlach-Hansen of Culture|Futures has been invited to take part in this seminar as a speaker who will address the theme ‘Culture and Environment’.

Programme description
The development of any culture arises from the constant interaction between the environment and human needs. As cultural identity and social stability may be strongly influenced by environmental conditions, cultural factors may influence consumption behaviors and attitudes related to environmental management. Therefore, culture and cultural diversity are key pieces for attitude changes towards environmental values.

On issues ranging from the erosion of biodiversity to climate change, cultural diversity has an important role to play in the way it addresses the current ecological challenges and ensure the future of sustainable environmental. In order to face the current ecological challenges, primarily technical and scientific responses are usually sought. However, the recognition that cultural practices are intimately linked to environmental integrity has been greater than ever.

There is an interdependence between biological diversity and cultural diversity, although is of little knowledge in what degree they relate. It goes far beyond what is commonly perceived in common sense. The reciprocity between both elements is clear: many cultural practices come, in its existence and expression, from certain specific elements of biodiversity. In a similar way, important sets of biological diversity are developed, maintained and administered by specific cultural groups, whose cultural aspects are the core of this special management practices.

The way of life of the majority of indigenous people embodies biodiversity. The cultural and religious beliefs, and spiritual values of these traditional societies, often have the effect of preventing predatory exploitation of resources and ensure the viability of the ecosystems on which they depend on.

The traditional indigenous practices of management and use of environmental resources, including construction techniques, represent a more sustainable way of land use, consumption and production, and also contribute to food security and access to water. These practices are based on a knowledge developed after centuries of adaptation. Therefore the concept of sustainable use of biological diversity — which is one of the three objectives of the Convention on Biological Diversity — is inherent in the indigenous and traditional society’s value systems.

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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PUBLIC ART and LEED – Energy & Atmosphere

This post comes to you from Green Public Art

continued from… PUBLIC ART and LEED – Sustainable Sites and Water Efficiency

ENERGY & ATMOSPHERE

Decker Yeadon

Refrigerant Management – is a great opportunity for glass curtains. Points will be awarded if the project does not increase and/or reduces a building heat load.

False Creek Energy Centre

Example: Architectural material technologists, Decker Yeadon, have developed a material that regulates a building’s climate by automatically responding to environmental conditions, without need of people, or energy intensive machinery. Watch the video to get a real sense of how revolutionary their Homeostatic Facade Systemcould be for building design.

On-site renewable energy – must always be used if artwork needs to be powered

Example: In Vancouver, at the False Creek Energy Centre, public art is activated by the operations of the facility, which produces domestic hot water and space heating for the adjacent community. At the top of each stack is a LED light fixture which changes color from blue – orange – red relative to the heat output of the plant.

piezoelectric walkway

Example: PIEZOELECTRIC WALKWAYS is a power technology which uses pressure generated by people walking to produce electricity. Toulouse, France is now using the technology to generate enough electricity to run streetlights.

Green Power – to earn credits in the Green Power category projects must use renewable energy and make it visible and traceable. By definition green power produces no manmade greenhouse gas emissions and can be solar, wind, geothermal, biogas, biomass and hydroelectric

Mags Harries & Lajos Heder's SunFlower: An Electric Garden

Example: Mags Harries & Lajos Hedder’s SunFlower, An Electric Garden is a public art project in Austin, Texas feeds about 15 KW of electricity into the grid for credit, which funds the maintenance and operating costs for the project.

The conversation continues here: PUBLIC ART and LEED – Materials & Resources and Indoor Environmental Quality

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
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