Environmental Scientists

Techno-Ecologies

This post comes to you from Cultura21

November 3rd – December 11th, 2011

Riga and Liepaja

“Techno-Ecologies is the theme of this year’s Art+Communication festival, the 13th edition of which will take place in Riga from November 3 – 6, 2011, featuring conference (November 4–5) and exhibition (November 4 – December 11) as well as broad programme of performances, screenings, public lectures and workshops in Riga and Liepaja, Latvia.”

“Techno-Ecologies builds upon the concerns of Felix Guattari (the French philosopher and co-conspirator of Gilles Deleuze) about the lack of an integrated perspective on the dramatic techno-scientific transformations the Earth has undergone in recent times. Guattari urges to take three crucially important ‘ecological registers’ into account: the environment, social relations, and human subjectivity.”

“Techno-Ecologies will develop a discussion between artists, theorists, designers, environmental scientists, technologists, responsible entrepreneurs and activists to develop this perspective. Diversity, social and ecological sustainability, and a much deeper understanding of technology as an extension of [their] desires are the building blocks that [they] want to bring together to build a perspective that can help [them] chart less hazardous routes into the future than the ones currently travelled.”

more info: http://rixc.lv/11/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

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Sustainability and Contemporary Art Symposium Budapest

Sustainability and Contemporary Art: Art, Post-Fordism and Eco-CritiqueInternational Symposium

EU Budapest 19-20 March 2010

Ralo Mayer, Multi-Plex Fictions

Ralo Mayer, Multi-Plex Fictions

The 2010 Symposium on Sustainability and Contemporary Art brings together artists, philosophers, environmental scientists and activists to explore the conundrum of capitalism’s remarkable ability to absorb criticism and adapt to new circumstances. According to post-Fordist theory, in the wake of the social upheaval of May 1968 capitalism was able to recuperate radical desires for freedom, creativity and personal liberation through the adoption of the principles of flexibility, horizontality and autonomy, and the shift from industrialism to immaterial labour.

Today, the energy and idealism of the environmental movement is arguably in a similar danger of being transformed into the motor of a green capitalist resurgence that threatens to rescue neo-liberal globalisation from the economic downturn. This symposium asks whether environmentalism is in fact now facing its own ‘post-Fordist moment’, in which the language and values of ecology are at risk of being turned into an ideology of bureaucratic control and a technocratic justification for sustainable growth. It also raises the question of whether the environmental movement has anything to learn from the strategies of resistance proposed by the theorists of immaterial labour and the exploration of these issues by contemporary artists.

In the wake of the debacle of the Copenhagen Climate Summit, the question arises whether there might be more to ecological crisis than mitigating the threat posed by climate change to the current global economic system, and whether the danger posed by the depletion of natural resources and the destruction of bio-diversity deserves to be a greater priority. The symposium will try to locate a sense of eco-criticality in the approaches of contemporary artists, and also consider the implications of an ecologically-nuanced, post-Fordist critique for the international art world.

The symposium on Art, Post-Fordism and Ecological Critique is the fifth in an annual series of events organised at Central European University by Maja and Reuben Fowkes of Translocal.org, the Department of Environmental Science and Policy, and the Centre for Arts and Culture at CEU. This year’s programme will include an afternoon of presentations and critical conversations in the main auditorium of Central European University on Friday 19 March, and a workshop event with symposium participants on the following day.

A small number of additional places are available for the workshop upon application.

Confirmed speakers include: Stephen Wright (art theorist, Paris), Igor Stokfiszewski(curator/critic/playwright, Warsaw), Branka Cvjeticanin (multimedia artist, Zagreb) and Ralo Mayer (artist, Vienna).

via Sustainability and Contemporary Art Symposium Budapest.