Environmentalists

APInews: 2009 iLAND Residencies: Waterways and Strataspore

iLAND (interdisciplinary Laboratory for Art Nature and Dance) has announced the recipients of its 2009 iLAB collaborative residencies: two collectives called Waterways and Strataspore. The New York residency program supports collaborations among movement-based artists and scientists, environmentalists, urban designers/landscape architects, architects and others that integrate creative practice within different fields/disciplines, culminating in public actions. Waterways is a collaboration among The League of Imaginary Scientists and Danish choreography collective E.K.K.O. Their research, surrounding the theme of water, takes place aboard the Waterpod, a floating habitat that is host to collaborations and artists, beginning August 15 at Brooklyn Bridge Park. StrataSpore is “a platform for collective knowledge about mushrooms” as the pivotal orientation point for exploring urban systems. Strataspore’s public work begins October 5 at Gabriel Rivera’s facade/fasad in Brooklyn. Details online.

via APInews: 2009 iLAND Residencies: Waterways and Strataspore .

Paul Kingsnorth’s new millenarian literary movement

Paul Kingsnorth, poet, environmentalist, journalist and author of Real England, attempts to kick off a ground-breaking new literary movement this month, The Dark Mountain Projectwith social-web frontiersman Dougald Hine. Its premise is a radical one;  if I represent it right, it’s that we are on the brink of catastrophe and it’s art’s reponsibility to face that, and to reflect it in its output. We have been telling the wrong stories. It is time to start telling the right ones:

We don’t believe that anyone – not politicians, not economists, not environmentalists, not writers – is really facing up to the scale of this. As a society, we are all still hooked on a vision of the future as an upgraded version of the present. Somehow, technology or political agreements or ethical shopping or mass protest are meant to save our civilisation from self-destruction. Well, we don’t buy it.

Kingsnorth and Hine have written a remarkable manifesto that’s well worth reading; it’s erudite, lyrical and, most of all,  apolcalyptic in an almost William Blake-ish kind of way, seeing civilisation treading on a “thin crust of lava” as the environmental catastrophe looms. Its eight principles of “Uncivilisation” include the following:

3. We believe that the roots of these crises lie in the stories we have been telling ourselves. We intend to challenge the stories which underpin our civilisation: the myth of progress, the myth of human centrality, and the myth of our separation from ‘nature’. These myths are more dangerous for the fact that we have forgotten they are myths.
4. We will reassert the role of story-telling as more than mere entertainment. It is through stories that we weave reality.

There is a growing debate here at the RSA Arts & Ecology Centre about the role of apocalyptic art in changing minds. We are fond of quoting Raymond Williams here, “that to be truly radical is to make hope possible rather than despair convincing”. If you want people to change, you have to offer them a way to a future that inspires them, rather than terrifies them. Pessimism convinces nobody.

But what if that act of making hope possible only bluntens the urgency of the situation, dissipates the urge to action?

Kingsnorth and Hine are looking for people to rally to the flag.

Go to RSA Arts & Ecology

Taxidermy on Trees


(A deer mount on a tree, by Jim Baughn of Air Capital Taxidermy in Wichita, KS.}


A comment on an older post led me to a site by a Wichita taxidermist with unusual photos of mounts hung on trees. Maybe they are outside for good lighting, but outside is specifically the place we don’t expect to see taxidermy.While I’m not a hunter myself, nor do I have any stuffed animals at home, I am continually fascinated by this practice. Why? Well, a good taxidermy animal allows us the same possibility as a portrait or realistic sculpture of a person, i.e. the chance to get up close and really investigate something that we might not be able to experience in other ways.

Taxidermy is also a way return some dignity to an animal, especially overly numerous animals like deer. I wouldn’t say the same about an endangered animal, like grizzlies or wolves, so it’s sort of shades of gray for me here.


Finally, I’m interested in taxidermy because of the obvious skill and attention it demands as a craft or artform. And understanding the many ways people appreciate wild animals is one way to what I hope is the eventual formation of voting bloc composed of environmentalists, hunters and farmers. I think we all want generally the same thing (preservation of existing species, protection of wild places, good quality of life for humans and animals, etc) so if we can get these groups united, it would be an unstoppable political force.


–> More at aircapitaltaxidermy.wordpress.com

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