Exhibition

New York’s Waterpod; artists of the floating world

When Radical Nature opened, some critics bemoaned the fact that the exhibition was cloistered away from both the environment it discussed, and the audience that it deserved to reach. EXYZT’s wonderful Dalston Mill project was a clear answer to those critics

In New York, The Waterpod – pictured above – has been slowly circumnavigating Manhattan. Conceived by artists Mary Mattingly and Mira Hunter as a literal platform for art, it brings New Yorkers to the water that surrounds their island. Like Dalston Mill it provides not only a space for performaces, artworks and discussions, but it creates a triangulation between food, community and environment. This live-aboard ark grows at least some of its own food and includes its own henhouse.

For a taste of what it’s like to live and work aboard The Waterpod, try this NY Times article, which reveals that the floating pod was built from a variety of donated materials, including metal railings used in a Broadway production of Equus, and foliage print wallpaper recycled from the US soap As The World Turns.

It’s currently moored at Pier 5, Brooklyn Bridge Park but will be moving on to Staten Island after the 17th. Have any readers visited The Waterpod? Did it work?

Photo: thanks to BH301.A7

Go to RSA Arts & Ecology

Emulating Genius: learn how to do it in under 2 hours

Many thanks to everyone who came to the event, ran around forming adaptive eco-systems and generated new design possibilities. (And sorry to those who couldn’t get in because the event sold out).

Biomimicry is a new discipline that consciously emulates life’s genius.

It’s a design principle based on the genius of nature. The idea is not simply to utilise the natural world, but to learn from the exceptional aspects of its design.

It is the most radical approach to problem solving I have heard of.

And when architect Michael Pawlyn (FRSA) told me about it, I thought: ‘ Hmmm, it’d be good to learn how that works – not just ‘hear about it’ as something interesting – it would be great to understand the principles of it, then find ways to apply it.’ Then I drifted off into a daydream about the possibility of applying biomimicry in the arts….

So Michael has been developing games that can teach the principles of how biomimicry works – and we g0t to try them out with him and ecologist Dusty Gedge (FRSA).

The event is part of the Barbican exhibition Radical Nature – Art and Architecture for a Changing Planet 1969–2009.

The genius behind the genius of biomimicry is Janine Benyus – she is an Ada Lovelace for the 21st century. If you want to see a short introduction to Benyus’s work, her latest TED talk is now online.

Go to RSA Arts & Ecology

A different vision of the immigrant

BERNABE MENDEZ from the State of Guerrero works as a professional window cleaner in New York. He sends 500 dollars a month.

In an age in which immigration pressure increases, Dulce Pinzón’s exhibition Superheroes, currently at Instituto Cervantes, New York, looks into the co-dependency between states that export immigrants and those that import them.

Go to RSA Arts & Ecology

Sequelism Pt 3: the installation underway

Sequelism Pt 3: Possible, Probable or Preferable Futures opens this weekend at the Arnolfini in Bristol featuring work by  Heman Chong, Haegue Mariana Castillo Deball, Graham Gussin, Victor Man, Francesc Ruiz, Jordan Wolfson and Haegue Yang, with events by Neil Cummings & Marysia Lewandowska, Roy Ascott and Will Holder

Via Latitudes blog, here are images of the installation in progress:


Information on the exhibition, opening July 18.


Go to RSA Arts & Ecology

Radical Nature Comes to the Art Gallery : TreeHugger

Radical Nature, Art and Architecture for a Changing Planet is an exhibition that examines how nature has inspired artists and architects. The show takes a historical look at strange and experimental buildings since the 60s that have changed the way we see the world.

via Radical Nature Comes to the Art Gallery : TreeHugger.

Natural Balance

For the past few months I’ve been working with our friends Lluis and Yolanda from Hibrids, on an exhibition called Natural Balance : Art & Ecology (TEMPORARY OUTDOOR SITE-SPECIFIC INSTALLATIONS IN GIRONA, BARCELONA, SPAIN. May 9-17, 2009). It’s part of a big flower festival and includes soem great work by Harmen de Hoop (Holland), Samantha Clark (United Kingdom), Lucrecia Troncoso & Karrie Hovey (Argentina and United States), Terry Berlier (United States), Jeanette Ramírez (Venezuela) and Isidro López Aparicio (Spain). Yeah, this is a plug for the event (which I unfortunately can’t be there for) and I really hope people can get to see it while it’s up! The big challenge for these international ephemeral art events is how to reshape them so they have a powerful positive impact and not just consume resources and jet fuel. (Check out Samantha Clark’s great project as a fun solution to this.) I’d love to see more innovative re-purposing of these traditional art events. How can we better use this infrastructure to make something really different and useful happen? More of a Natural Cultural (Re)Balance…

Go to the Green Museum