Film Screening

USA: Paradigm Shift Festival explores opportunities for action

This post comes to you from Culture|Futures

From 26 February to 9 March 2014, the Paradigm Shift Festival in New York will be focusing on environmental films and new music, indigenous cultures and Western science.

aluna

“For people in today’s world who are deeply and passionately concerned about the urgent needs of our planet, the festival discussions after each screening explore opportunities for action to save Mother Earth,” writes the organisers, EEF and Encompass New Opera Theatre.

Below is a trailer for one of the films, ‘Aluna’, which will be shown in the festival on 8 March. The screening will be the United States premiere of the film.

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Programme
26 February: Opening Celebration:
Native American drumming, Once Beauty, previews of film, reception

Thursday 27 February at 7 PM: Heart of the World

Friday 28 February at 7 PM: Peaceable Kingdom

Saturday 1 March at 7 PM: Bidder 70

Sunday 2 March at 3 PM: Plastic Family Matinee

Wednesday 5 March at 7 PM: Taking Root: The Vision of Wangari Maathai

Thursday 6 March at 7 PM: The City Dark

Friday 7 March at 7 PM: Shellshocked: Saving Oysters to Save Ourselves

Saturday 8 March at 7 PM: Aluna (USA premiere)

Sunday 9 March at 3 PM: Felt, Feelings and Dreams

Music and a post-show with speakers is paired with each film.

» Read more on www.environmentaleducationfund.org

» Music, film screening and discussion: The Heart of the World

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Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.

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Water, Water Everywhere

This post comes to you from Cultura21

Film still from Shifting directed by Michael Varisco

The Museums of Los Gatos hosts a Film screening of select films from the traveling media exhibition: “Water, Water Everywhere: Paean to a Vanishing Resource“, curated by Jennifer Heath.

Thursday, September 27, 7-9pm

Location: The Art Museum | 4 Tait Avenue

All other films from Water, Water Everywhere will  be exhibited in conjunction with the current exhibition Shaped by Water: Past, Present and Future at the History Museum of Los Gatos from August 1-December 30, 2012. Visitors will have to opportunity to view films not featured in the screening throughout the duration of Shaped by Water.  These films will be  juxtaposed with historic film footage of Santa Clara Valley waterways.

Media Exhibition Description:

Water is the world’s most crucial commodity and the basis for all earthly life. Its preservation and protection may be our greatest environmental challenge.

WATER, WATER EVERYWHERE is comprised of 30-second to 30-minute videos from 40 artists worldwide exploring water issues from the political to the personal and from ethics to aesthetics, with works that are documentary, experimental, educational, humorous, solemn, animated or acted. WATER, WATER EVERYWHERE is designed to be a platform for discussion and action to bring to light the world water crisis and the sanctity of water and its sources.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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2ND KUMASI BIENNIAL SYMPOSIUM: COMMUNITY ARTS IN FOCUS

Date: July 16 -August 6, 2011 Venue: Kumasi and the Nearby Village of Abetenim in Ashanti Region of Ghana

The problem the symposium addresses is the widening gap between contemporary African artist and the community in changing times. There is an obvious social disconnection; yet, the fine arts and craft are viewed the same by the general public, including deep in the village. How can we meaningfully engage the rural sub-Saharan population in the contemporary artistic process? How can we broaden the scope of the Curio Kiosks project of the first Kumasi Symposium that was a successful attempt to bring international contemporary art to the general public who might not normally come to art galleries and museums?

In light of these questions and social concerns, the 3-week event will focus on community arts practice, as a response to the growing problem. We define community arts, also known as “participatory arts” or “community-based arts,” as the world of artistic processes and forms made by, with, or for a community setting that may emphasize community involvement and collaboration. Most often, it involves engagement with the issues and practices for communal bonds and empowerment for grassroots social change. We will use Kumasi City-Abetenim rural sites such as market places, local schools, village centers, and others as laboratories for workshops, artistic interventions, site-specific installations, lectures and other community-based approaches from around the world.

Thus, we invite individual or group submissions for community theatre, media arts, readings, film screening, slide shows, open studios, visual activism, musical performances, community design, social architecture and others to allow the rural community to become acquainted with international contemporary artistic practice. We aim that the participants will be inspired by one another’s work.

Registration for the 3-week event will be $520 / €395 / £328 in Ghana or equivalent in local currency; and early registration is $466 / €350 / £305 (till April 17, 2011). Participants are responsible for the costs of travel and materials; and we will provide you with a letter of candidature for your sponsor. Hotel accommodation or homestay for cultural immersion can be arranged within your budget. Dinner will be by cooperative kitchen in which we all work together in sharing the planning, cost, shopping and cooking; the estimate is $7-9/day. It has been more of a dinner party, a time to come together to sample national cuisines, have fun at the table and bond as a community. The symposium opens with a 2-day seminar. It will close with a Community ArtsFest, which will involve two days of exhibitions and screenings of project results along with food and performances by indigenous music and dance troupes from surrounding villages. Prizes to the winners of the “GHANA: 2011 OPEN ARchiTecture CHALLENGE” (International art+architecture Design Competition) will be awarded at the closing banquette.

Grand Prize Winning Entry

(Design Team: Mitsuru Hamada, Architect, Tokyo, Japan)

Second Prize Winning Entry

(Design Team: Giuseppe Calabrese, Architect, Sydney, Australia)

Third Prize Winning Entry

(Design Team: Claire Taggart, Architect, London, UK)

Interested individuals and collaborative groups should apply by submitting the abstract of your paper (200 words maximum) for the seminar or project proposal in English with a brief biography (200 words maximum) of the presenter to info@nkafoundation.org. The submitter should include title of the contribution and author(s) information such as name, affiliation, address, phone contact, and e-mail. Upon acceptance, author(s) can decide to publish the full text or only the abstract in symposium proceedings. The deadline for the full text submission is July 1. If submitting full paper (6,000 words maximum in APA format) e-mail it to info@nkafoundation.org and/or nkaprojects@gmx.com. For additional information go to www.nkafoundation.org

(Press Version)

2ND KUMASI BIENNIAL SYMPOSIUM: COMMUNITY ARTS IN FOCUS

Date: July 16 -August 6, 2011 Venue: Kumasi and the Nearby Village of Abetenim in Ashanti Region of Ghana

The 3-week event will focus on community arts practice, as a response to the growing problem of widening gap between contemporary African artist and the rural community. We will use Kumasi City-Abetenim rural sites such as market places, local schools, village centers, and others as laboratories for workshops, artistic interventions, site-specific installations, lectures and other community-based approaches from around the world. Thus, we invite individual or group submissions for community theatre, media arts, readings, film screening, slide shows, open studios, visual activism, musical performances, community design, social architecture and others to allow the rural community to become acquainted with international contemporary artistic practice. Project is open to only serious applicants. For additional information or registration e-mail to info@nkafoundation.org and/or nkaprojects@gmx.com. Project web site is www.nkafoundation.org.

 

KUMASI CURIO KIOSKS II

(Arts+ Architecture Social Experiment)

Kumasi Curio Kiosks II is a part of the 2nd Kumasi Biennial Symposium that will run from July 16 – August 6, 2011, as a response to the growing problem of widening gap between contemporary arts practitioners and the broader public across the sub-Sahara. As arts+ architecture social experiment, project is to bring together arts specialists, architects, and social interest groups from diverse parts of the world in a transnational platform to trade in cultural capital with the local public who might not normally come to art galleries and museums.

In the project, we will use Kumasi City-Abetenim rural spaces such as market places, local schools, and village centers, as empirical sites for curio kiosk workshops, artistic interventions, site-specific lectures and other community-based approaches from around the world. Each participant or collaborating team will created own curio kiosk; the size/design is open to the subject-specific needs and site-specific necessities. We use the term “curio kiosk” in anticipation that the outward design or content will invoke curiosity and bear special attraction to the public.

Thus, we invite individual or group submissions for community theatre, media arts, readings, film screening, slide shows, open studios, visual activism, musical performances, community design, social architecture and others to allow the rural community to become acquainted with international contemporary artistic practice. Project is open to only serious applicants; submissions will be reviewed until July 8, 2011. Submit your curio kiosk proposal (sketches/description) to info@nkafoundation.org and/or nkaprojects@gmx.com. Project web site is www.nkafoundation.org. And we seek as we go, nominations for the Project Curator and an expert in filmmaking/media arts, to do the DVD and create the e-publication.

Photos from the 2009 Kumasi Curio Kiosks

Slipper Kiosk Project by Patrick Tagoe-Turkson, Ghana

Portrait Shop by Brigitte Mulders, The Netherlands (portrait painter)

For additional information on the 2009 Kumasi Curio Kiosks, see:

(1) http://www.artinprocess.com/Kiosks this is a 05:56 minute video on Curio Kiosks Project.

(2) Photo Documentary, 500 photos on Flickers: http://www.flickr.com/photos/artinprocess/sets/72157621992680241/ and

(3) http://www.wandsbektransformance.de/news.html to download the Artists’ Catalogue.

Spaghetti Junctions: Christina Hemauer and Roman Keller

Saturday 16 April to Sunday 29 May 2011

Opening: Friday 15 April, 6.30 – 8.30 pm
Film screening and Q&A with the artists: Saturday 16 April 2.30 pm

Cubitt Gallery presents the first UK solo exhibition by Swiss artists Christina Hemauer and Roman Keller. Through video, sculptural-recreation, text and archive material the artists explore two short-lived experiments with solar energy, both marking points of change or crisis in the history of oil consumption.

Sun of 1913 (2009) looks back to the first commercial-scale solar power plant, built in 1913, in Egypt under British mandate, by American engineer Frank Shuman. For a short period solar was the most economical form of power generation, cheaper than shipping coal from Britain. However, the plant ceased operation after one year, when at the onset of World War 1 the British Government began mass-scale crude oil production in Iran, precipitating a widespread turn to oil. The fate of Shuman’s solar plant is told through a narrative written with Egyptian writer Wageh George. A video projection shows two segments of the plant being reconstructed in Cairo by the artists and craftsmen.

A Curiosity, a Museum Piece and an Example of a Road not Taken (2006-2007) investigates former American president Jimmy Carter’s pioneering but ultimately futile energy programme. It culminated in his symbolic solar installation on the White House roof during the 1979 energy crisis, which was removed by the Ronald Regan administration. At Cubitt, Hemauer and Keller focus on the solar installation at the point of greatest potential: its design, construction and ceremonial launch. Archive contact sheets show the panels being installed. Carter’s speech inaugurating them – calling America to break its addiction to imported oil – can be read from a sculptural recreation of a presidential lectern.

Using re-creation and re-enactment to revitalise the optimism of these pioneering projects, Hemauer and Keller also highlight the time that has since lapsed; that these were “roads not taken”. They revisit episodes in the history of oil and solar energy to ask questions about the present energy situation: increased dependence on, and continued conflict over, fossil fuels. Since 2003 the focus of their research-based practice has been the concept of energy as a defining force of modern society, including works and performances that herald the post-petroleum age and map the relationship between the history of energy and modern art.

Christina Hemauer (born 1973 Zurich, Switzerland) and Roman Keller (born 1969 Liestal, Switzerland) live in Zurich, Switzerland. Recent exhibitions include United Alternative Energies, Centre for Contemporary Art, Aarhus, Denmark, curated by Latitudes (2011) and the 11th Cairo International Biennale, Cairo (2009).

Spaghetti Junctions is generously supported by the Arts Council England, Outset Contemporary Art Fund, Pro Helvetia, Solar UK, The Zabludowicz Collection and Matt’s Gallery.
Film screening with artists Q&A – Saturday 16 April, 2.30 pm
A Road Not Taken (2010), 66 mins

This will be the UK premier of Hemauer and Keller’s documentary road trip film A Road Not Taken (2010). The film is structured around the conceptual act of finding and donating two of Carter’s solar panels to American history museums as the “museum pieces” he warned they might become. Through interviews (including with Carter) and archive footage the film investigates Carter’s energy programme in the context of his foreign policy on Iran during the 1979 oil crisis.

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Judith Carlton

Manager

Curators’ Choice print portfolio 2010

For images or to arrange a viewing, please follow this link: http://cubittartists.org.uk/

 

CUBITT

Gallery and Studios

8 Angel Mews

London N1 9HH

T +44 (0)20 7278 8226

W http://cubittartists.org.uk

Open Wednesday-Sunday 12-6pm

Registered Charity No. 1049653

Arcola’s 10:10:10 Success!

Just yesterday was Arcola’s biggest Green Sunday yet and what a wonderful day it was to host it!  The event was in celebration of the 10:10 campaign A Global Day of Doing and we had plenty of food, free workshops, performances, and people.  Throughout the day we had approximately 400 people attend and participate.  The workshops varied from planting seeds in newspaper pots, creating crafty draught excluders, learning how to be sustainable at home, a free bike maintenance check, and swapping plenty of items like furniture, books, and electronic goods.  These workshops served as a great example as people were able to see the big picture of reduce, reuse, and recycle in its practicality.  We got our message across well with an enthused crowd after our film screening of “No Impact Man” and other performances by various artists throughout the evening at ColourWorks.  Thank you to all of those who attended and we hope you were inspired by the whole event and continue to show your future support and live sustainably.

Check out a blog post made on the 10:10 website about our event! Click here.

Go to Arcola Energy