This post comes to you from EcoArtScotland
The minor earthquake in Cumbria last week brought fracking to the UK headlines.
Fracking is a technology for extracting gas from unconventional geological formations. Very topical in the North Eastern US where there hasn’t been a huge oil industry, but where now fracking is being considered as a means to extract gas. The problem is that the chemical cocktail which is forced down the wells can affect whole watersheds, polluting the watertable and poisoning the land.
Josh Fox’s film Gasland has received extensive media attention, revealing some of the unintended consequences of fracking
SEA (Social Environmental Aesthetics)’s project Fracking: Art and Activism Against the Drill, at Exit Art Gallery, New York City, December 7, 2010 – February 5, 2011.
But extracting oil from Shale has a long history in Scotland – the area around Broxburn in West Lothian has a number of bings which are the result of the 19th Century shale mining industry – different process, but no less environmentally damaging.
PS. John Latham redefined these, the Niddrie Woman and the Niddrie Heart, along with the Five Sisters, as artworks and historical monuments, during his APG Feasibility Study at the Scottish Office in 1979-80.
ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
