Geology

New metaphors for sustainability: a stranger’s compass

This post comes to you from Ashden Directory

Our co-editor Wallace Heim continues our series of new metaphors for sustainability with a guidance system that changes hands. 

Walking an unfamiliar Cumbrian fell with a compass, often without a map, links me to the land in a special way. The invisible, magnetic north that spins into place on the device is often perplexing and counter-intuitive. However reassuring it is to know there are vast forces of geology beyond any I can see, forces that co-ordinate my safe passage, I still have to negotiate the land right in front of me: that granite face, that swamped mire, that fast river. There is no picture in which to find myself, only wit, the land and the pull of a distant polar force.

A few times, I’ve come across a dropped compass. There’s a moment when clearing the mud from its face when I wonder whether it was left behind because it was broken, or not believed. Is the north that was found in a stranger’s hand the same as in mine?

I don’t think sustainability can be likened directly to a compass, as if there was a pole of certainty to it. There are orientations that guide, but they fluctuate with a landscape that is continually shifting. The incremental decisions made in response to immediate conditions themselves change the situation, alter what is possible to do. I see sustainability as a response to change, one that keeps alive the capacity to respond to further change. What kind of compass would show this light-footed improvisation that makes sure those in the future can navigate their own way?

Walking with a stranger’s compass comes closer as a metaphor. The compass is given, handed over, and it connects me to those I will never know, while helping me cross the land that I am in. The instruction is not reliable; maybe not safe. Or maybe it is, and the coordinates are sharper than on my own compass, signalling a clearer route. Is it pulling me in a direction I couldn’t have imagined? This uncertain magnetism invigorates the walk. One day, I’ll leave my compass behind.

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ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

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Hot Times at the Silver Bullet

With graduation over, work on the Trailer Trash restoration has heated up.  The 1951 Spartan Royal Mansion left it’s CalArts home on June 15 and was towed 10 miles to a canyon on the the outskirts of Santa Clarita, where lizards and coyote are almost as plentiful as motorcyclists roaring up the road to the Angeles National Forest.

Sam’s cousin, Sasuke Breen, came from Japan to help out.  A recent graduate in geology from Kyoto University,  he spent a month helping Sam get ready to install the walls and ceiling.  He crafted and installed wooden strips to reinforce the studs on the walls and ceiling.   Then he made cardboard templates for the walls and ceiling – not as easy as it looks. The job requires lots of measuring and patience.  It’s hard to imagine how the job would have gotten done would have gotten done without Sasuke’s help. 

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

APInews: Artists, Scientists Meet in Monson Project

Artists and scientists will explore “Moving Perspectives – approaches to understanding water through geology, environment, art and society” at the Urbana Free Library in Illinois, October 13, 2009. The panel discussion includes George Roadcap, Illinois Water Survey; Cecily Smith, Prairie Rivers Network; Brett Bloom, artist and activist; Brigit Kelly, poet; choreographer Jennifer Monson; and moderator Michael Scoville, an environmental philosopher. The talk is part of Monsons Mahomet Aquifer Project, a series of public dance performances, workshops and a mobile gallery, October 10-18, to inform and engage the communities in East Central Illinois dependent on the aquifer and draw the audience into their own understanding of their relationship to water. Monson intends the iLAND project to “draw connections between our scientific and political relationships to natural resources and the cultural frameworks that shape our perception and relationship to these resources.”

via APInews: Artists, Scientists Meet in Monson Project .