Call for participation
Nations in the Age of Global Economic Meltdown
International Seminar/Workshop for Contemporary Art Professionals:
November 10 – 11 2009
Muzeum Sztuki
Lódz
Poland
Guest speakers: Marina Grzinic and Jens Haaning.
Muzeum Sztuki in Lódz, in collaboration with Public Preparation, an
international platform for knowledge-production and networking, is calling for applications to participate in a two-day seminar/workshop dedicated to the critical exploration of interconnections between nationalist ideology and the capitalist economic system.
Amongst other groups, the contemporary art community is witnessing growing tendencies toward nationalism, which in the most radical cases take the form of violent intolerance, racism and xenophobia. With the very recent appearance of the global financial crises, protectionist policies have emerged, re-gained in popularity and started to play a central role in the emergency plans for economies directed by national governments. Capitalism forms a fundamental part of modern economies and, having developed hand in hand with modern nation state apparatuses, recent changes in the global economy and the revival of nationalism force us to recognise, discuss and examine, the changes in relations between these two super-forces which drive the world. In focusing on the symbiotic link between nationalist ideology and the neoliberal capitalist order, we would like to invite art professionals, especially curators, theoreticians and artists, who have been dealing with this issue and related topics in their prior practice to participate, to share their knowledge, experience and ideas during “Nations in the Age of Global Economic Meltdown”.
The questions that might be addressed during the two-day seminar/workshop could be articulated as follows: How are national values and traditions used as an excuse for economic activities and corporate politics? How is capital used as a tool of power to fulfill nationalist-imperialist policies in particular regions? How might the return to protectionist politics influence nationalist movements in contemporary Europe during this crises of global capitalism? How do they deal with migration and transnational identity? Why do nation-states behave like companies and companies act like nation-states? What is behind states branding themselves and using marketing tools and companies becoming multinational empires with their own rules and regulations? How is art and culture instrumentalised for the sake of strengthening national identity and promoting the nation?
The seminar/workshop consists of a seminar and a screening open to the public plus discussion on November 10, 2009 continuing with closed workshops on November 11, 2009. The workshops will be held by Marina Grzinic and Jens Haaning.
We greatly regret that Muzeum Sztuki and the Public Preparation teams cannot provide accommodation and travel grants, but we are able to provide supporting letters for funding organisations and assist with individual fund-raising. And of course we are happy to advise on budgeting options such as good value accommodation.
The seminar language will be English.
If you are interested in taking part in the workshop/seminar, please email:opencall@publicpreparation.org
The deadline for the application is 1 October 2009.
For further information, please, contact the Public Preparation team viarael@publicpreparation.org
About the Public Preparation platform:
“Nations in the Age of Global Economic Meltdown” will take place within the framework of Public Preparation events. Public Preparation is an international platform for knowledge- production and networking. First and foremost it is a space for international collaboration focusing on the current practices of critical thinking and production in the field of contemporary art. The main agenda of Public Preparation is to concentrate on questions linked to the concept of an artist as a citizen. Contemporary art is a crucial part of the public realm, exhibition spaces are places for open discussion and artists have the power and responsibility to be actively engaged in the process of examining, imagining and changing social reality. The current phase of Public Preparation activities deals critically with the growing tendencies of nationalism in contemporary Europe, aiming to envision alternative ways to think about the global community. More information about Public Preparation project can be found at www.publicpreparation.org
Global Economy
Which -cene Are We In?
Are we heading into an era of a homogonized plant and animal communities, brought on by our global economy that moves everything around, whether it is goods, animals or bacteria and fungus?
In an article titled The Sixth Extinction in the May 25, 2009 issue of The New Yorker, Elizabeth Kolbert writes about the mysterious disappearance of tree frogs from Panama and Costa Rica, which scientists now believe is caused by a fungus that we’ve unknowingly helped jump continents. In the article, I was struck by a term used to refer to the epoch we live in: the homogenocene.
Last year, I made a post about the anthropocene or geological epoch defined by humans. The homogenocene is also all about us and refers to the declining biodiversity and diminishing ecosystems left in the wake of human development. When talking about the natural world, what’s important is to realize that every living thing on earth will have to go through the bottleneck of human development. The assumption now is that many species will die out, leaving us with a diminished natural world David Quamman has called the Planet of the Weeds.
{New York Weed (Longspine sandbur), ink on paper, 30 x 22 inches, 2005 by Katie Holten.}
Whatever we call it (my vote is for homogenocene, although it seems that both terms have an extra syllable that makes it hard to pronounce) this is a topic artists have been working with recently, such as the Katie Holten drawing above.
What role can artists take as scientists report on this undergoing mass extinction? One route might be helping understand how to live in this increasingly homogenized natural world, or how to begin carving out localized economies and ways of living. Or making sense of and helping communicate about what is lost.
I have to be honest though, reading about mass extinction makes me feel that almost all artistic effort and work is futile in the face of these global problems. Humans are already the ultimate weed and the planet is simply becoming one giant self-portrait. And rather then tending it like a scruffy garden or arboretum, I’m afraid we might end up with one big lawn.