Green Roofs

NYC Benefit Supports Green Roofs

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Reprinted from NewsBlaze: “Raising the Roof with ‘Green’ Entertainment to Benefit the Environment” by Rajdeep K. Bhathal, November 3, 2009

Manhattan’s Theater for the New City will present “Raising the Roof” November 9, 2009 at 7 PM to benefit its green roof garden project. The event will feature actress and singer Tammy Grimes singing “It’s Not Easy Being Green”; actress Betsy von Furstenberg with a “green” reading; singer Judy Gorman with her repertoire of songs about peace and justice; post-vaudevillian (and author of NYC Fringe hit “Willy Nilly”) Trav S. D. performing songs from his show “Kitsch,” or “Two for the Price of One” which is upcoming at TNC; Richmond Shepard and Alex Simmons in a new play, “Luncheon or Two Men, a Park & Pigeons” by Paulanne Simmons; a concert reading of “Long time Passing,” a fable set in the ruins of a war-torn Central Park by award-winning playwright Barbara Kahn; environmentally friendly and funny songs by Lissa Moira and Richard West; and much more.

Betsy von Furstenberg, a longtime Theater for the New City friend, says, “I cannot speak highly enough of Crystal Field and TNC. She has achieved the unachievable every year.” “What makes you think that will work?” a board member once asked about an unlikely goal.” “Because I’m doing it,” she answered with such conviction there was no room for doubt. “And the theater’s green roof (the first in New York City!) will eventually blossom no matter what the hurdles TNC has to overcome. I’ll bet my life on it.”

Green roofs, building roofs that are covered with soil and vegetation, grant many benefits for urban environments: they absorb rainwater, provide insulation, combat pollution and offer a habitat for birds. Crystal Field, who initiated the project, hopes Theater for the New City’s green roof will be a beacon for the entire city. “We will be the first theater in New York City to have a green roof,” she says. “It will help our neighborhood. It will help the air quality on our block. There should be a green roof on every flat roof in New York City. Then we will have a green grid.”

“Raising the Roof” will take place at Theater for the New City, located at 155 First Avenue, between Ninth and Tenth Streets, in Manhattan. Tickets to the event are $10 and are availible online at www.theaterforthenewcity.net or through the box office phone at (212) 254-1109.

Go to the Green Theater Initiative

Brent Bucknum of Hyphae Design: a profile.

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We don’t have time to do environmental at that’s not functional.

– Brent Bucknum



In working on a Climate Clock for the San Jose Initiative, designer Brent Bucknam would often get into theoretical debates about the nature of art. His project partner, Brian Howe of greenmeme, would quote Picasso: Art is the lie that reveals the truth. Brent’s response was the quote above.

It’s one of the central questions of the environmental art movement, and one that is integral to Brent’s work with Hyphae Design Laboratory, a company he founded.

How can art save the world?

Artists on greenmuseum.org and elsewhere  are blurring cultural boundaries between art and science, science and activism, volunteerism and performance. Traditional forms hold fast, but functionality remains central to Hyphae’s work. Function: defined by this designer as “interpreting and conveying ecological information or serving otherwise as an ecological tool or system.” Hyphae is currently working on a project in West Oakland, a plan to line the 580 highway on either side with towering stands of bamboo, natural air and particulate filters. On a greenmuseum.org-sponsored panel at the recent Earth Matters on Stage Symposium, he presented a number of other exciting projects, from green roofs to living walls.

The 28-year old designer went to a farming high school. He worked for bioremediation and green roof companies before joining Rana Creek, with which he worked on the California Academy of Sciences’ living roof. He became that company’s first Director of Design before moving on to create Hyphae.  He sees his new company as a catchall, providing services from ecological design and research to consulting for artists interested in environmental projects.

That last aspect is the result of Bucknum’s own experiences making environmental art: he’d like to see artwork that ’s better informed by ecology, not, as he puts it, the “horti-torture” that creates living systems barely able to survive the duration of an exhibition. He’d like the art to be the change it would like to see in the world: smart, sustainable, and thriving.

Go to the Green Museum