Green Technology

Campus Party

This post comes to you from Engage by Design

Campus Party is the largest Internet event in the world, with several different ‘parties’ being held all over the globe. For seven days they open their doors to thousands of people all working in the digital sector. Campus party believe that the human factor is at the heart of the festival and run by the slogan ‘The Internet is not a network of computers, it’s a network of PEOPLE’.

The event has evolved into a 7-day, 24-hour festival connecting online communities, gamers, programmers, bloggers, governments, universities and students and has a broad focus, covering technology innovation and electronic entertainment, with an emphasis on free software, programming, astronomy, social media, gaming, green technology, robotics, security networks and computer modeling.Their stated goal is to bring together the best talent in areas regarding technology and Internet to share experiences and innovate for a “better tomorrow”#.

In collaboration with ‘Apolorama a popular online cultural magazine, and Sari Dennise  the volunteer coordinator of Campus Party Mexico, we were invited to hold a 30 minute video call workshop from the UK with the Campus Party Mexico in Mexico City.

Using one of our values; innovation, as a tool for social change as the basis for the workshop, we asked ‘what is innovation?’. We outlined the Kaleidoscope project and then introduced the concept of innovation* as we see it. For the most of the developers, gamers and participants once we asked the question ‘what is innovation? the response was associated to words like new and the development of technology.

As the workshop was held online we had support in Mexico from the Apolorama team. We presented a slide show which shares the main following ideas;

  1. Explore the perception of Innovations under The Kaleidoscope Project scope.
  2. The kaleidoscope Project diagram.
  3. Intervention and innovation as a social revulsive.
  4. Examples of innovation? from iPhone 1, 5, GMC (genetic modified crops), hummer limousine, chocolate 3d printer, COMA Torolab, Clorus bulbs and mobile apps.
  5. Our understanding of innovation.
  6. The process to be innovative, beta stage as trigger for action and development.

The feedback was really positive from the participants. The Q&A at the end of the workshop shows their attitude and awarenes to develop meaningful innovations with a different paradigm.

 

Engage by Design is a social enterprise developed through the final Master research of Rodrigo Bautista and Zoe Olivia John in sustainability and design. As a consultancy they specialize in strategic interventions that aim to support the transformation of your product or service into a more sustainable one.

Engage by Design’s research arm intends to act as a platform which enables dialogues and actions between a diverse range of disciplines around sustainability and design.

Rodrigo Bautista – Rodrigo is an Industrial Designer and has worked in many different industries including media, products, services and telecommunications. Today his work focuses on strategic interventions and tools to apply sustainability and design instruments within a company.

Zoë Olivia John – Zoë’s background in Fashion & Textiles has lead her into the research and development of better ways to integrate learning about sustainability for Higher Education students and tutors, particularly within the F&T programme. She is interested in finding new ways to readdress our value structure from one of linear economic quantity to one of circular quality.

Go to Engage by Design

Public Art + Green Technology: Perspective from an Urban Sustainability Graduate Student

This post comes to you from Green Public Art

Green Public Art’s Intern, Jessica Kimmel is our guest blogger for this post. Below are her thoughts on art and green technology.

As an intern for Green Public Art, I have been in the process of researching new materials for artists to make their works be more environmentally responsible.

Art can act as a function for people’s imagination. It’s difficult to envision what the future could or will look like. As a society, we are currently thrusting our environmental missteps into the limelight everyday and immediate recovery does not seem imminent; but art has the potential to positively inspire people without the discouraging and overwhelming undertones.  All progressive green inspired projects take on an artistic form in one way or another.  Organic light emitting devices, a new emerging technology,  have been an exciting topic for researchers; offering new advances for displays and screen. OLEDs are composed of organic materials [made from a variety of phosphorescent elements including iridium, platinum, and iron] in pressed in layers. With a connection to an electrical source the OLED produces a light energy. See how OLEDs work.

The benefits of OLEDs is a brighter, crisper, display on a more durable and lighter electronic devices that consumes less power so batteries last longer and your energy bill gets lower. It also has a thinner and more flexible quality so it can be more purposeful. OLEDS potentially could be the future of all displays, screens, and much more, however there are difficulties. These devices do not handle water very well and as these are still a new technology, the costs of production are expensive.

There are many different types each with a different purpose: passive-matrix [better for small screens such as cell phones and MP3 players], active-matrix [best for large screen televisions, computer monitors and even billboards], transparent [allows light to pass through both directions even when on], top-emitting [can be reflective or opaque and also used in large displays], foldable [durability and flexibility makes this great in cell phones], and white OLEDs [with better colors and a brighter projection]. There are color options in OLED lighting as well; the color of the light emitted is determined by the components in the different layers.

Here are a few examples of how (OLED) can inspire people in different communities. When this light and display technology is made affordable and efficiently it could potentially replace all other forms of light because of it being brighter and utilizing less materials allowing it to be smaller and eventually cheaper for all forms of light: televisions, billboards, signs, electronic communications, cell phones, computers, appliances, and light bulbs. Because OLEDs can be made in large sheets, they can replace fluorescent lights that are currently used in homes and buildings and their use could potentially reduce energy costs for lighting.

Artists whom are making the strides to be more environmentally friendly could incorporate OLEDs in many different types of work: installations, sculptures, murals, photography, earthworks, video, graphic, and standardized fixtures including street lights, gates, and benches.

An OLED can be integrated as a direct component of a piece and it can also be used in the presentation of the artworks.  These devices can be artistically utilized to illuminate public spaces including parks and walkways, outdoor works of art, and also as the light source in an art piece.  By using solar power to charge and power the OLEDs, the environmental impact is minimal. Because this medium is flexible and be malleable it can be constructed in many forms, leaving many opportunities open to harness this new technology. Below you see some pieces that have encompassed the use of light and/ or digital media as a significant role.

Jason Bruges "Mimosa"

Both, Jason Bruges “Mimosa” and “You Fade to Art” by rAndom International have employed OLEDs for Philips Lumiblade.

Bruges is internationally renowned for his work with green technology. Mimosa, commissioned for Milan in 2010, is an interactive artwork displaying behavior that mimics responsive plant systems.The piece was inspired by the Mimosa family of plants, which change kinetically to suit their environmental conditions. The studio has used the slim form of individual OLEDs to create delicate “light petals”, forming flowers, which open and close in response to visitors.

rAndom International "You Fade to Art"

rAndom International’s projects emphasize the interaction between the audience and the inanimate object. In their work “You Fade to Art” the team designed a large wall of multiple mirrors to interactively follow the viewer’s body movements with light. The work was exhibited at the International Design Museum, Munich in 2010.

The works of Jason Krugman embody the use of light and sometimes video and I think that his work ultimately could use OLEDs, making his illuminated figurative sculptures brighter, malleable, and even interactive with the public.

And, think of Chicago’s Millennium Park where artist Jaume Plensa created a gorgeous glass block tower titled “The Crown Fountain” with flowing water, fountains, and flickering images of a thousand Chicago natives. Now imagine that same project replacing the glass and projection machines with OLEDs and solar energy – not only is the image brighter but it is more crisp and now energy efficient.

Organic Light Emitting Devices used in public art pieces could make art more educational, interactive, and astonishing. They should be considered in the future of artistic expression.

About the blogger: Jessica Kimmel is a master’s degree student in Urban Sustainability at Antioch University Los Angeles. Through her internship at Green Public Art Consultancy and ecoartspace, Jessica’s hope is to encourage environmental discourse in the local community and solidify artists as relevant stakeholders in the green movement.

 

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
Go to Green Public Art

Sharing Picnic 100

Arnold Circus, Boundary Estate, Tower Hamlets, E2
Sunday 18th July, 1pm-5pm, 2010. Cycle ride and alternative vehicle parade at 4pm.

Join in and celebrate the renovation and centenary of Arnold Circus, at the heart of the world’s first social housing scheme, with a grand community picnic, artist’s fair, music on the bandstand and 100 laps cycle ride & alternative vehicle parade.

Bring your own picnic and a bicycle for the 100 laps cycle challenge!

The Sharing Picnic 100 is a broad-based collaborative event produced by home live art in partnership withThe Friends of Arnold Circus – over 50 local artists from Shoreditch’s artist community join with local groups, schools, volunteers and neighbourhood businesses to invite people to share in a vibrant community event around food and friendliness: a sumptuous picnic with cooking demonstrations, artists’ food projects and the sharing table, an artists’ fair with participatory activities, installations and games and bandstand programme with brass bands, beat boxing, female rappers and more. The final challenge to cycle 100 times around the Circus will feature an extraordinary alternative vehicle parade by artists Francis Thorburn & Richard Elliott.

Participatory projects leading up to the event include the production of a beautiful community Cook Book, an Arnold Circus newspaper by Adam Dant with the help of local volunteers and a Kitchen Orchestra created in collaboration with Spitalfields Music by local elders and school children.

Participants: Abake, Aesop, Adam Dant, Alex Bettler, Alex Rich & Momoko Mizutani, Alix McAlister, Ben Freeman & Ditto Press, Bethnal Green Technology College, Bob & Roberta Smith, Brassroots, Cathy Wren, Clare Patey, Columbia Primary School, Cowling & Wilcox, Foodcycle, Francis Thorburn & Richard Elliott, The Gentle Author, Jerome Rigaud Electronest, Jonathan Polkest, Julia, Juliana Ong, La Grotta Ices, London Fire Brigade, Markus & Karin Bergstrom, Mary Spyrou, Matzos, Mc Paul L Martin, Miche Fabre Lewin, Nathan ‘Flutebox’ Lee & The Clinic, Nazareno Crea, North Brick Lane RA, Poetic Pilgrimage, Rochelle School, Rock A Hula! Romana Sharmin, Search Party, Society of Wonders, Sophie Herxheimer, Spitalfields Music, St Hilda’s Community Centre, St-Pierre & Miquelon, Swing Zazou, Tatty Divine, Thinkpublic, Tim Mitchell, Virginia Primary School, Winkball, Yuri Suzuki.

Supported by: A Foundation, The Albion, Arnold & Henderson, The Arts Council of England, Awards for All, The Big Lunch, Bishopsgate Foundation, Calvert22, Canary Wharf Group, Cowling & Wilcox, Create 10, Foodcycle, Friends of Arnold Circus, Garfield Weston, The Heritage Lottery Fund, Home live art, Joule, The Live Art Development Agency, London Borough of Tower Hamlets Arts & Events, Spitalfields Music, St Katherine & Shadwell Trust.

Friends of Arnold Circus
Download Press Release

Project GREENLIT in Denver Magazine

Originally intended as a 15-minute DVD extra, Greenlit became an insightful 50-minute movie about the challenges of environmentalism, both in the film community, and the world at large. It even had a green score — Bailey enlisted composer Craig Richey to make instruments out of recycled water bottles and egg cartons. “I ended up learning so much that I had to let other filmmakers know how much we were wasting,” says Bailey, whose composting and waste management efforts were boosted by coproducer Lauren Selman, who heads up an environmental consulting firm called Reel Green Media. “We shot in a rural part of Oregon where there was no access to green technology, so we had to be creative,” says Selman. “Instead of using water bottles on set, we lugged our own water jugs.”

via Project GREENLIT – Denver Magazine – July 2010 – Denver, CO.

An accidental hero? BP, oil spills and innovation : RSA Projects

It’s been the story that has covered the financial press for weeks. BP’s involvement in the oil spill in the Gulf of Mexico has dominated the news, sent its share price plummeting, and erupted a row of diplomacy between the US and the UK over the treatment of the oil giant.

But in all the bad news perhaps there is one area of hope to come from all of this. And that’s in the area of green technology and innovation.

Vinod Khosla, of Khosla Ventures recently said that he believed the BP oil spill would spur innovation in the green technology market and provide a once in a lifetime window of opportunity to develop and build new and sustainable technologies as a result. Khosla, the co-founder of Sun Microsystems has a track record of investing in winners making his comments worth taking notice of. Could this be a turning point?

Perhaps we are entering a new age where it’s not warfare but the environment that will drive innovation

Evidence of new ideas spurred on by the disaster have been seen close to home. The BBC website asked readers to come up with novel ways to find a solution to plugging the gap. Ex-plumbers and would-be inventors all came up with a variety of solutions to deal with the problem from a giant umbrella to a larger version of the technology used to plug a leak in household plumbing. None would work, but what’s promising in all of this is that the oil spill has managed to capture the imagination of innovators and would be inventors.

Courtesy of Infrogmation of New Orleans

So the question that this raises is what fosters such innovation in the light of such adversity? In a world where technology has generally been spurred on through wars and subsequent technologies spun off from military hardware, perhaps we are entering a new age where it’s not warfare but the environment that will drive innovation. And why is the BP oil spill different from the many others corporate accidents that occur?

Firstly, the locality of the accident to the US and to Silicon Valley will play a big part in the regions industries and venture capitalists focusing on green technologies. When the problem is on your doorstep, and the environmental impact of the gulf spill certainly is on America’s, it makes the problem local, personal and the need to solve it becomes greater. America has long been criticised for not doing enough in terms of the environment but this will all have to change following these recent events if they are to continue to enjoy the landscape and ecosystems that many have taken for granted for so long.

The second reason is that things can’t actually get much worse, which leaves innovators with a golden opportunity to make mistakes. Sir Harold Evans, the legendary journalist and commentator on innovation discussed this very concept in his talk here at the RSA a few weeks ago.  He discussed that the myth of the “Eureka” moment has discouraged many would be innovators and inventors to consider themselves not good enough with their ideas. The process of innovation as described by Evans is one in which mistakes are allowed, if not essential, as part of the process of developing and bringing forward new inventive ideas. So in the Gulf of Mexico  things can hardly get worse. This gives a golden opportunity to try out new solutions and develop and innovate them. Entrepreneurs and would be inventors can work and trial the unthinkable, knowing that failure is only one of the steps to finding success. This will allow for more bolder and creative solutions to be tried which Kholsla and many others argue will be the place in which we find some of the great technologies that will change the environment and our society.

From an entrepreneur’s view, the green energy industry has just received a cash injection of £20 billion dollars and unrivalled government support

Thirdly, view this crisis from the eyes of on entrepreneur and it’s an industry that has just received a cash injection of £20 billion dollars and unrivalled government support to help technology – not bad conditions for any would be industry.  This opens up opportunities for the rate of change and rate of innovation in the green tech sector to develop far beyond what has been seen previously. If we look at the development and innovation of the internet, new entrepreneurs and new minds accelerated the use of technologies and changed the industry from dial-up to the super fast broadband we have today. This same pattern of development could be spurred on from the BP oil spill as a variety of new entrepreneurs who follow the mantra “that a crisis is a terrible thing to waste” enter the market supported by venture capitalists in Silicon Valley who have a personal interest in cleaning up the environment because it’s right on their doorstep.

So even in the face of one of the world’s most significant disasters, we can find hope for the future, and for our planet. Localised problems spur on localised innovation, and a space to make mistakes may well see the development of technologies that help combat climate change and ensure that we have the tools to deal with future environmental disasters. Let’s hope that one thing that comes from this is that we don’t waste this opportunity to change the face of the green technologies industry or even more importantly create a new wave of green entrepreneurs committed to developing technologies in this sector.

via An accidental hero? BP, oil spills and innovation : RSA Projects.

2009 Green Day LDI

GREEN Day:
Greening in the Entertainment Industry

Thursday, November 19, 2009 – Room# N322
Join LDI in going GREEN! A full day dedicated to what the industry is doing—and can do—to reduce its carbon footprint and be environmentally smart!  A special full-day conference organized in conjunction with Showman Fabricators, as LDI “goes green.”
Sessions open to all LDI full-conference badge holders, and four-pack or eight-pack tickets.

PLUS: The Green Technology Today Showcase on the LDI Show Floor: November 20-22

9:00am-9:30am:

Welcome and Kick-Off
Bob Usdin of Showman Fabricators kick off Green Day with an overview of what’s happening in various aspects of the industry.

9:30am-10:30am

GD01 Why Bother? A Session for Skeptics!!!!!
Is there a Crisis?  The facts are indisputable when you see this evidence. Why is Greening in the entertainment industry important?  Beyond just the immediate carbon footprint of an event, talk about the ultimate payoff: Getting your audience to be green in their lives.
Learn about the 4-D’s, and how to deal with skeptics.

Speakers:
Paul Reale, Chief Executive Officer and Founder of Green Allowance and trained speaker from Al Gore’s The Climate project will present the undeniable evidence from the Inconvenient Truth with updates on today’s global climate.

11:00am-12:30pm

GD02 Green Standards: Alphabet Soup
LEED, CRI, Greenguard, FSC, Greenlabel, VOC, MERV, 3 R’s, CFC’s, Carbon Offsets: A whole new language has evolved around greening. What does it all mean? More importantly, what standards are useful for the entertainment industry? We’ll look at how to weigh claims and benefits in materials, products, and practices.

Speakers:
Josh Allen, Theatre Consultants Collaborative
Seema Sueko, Moolelo Theatre
Mitchell Kurtz, AIA, LEED AP
David Weiner, Scenic Designer
View Green Products from the LDI Show Floor

What are manufacturers and suppliers offering that are green?  LDI exhibitors are invited to showcase their products that can contribute to making productions greener and more sustainable.

AC Lighting • Apollo • Clark Transfer • Creative Stage Lighting • Doug Fleenor Design • Gekko / PRG • Green Scene / Pro Tech • Iluminarc • Rose Brand • Rosco • Showman Fabricators • Stageline • Tomcat

Coordinated by: David I. Taylor, ARUP

2:00pm-3:00pm

GD03 Breakout Brainstorming Session:
This roundtable discussion will seek out Best/Better Practices being used around the country, in a completely ‘hands-on’ traditional brainstorming session with post-its and white boards. At the end of the session all ideas will be compiled and posted on a website. Bring every idea to the table no matter how crazy.

To focus attention, there will be three separate groups:
* Lighting / Sound / Projections
* Scenery / Staging / Props / Costumes
* Buildings / Facilities / General Operations

Introduction: Bob Usdin
Coordinators: Bryan Raven, White Light Ltd, Ian Garrett, Center for Sustainable Practice in the Arts
Speakers: Bryan Raven, White Light Ltd, David Duell, Jonathan Deull, Laurel Dutcher
Scenery/Staging/Props/Costumes Coordinators: Annie Jacobs, Showman; Peter Monahan, Rose Brand
Buildings/Facilities/General Operations Coordinators: David Taylor, ARUP; Curtis Kasefang, Theatre Consultants Collaborative

3:15pm-4:30pm

GD04 Closing Session: The Proof is in the Pudding:
A look at projects from the past year that incorporated some green projects (productions, events, buildings, theatre companies, etc.) followed by a general discussion of where the entertainment industry can and should go to be green.

Speakers:
Bob Usdin, Showman Fabricators
David Taylor, Arup
Charlie Duell, Clark Transfer, Touring Green and Broadway Alliance
Katie Carpenter, Green Media Solutions
Meredith Bergmana, Green Media Solutions
Ben Todd, Arcola Theatre


Green Awards at LDI

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LDI – the country’s foremost entertainment industry trade conference – and Showman Fabricators – NYC’s largest and most diverse scenic fabrication shop – are teaming together to bring to the forefront sustainability of the Entertainment Technology field.

Green Awards

One method to accomplish this will be to present two Green Awards at the LDI awards ceremony.  The two awards are the Best Green Product Award and the Best Green Show/Project Award.  These awards, in their inaugural year, will bring a focus to companies who have made strides in the greening of the entertainment technology field.

If you have participated in any shows or projects which have taken steps to create a greener production value, we invite you to nominate the show or project.  We are not limiting the award to shows of a specific size, but rather encourage all those involved in shows or projects which have been able to integrate some measure of sustainability into their production to nominate that production.

nomination process

If you know of a show or event that has made strides, the nomination process is simple.  The linked form will need to be filled out.  Please be as descriptive as possible, and if you need additional space feel free to extend to a second page.  This form is due by October 8th.  Additionally we will require a 2 minute or less electronic presentation (either PowerPoint or video) that will be used at LDI.  Some presentations may be incorporated into the Green Day panels at LDI, and all events will be on display for three days as part of a Green Technology Today Showcase – a booth about sustainability which will be on the tradeshow floor.  These opportunities will give those in the entertainment technology industry a chance to see what you are doing.  This presentation will need to be submitted by October 27th.

criteria

Projects will be judged on several criteria including their originality, use of green techniques, environmental impact, and message to an audience.

awards

Both awards will be presented at the LDI awards ceremony on November 21st however you do not need to be present to win.  LDI will feature the award winners in their magazine and on their website.

questions

Any questions can be directed to Bob Usdin (718.935.9899 or busdin@showfab.com).
For additional information on LDI please visit www.ldishow.com.

Forms

LDI Green Awards Announcement and Nomination Form

LDI Green Awards Nomination Form

2009 Green Day

GREEN Day: Greening in the Entertainment Industry

Thursday, November 19, 2009

Join LDI in going GREEN! A full day dedicated to what the industry is doing—and can do—to reduce its carbon footprint and be environmentally smart!  A special full-day conference organized in conjunction with Showman Fabricators, as LDI “goes green.”

Sessions open to all LDI full-conference badge holders, and four-pack or eight-pack tickets.

PLUS: The Green Technology Today Showcase on the LDI Show Floor: November 20-22

9:00am-9:30am:
Welcome and Kick-Off
Bob Usdin of Showman Fabricators and the Broadway Green Alliance kick off Green Day with an overview of what’s happening in various aspects of the industry. Featured speakers include David Taylor, Arup;

9:30am-10:30am
GD01 Why Bother? A Session for Skeptics!!!!!

Is there a Crisis?  The facts are indisputable when you see this evidence. Why is Greening in the entertainment industry important?  Beyond just the immediate carbon footprint of an event, talk about the ultimate payoff: Getting your audience to be green in their lives.
Learn about the 4-D’s, and how to deal with skeptics.

11:00am-12:30pm
GD02 Green Standards: Alphabet Soup

LEED, CRI, Greenguard, FSC, Greenlabel, VOC, MERV, 3 R’s, CFC’s, Carbon Offsets: A whole new language has evolved around greening. What does it all mean? More importantly, what standards are useful for the entertainment industry? We’ll look at how to weigh claims and benefits in materials, products, and practices.

View Green Products from the LDI Show Floor
What are manufacturers and suppliers offering that are green?  LDI exhibitors are invited to showcase their products that can contribute to making productions greener and more sustainable.

2:00pm-3:00pm
GD03 Breakout Brainstorming Session:

This roundtable discussion will seek out Best/Better Practices being used around the country, in a completely ‘hands-on’ traditional brainstorming session with post-its and white boards. At the end of the session all ideas will be compiled and posted on a website. Bring every idea to the table no matter how crazy.

To focus attention, there will be three separate groups:
* Lighting / Sound / Projections
* Scenery / Staging / Props / Costumes
Buildings / Facilities / General Operations

3:15pm-4:30pm
GD04 Closing Session: The Proof is in the Pudding:

A look at projects from the past year that incorporated some green projects (productions, events, buildings, theatre companies, etc.) followed by a general discussion of where the entertainment industry can and should go to be green.

Green Pavillion

What are manufacturers and suppliers offering that are green?  LDI exhibitors are invited to showcase their products that can contribute to making productions greener and more sustainable; in conjunction with The Green Technology Today Showcase on the exhibit floor, presented by LDI and Showman Fabricators. For information on how to participate in this session and The Green Technology Today Showcase:rusdin@showfab.com. Click here to download the Green Pavilion form

via 2009 Green Day .

LDI is Going Green

LDI 2009
November 19-22
Orlando, Florida

LDI GREEN DAY
Full day conference consisting of multiple panels that focus on Green Topics for the Entertainment Industry will be presented on Thursday, November 19.

GREEN TECHNOLOGY TODAY SHOWCASE -PRESENTED BY LDI AND SHOWMAN FABRICATORS
A booth on the exhibit floor that exclusively displays Green products. This showcase will be a first of its kind opportunity to bring together Green products specific to the entertainment industry.

GREEN AWARDS SPONSORED BY SHOWMAN FABRICATORS
This years LDI will be the inaugural year for two Green awards at the LDI awards ceremony.

  • The Green Product of the Year will be chosen from exhibitors in the Green Technology Today Showcase.
  • The Green Event/Show of the Year award is open for submissions from anyone in the entertainment/ live event industry. This award specifically spotlights and celebrates a show or event which was able to integrate sustainability into its production.

For more information and to register for the conference please visit www.ldishow.com or contact Bob Usdin at Showman Fabricators (rusdin@showfab.com).

Sponsored by

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