Interactive Elements

Su Grierson’s Intersections

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This post comes to you from EcoArtScotland

cbd20ef485c2df479f9d4944622b1c81The survey exhibition Intersections by Su Grierson opens this Sunday 30th June in Perth Concert Hall’s Threshold artspace,

Exhibition runs 30 June – 30 November 2013

Mon-Sat 10am-5pm (until 10pm on performance nights)

Commenting on her new project which features a combination of photography, video and sound installations as well as interactive elements across previously undiscovered art display areas in Perth Concert Hall’s Threshold artspace Su said,

Using combinations of video, sound and image I create installations that draw attention to, question, visually stimulate and propose the issues of my attention.

My hope is that through vision the work can stimulate thought and perhaps new understanding.

The Sunday Brunch opening is free and all are welcome but are asked to email numbers to i.nedkova@horsecross.co.uk

As well as selected earlier artworks which engage with contemporary landscape in non-traditional ways, Intersections features a newly commissioned work for the 22 screen Threshold wave. This new work follows from a 10-week residency in Fukushima Japan where she was able to visit the nuclear, earthquake and tsunami disaster areas and meet with the still dispossessed refugees as well as experience the beautiful snowy mountains of the Province (documentation on ecoartscotland here).

The accompanying book Intersections details Su Grierson’s land related art projects over the last 17 years and unusually includes invited texts from other professionals working in the rural arena, including John Brennan head of the Edinburgh School of Architecture and Landscape Architecture at the University of Edinburgh, Paul Kingsnorth writer and poet, Sascha Grierson organic farmer, Tristan Gooley writer, navigator and explorer and Jan Van Boeckel anthropologist, filmmaker and educator.

Rather than following the more usual pattern of using the book to position her work within the arena of contemporary art, Su has chosen to take the opportunity to relate it to the work of other professionals working in the rural environment.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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H20 – Preview: Rebecca Goodman

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This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

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CONCEPT: Drop. Living with an average of only ten inches of rain a year, San Diegans often long for lush, green, grassy yards.  This is especially true in the summer, when the rain all but stops and those who choose not to water their yards watch their (at least they’re green) winter weed patches turn into brown, dirt lots.  Inspired by the form of falling rain, Drop is an eight-foot tall steel sculpture with a living surface of succulents that will remain green year round.  Leaf-like veins comprise the structure and the steel has natural, rusty patina that will continue to develop over time.  A hammock-like sling hangs in the center of form, supporting a living pad of Sedums, Echeverias, Crassulas, and other succulent varieties that require minimal water to remain beautiful and verdant.

ABOUT: Rebecca Goodman has a Master’s of Fine Art degree from San Diego State University’s School of Art, Design, and Art History with an emphasis in studio furniture. She received a BFA in the same subject from California College of Art in San Francisco in 2002 and has spent much of her life on stage- dancing, acting, and designing sets and props.  This has affected her work greatly, making the performance and interactive elements key.  Also important to her work has been her study of ritual and spirituality in world cultures. Rebecca enjoys bringing together her investigations of sculptural forms and movement and is available to create unique and custom pieces ranging from personal altars and reliquaries to functional objects, sculptures, and interactive performance experiences.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

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