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dramas missing in action

This post comes to you from Ashden Directory

Kellie Gutman writes:

With War Horse coming to the end of its run in Boston, the theatre critic for the Boston Globe, Don Aucoin remarks on the dearth of war dramas on stage.  He writes:During a decade when the United States was mired in two wrenching, costly, and divisive wars, the only combat drama to win a Tony Award as best play was a heartwarming, puppet-driven tale about a British lad and his beloved steed in World War I: War Horse… In fact, if you scan the list of plays, musicals, and performances nominated for Tonys in the past ten years, you’d barely know we were at war at all.

Until recently, much the same could be said about plays on climate change.

See british playwrights have “blithely ignored” climate change

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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miniature horse meets war horse

Celeste and Joey, courtesy the Boston Globe

This post comes to you from Ashden Directory

Kellie Gutman writes:

War Horse opened in Boston on October 10 for a two-week run.  The traveling Broadway production, which originated at the National Theatre a few years ago, is getting all sorts of press.  The day before the opening the main characters – the horse Joey, his owner and his puppeteer – went to the Animal Rescue League in Dedham, Massachusetts to have a play date with Celeste, a miniature horse who had been involved in an animal cruelty case earlier in the year.  Joey is a well-traveled steed.  He has also been to Windsor Castle where he apparently won over the heart of the Queen.  The Handspring Puppet Company cofounders Adrian Kohler and Basil Jones, who designed the War Horse puppets, were featured in a long article about their puppets in the Boston Globe.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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the family and the world heat up in Nick Payne’s play

Photo: Joan Marcus

This post comes to you from Ashden Directory

Kellie Gutman writes:

If There Is I Haven’t Found it Yet, with Brian O’Byrne and Jake Gyllenhaal, opened in New York’s Roundabout Theatre in September and runs through 25 November.  It was written by Nick Payne, and inspired by his reading of Heat by George Monbiot, about decreasing one’s carbon footprint.  Payne saw that many authors of environmentally-themed books had dedicated them to their children, and it gave him the idea of a father trying to save the planet in order to make the world a better place for his children, and beyond.  But the father is so wrapped up in his work that he fails to notice the problems within his own family.  The New York Times review is here.

Artistic director Todd Haimes writes:

On one level, we are watching a domestic drama play about a mother, father, daughter, and uncle.  But the play also takes on a much bigger global issue.  We all want to do the right thing for both the world at large and for the world of our own family, but maybe that’s impossible.

More George Monbiot on ashdenizen:
roundheads and cavaliers
the negotiator and the polemicist
vanishing act
George Monbiot finds Dr. Faustus the classic text for climate change

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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The golden glow of arts funding

This post comes to you from Ashden Directory

Wallace Heim writes:

Wooloo.org is the organisation in Copenhagen that came up with the idea of housing artists and activists in people’s home for the climate talks. Their website lists open calls for artist’s awards, residencies and other opportunities.

This week’s Special Call is for Passion to Perform – Art Competition 2012, for paintings, photography, sculptures and drawings, with prizes of Canadian $6,000, $2,500 and $1,000.

It’s not exactly an ‘open’ call.

The sponsor is Yamana Gold, one of the world’s leading gold and copper mining companies, with operations throughout the Americas, primarily Argentina and Brazil. They are asking for artworks that are inspired by the company’s core principles: “sustainability, dependability, respect for the environment and our communities, safety of our colleagues.”

“Passion to Perform is a competition which celebrates the success of Yamana Gold, and we are looking forward to engaging creatively in a way that reflects our company’s diversity and core values.”

Other views about Yamana Gold’s principles are here and here.

Photo above of the Gualcamayo open pit, heap leach gold operation in the San Juan province of Argentina, courtesy of the Yamana Gold website.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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The first river to have legal rights

The Whanganui River, Aotearoa / New Zealand, photo: Phil Robinson

This post comes to you from Ashden Directory

Wallace Heim writes:

For the first time, a river has been given a legal voice. The Whanganui Riverin New Zealandhas become a legal entity, and will be recognised as a person in law in the same way that a company is, giving it rights and interests.

The status of the river as Te Awa Tupua (an integrated, living whole) is a step in the resolution of historical grievances and court cases between the Whanganui iwi, the Maori peoples and nations living along the river, and the Crown. Two guardians, one from the Whanganui Riveriwi, and one from the Crown will be given the role of protecting the river.

In the UK, ‘rights’ generally means the right to access for humans to rivers, or the right to flood protection.

But many artists are negotiating the relations between human use and the free-running of rivers, navigating the values and affections towards rivers. Just now, among these are Multi-Story Water on the River Aire in Shipley and the River Frome in Bristol, and River Runs on the Thames near Oxford. Jem Southam is exhibiting photographs of the River Exe, investigating what makes or defines a river. Earlier this year, Flow turned the Tyne into music in Newcastle. And two decades ago, Still Waters uncovered the buried rivers of London.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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Weather presenter freaks out

This post comes to you from Ashden Directory
http://youtu.be/TmfcJP_0eMc

A colleague has emailed us this clip. A weather presenter strays into climate reporting, comedy and reality.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Powered by WPeMatico