Jonathan

Jonathan Jones faces the empty museum

This post comes to you from Ashden Directory

Guardian art critic Jonathan Jones on the sixth extinction:
“Human activity endangers entire species, yet human culture is profoundly rooted in nature. The loss of a species is also a loss of the images, stories, symbols and wonders that we live by – to call it a cultural loss may sound too cerebral: what we lose when we lose animals is the very meaning of life…The range of animals and plants threatened by the sixth extinction is such that it menaces the foundations of culture as well as the diversity of nature. We are part of nature and it has always fed our imaginations. We face the bare walls of an empty museum, a gallery of the dead.”

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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The right environment

from The Last Lunch

This post comes to you from Ashden Directory

Wallace Heim writes:

The Best New Play Award, offered collaboratively by New Writing South and the Brighton Fringe, is an award that has nothing to do with ecology. But this year’s award was given to two productions that have something to do with ecology.Playwright Jonathan Brown won for his play about meat-eating, The Last Lunch.

The company Feral Theatre won for Triptych, three productions on loss and extinction: Papusza, The Last of the Curlews and TreeStory.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

The new bucolics: Caught by the River


Illustration by Jonathan Newdick from Caught by The River

In our industrial societies,  nature comes to represent the escape from the business of our lives. Caught by the River (“the antidote to indifference”) has been around a while; it’s an interesting collective of people who have come together to reflect on the luxury of taking time out in by a riverbank.

It’s a website less inspired by environmentalism than a kind of gentle refusenik-ism – something more to do with Tom Hogkinson’s and Gavin Praetor-Pinney’s The Idler than anything more strident – but it’s growing into a great online repository for new ways of looking at the British countryside.

Co-founded music entrepreneur Jeff Barrett and including a contributor list of artists, writers, photographers and songsmiths it claims the late Roger Deakin as its patron saint. Deakin’s brilliant Waterlog: A Swimmer’s Journey Through Britain is becoming a handbook for a kind of half-mystical, half-historic neo-Romantic approach to the world.

The site is full of gems. Last week they featured a timely reappraisal of the work of Richard Brautigan; today they start to feature a series of pieces of music influenced by birds. They begin with a song from British Sea Power called “The Great Skua (Plover demo”) which you can listen to here.

Last year they published an anthology:  Caught by the River: A Collection of Words on Water.
Go to RSA Arts & Ecology

Manchester Festival announces programme: it’s good

manchester21The second Manchester International Festival released its 2009 programme this week. It’s turning into the the best multi-platform arts festival in the UK – but then the size of its budget – a whopping £10m this year – probably helps with that. That said, they’re making great artistic decisions. While the Edinburgh International Festival is clearly on the up under Jonathan Mills, Manchester is setting a great standard in new commissions.

And obviously chosing to put an image for Gustav Metzger’s new plea for environmental sanity Flailing Trees, which is one of those commisions, on the cover shows a kind of ethical intent which other festivals need to match.

More about Metzger’s sculpture here.

Go to RSA Arts & Ecology